Molly Jong-Fast is the only child of a famous woman, writer Erica Jong, whose sensational book Fear of Flying launched her into second-wave feminist stardom. She grew up yearning for a connection with her dreamy, glamorous, just out of reach mother, who always seemed to be heading somewhere that wasn’t with Molly. When, in 2023, Erica was diagnosed with dementia just as Molly’s husband discovered he had a rare cancer, Jong-Fast was catapulted into a transformative year.

Shining a white-hot spotlight on America’s famous, from Hollywood legends to Broadway stars to media moguls, Notorious is a captivating assortment of columnist Maureen Dowd’s most compelling style features and profiles. Using her signature wit and incisive commentary as a scalpel, Dowd dissects influential cultural elite.

Bruce Vilanch is known as a go-to comedy writer for award shows, sitcoms, and top-heavy variety specials, but he has also been responsible for quite a few of the worst shows ever put on television—legendarily bad productions. It Seemed Like a Bad Idea at the Time is a lifetime reflection of what Vilanch has experienced, learned, forgotten, dismissed, and embraced in decades of working in show business

When Graydon Carter was offered the editorship of Vanity Fair in 1992, he knew he faced an uphill battle—how to make the esteemed and long-established magazine his own. Not only was he confronted with a staff that he perceived to be loyal to the previous regime, but he arrived only a few years after launching Spy magazine, which gloried in skewering the celebrated and powerful—the very people Vanity Fair venerated.

In November 1999, Joan Didion began seeing a psychiatrist because, as she wrote to a friend, her family had had “a rough few years.” She described the sessions in a journal she created for her husband, John Gregory Dunne. For several months, Didion recorded conversations with the psychiatrist in meticulous detail. The initial sessions focused on alcoholism, adoption, depression, anxiety, guilt, and the heartbreaking complexities of her relationship with her daughter, Quintana. The subjects evolved to include her work, which she was finding difficult to maintain for sustained periods.

Vivien Leigh was one of the greatest film and theatrical stars of the 1930s, '40s, and '50s. Her Oscar-winning performances in Gone With the Wind and A Streetcar Named Desire have cemented her status as an icon of Hollywood. Behind the scenes, however, Leigh's personal life was marred by manic depression. Largely misunderstood and subjected to barbaric mistreatment at the hands of her doctors, she would also suffer the heartbreak of Olivier's infidelity. Unlike previous biographies, Where Madness Lies begins in 1953 when Leigh suffered a nervous breakdown and was institutionalized.

In the early 1920s, surrounded by the roaring streets of avant-garde Paris, Piet Mondrian began creating what would become some of the most recognizable abstract paintings of the 20th century. With rectangles of primary colors against a dazzling white background, this was geometric abstraction in its purest form. These revolutionary compositions exhilarated, intoxicated, confused, and enraged the international public—and changed the course of modern art forever. Now, for the first time, Mondrian emerges alongside his thrilling art.

Tracing the career of a writer of uncertain parentage and omnivorous erotic tastes, Answered Prayers careens from a louche bar in Tangiers to a banquette at La Côte Basque, from literary salons to high-priced whorehouses. It takes in calculating beauties and sadistic husbands along with such real-life supporting characters as Colette, the Duchess of Windsor, Montgomery Clift, and Tallulah Bankhead. Above all, this malevolently funny book displays Capote at his most relentlessly observant and murderously witty.

As part of the legendary comedy team known as Nichols and May, May revolutionized sketch comedy before striking out on her own to make history as the third woman to be admitted into the Directors Guild of America when she wrote, directed, and starred in 1971’s A New Leaf. Throughout the 1970s and ‘80s, May was one of Hollywood’s top screenwriters and script doctors and one of the only women directing within the studio system. After a box-office bomb, May never directed a feature again, though she continued to write films.

More than perhaps any other book, this collection by one of the most distinctive prose stylists of our era captures the unique time and place of Joan Didion’s focus, exploring subjects such as John Wayne and Howard Hughes, growing up in California and the nature of good and evil in a Death Valley motel room, and, especially, the essence of San Francisco’s Haight-Ashbury, the heart of the counterculture.

Starting in 1975, Vietnam’s “boat people”—desperate families seeking freedom—fled the Communist government and violence in their country any way they could, usually by boat across the South China Sea. Vicky Nguyen and her family were among them. Attacked at sea by pirates before reaching a refugee camp in Malaysia, Vicky’s family survived on rations and waited months until they were sponsored to America. But deciding to leave and start a new life in a new country is half the story…figuring out how to be American is the other.

Could you write what you write if you weren’t so tiny, Joan? —Eve Babitz, in a letter to Joan Didion, 1972. Joan Didion, revealed at last… Eve Babitz died on December 17, 2021. Found in the wrack, ruin, and filth of her apartment, a stack of boxes packed by her mother decades before. The boxes were pristine, the seals of duct tape unbroken. Inside, a lost world. This world turned for a certain number of years in the late sixties and early seventies, and centered on a two-story rental in a down-at-heel section of Hollywood.

Writing in his own singular voice, Barry Diller delivers both an astute and entertaining business memoir and a surprisingly frank coming-of-age story. After starting his career in the mailroom of the William Morris Agency, Diller went on to have one of the most extraordinary ascents in show business history, inventing the TV Movie of the Week for ABC at age twenty-seven, becoming CEO of Paramount Pictures at age thirty-two, and launching the Fox TV network at age forty-four.

Dark City expands with new chapters and a fresh collection of restored photos that illustrate the mythic landscape of the imagination. It's a place where the men and women who created film noir often find themselves dangling from the same sinister heights as the silver-screen avatars to whom they gave life.

In the summer of 1925, Katharine Sergeant Angell White walked into The New Yorker’s midtown office and left with a job as an editor. The magazine was only a few months old. Over the next thirty-six years, White would transform the publication into a literary powerhouse. This exquisite biography brings to life the remarkable relationships White fostered with her writers and how these relationships nurtured an astonishing array of literary talent.