Two little girls stand with their heads bowed in my living room. I’m told they’re my granddaughters. Daisy is nine, and Alice seven. Daisy is the spitting image of her mother. This is the first time I’ve met them since my daughter and I fell out after she married that waste of space, Vince. They’ve come to live with me because their mother — my daughter — was murdered. In her own home while they slept close by. I think Vince killed her. But the police can’t prove it. I’ve always known he was no good. He treated my daughter like dirt. I said he’d cheat on her — but she wouldn’t listen.

Lowen Ashleigh is a struggling writer on the brink of financial ruin when she accepts the job offer of a lifetime. Jeremy Crawford, husband of best-selling author Verity Crawford, has hired Lowen to complete the remaining books in a successful series his injured wife is unable to finish. Lowen arrives at the Crawford home, ready to sort through years of Verity's notes and outlines, hoping to find enough material to get her started. What Lowen doesn't expect to uncover in the chaotic office is an unfinished autobiography Verity never intended for anyone to read.

Who is Audrey Hoedemaker? It's a question her sister Maureen has heard more times than she can count, and she doesn't know what the short answer would be. Little sister, troubled teen, backpacker, musical theatre coach, con artist, childcare worker. Murderer. A tragic, traumatic childhood casts a long shadow on the Hoedemaker sisters. Maureen has worked hard to move beyond the violence of the past and build a good, honest life for herself. Audrey, however, just can't seem to do the same, careening from one state of chaos to another.

After the killing of a prominent mob lawyer, NYPD homicide detectives Jacob Jackson and Caitlin Grimes start receive chilling, written “rules” for how to commit the perfect murder. "Rule number one for the perfect murder: Evidence is your enemy. Leave none behind." Jackson (Reid Scott) and Grimes (Cobie Smulders) race to find the killer, setting them on a collision course with the city’s crime underbelly, and a perpetrator who seems happy to toy with them. “Rule number two. No crimes of passion. The perfect murder is always business, never pleasure.”

Kidnappers grabbed Jenna in broad daylight, right in front of her children and their horrified classmates. Her family was issued an insane ransom demand: $25 million in cash and jewels, payable by the end of the school day, otherwise they’ll never see her again. As Jenna’s mother scrambles to gather the money, detectives Mo Butler and George Ortega follow the trail of the kidnappers, which will lead them through a sordid landscape of jealous lovers, broken dreamers, and twisted schemers. But every second counts, and there’s one thing Jenna Wade doesn’t have: very much time.

Jessica Cleary took up running the Arizona hiking trails as a way to cope with the recent loss of her father. While out on a run in Wasp Canyon, Jessica stumbles upon a gruesome scene and finds herself injured and running for her life. There is something lurking inside Wasp Canyon—something vicious, cunning, and with an insatiable appetite. When people in town start falling victim to a mysterious predator and the police are unable to offer any explanation, Jessica decides it's time to stop running—it's time to stop running and fight.

Fifteen years after graduation, four old university friends get together to celebrate Luke’s stag party. Tucked away in a remote village in the Lake District, they expect a weekend of real ale, log fires and gentle hikes – but a stag party of locals have other ideas. Unwillingly drawn into one-upmanship and animosity, the four friends find themselves being hunted across unfamiliar ground in a game of deadly consequences. With only one of them guaranteed to survive, old wounds and resentments threaten to tear them apart as much as their pursuers.

Paranormal enthusiast Jack will stop at nothing until he understands the afterlife while his partner, Daniel, hates ghostly antics. But after Jack is called into a paranormal investigation—then abandoned after the homeowner goes missing, leaving behind nothing but her bloody clothes—Daniel must come to his rescue. Soon they discover that the house has a darkness and deadly secrets that threaten to make them the next victims.

Set in rural 19th century America, Mother Lola is a psychological suspense about psychosis, guilt, and the instability of the human mind. This short classics-inspired novel will immerse you in an atmosphere of dread, and the climactic end to Ben’s journey will be unforgettable.

For the children, Haverhill was just their normal, boring hometown: quiet, unassuming, and living in the shadow of other places nearby. As winter fell, bathing the town in frost and snow, an ominous, primeval shadow rose from the darkest parts of Haverhill. Watching, lurking, grasping in ravenous fury. When this nightmarish force takes their friend, dragging him to a cold, watery death, the children suddenly find themselves prey to a malevolent horror that has finally woken after centuries of slumber.