Edgar Allan Poe Audiobook Collection 5: Eureka
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Narrated by:
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Christopher Aruffo
About this listen
Poe's masterpiece of cosmology unites the laws of Nature with the infinite Universe - to its Creation, its Material and Spiritual Essence, and its ultimate Destiny. At once thoughtful, heretical, and beautiful, the author himself proclaims Eureka as his life's greatest achievement.
Also included:
Instinct vs. Reason - A Black Cat
The Philosophy of Furniture
A Few Words on Etiquette
Credulity
A Charlatan!
Maelzel's Chess-Player
The Swiss Bell Ringers
©2007 Acoustic Learning Inc. (P)2007 Acoustic Learning Inc.Listeners also enjoyed...
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The Philosophy of Composition
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Edgar Allan Poe’s essay, "The Philosophy of Composition", sets forth a theory on good writing. It first appeared in the April 1846 issue of Graham's Magazine, and Poe illustrates his theory on the composition of his poem, "The Raven". The three main elements of his philosophy of composition are length, logical method, and "unity of effect". Poe believed that literary works should be short, claimed that writing is methodical, not spontaneous, and asserted that a work of fiction ought to be written only after the author has decided on the conclusion.
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This is a story from the Chilling Ghost Stories collection. The Raven, by Edgar Allan Poe, tells of a talking raven's mysterious visit to a distraught lover, tracing the man's slow fall into madness. First published in January 1845, the poem is often noted for its musicality, stylized language, and supernatural atmosphere.
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Perfect when reading speed is slowed down
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The bloody-minded Montresor leads the pompous Fortunato deep into the catacombs, seeking the famed Amontillado wine. Here we have one of Poe’s most terrifying, and most “beloved” tales. Revenge and pomposity commingle beneath the river’s bed, leading to a delightfully sinister conclusion.
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A classic for a good reason
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The Philosophy of Composition
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Overall
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Performance
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Story
Edgar Allan Poe’s essay, "The Philosophy of Composition", sets forth a theory on good writing. It first appeared in the April 1846 issue of Graham's Magazine, and Poe illustrates his theory on the composition of his poem, "The Raven". The three main elements of his philosophy of composition are length, logical method, and "unity of effect". Poe believed that literary works should be short, claimed that writing is methodical, not spontaneous, and asserted that a work of fiction ought to be written only after the author has decided on the conclusion.
By: Edgar Allan Poe
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Overall
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Performance
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Story
This is a story from the Chilling Ghost Stories collection. The Raven, by Edgar Allan Poe, tells of a talking raven's mysterious visit to a distraught lover, tracing the man's slow fall into madness. First published in January 1845, the poem is often noted for its musicality, stylized language, and supernatural atmosphere.
-
-
Perfect when reading speed is slowed down
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Overall
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Performance
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The bloody-minded Montresor leads the pompous Fortunato deep into the catacombs, seeking the famed Amontillado wine. Here we have one of Poe’s most terrifying, and most “beloved” tales. Revenge and pomposity commingle beneath the river’s bed, leading to a delightfully sinister conclusion.
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A classic for a good reason
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What listeners say about Edgar Allan Poe Audiobook Collection 5: Eureka
Average customer ratingsReviews - Please select the tabs below to change the source of reviews.
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- Amazon Customer
- 07-30-19
poetic look into 17th century ideas & insightful t
Fun to read. it's a nice review of 17th English words, & very poetic. very pretty use of words.
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- Doug D. Eigsti
- 02-23-15
Christopher Aruffo Speaks With Poe’s Voice
I am reviewing this entire series narrated by Christopher Aruffo: Volumes 1 through 13
Some of the volumes have been grouped together. It is therefore possible to acquire all 13 volumes contained in just 7 different audiobook titles.
Since Edgar Allan Poe is such a familiar figure of American literature I will focus my attentions on the quality of this particular audiobook production. The sound is clean and pure. The occasional sound effects are appropriate and enhance the enjoyment of the stories. The pronunciation leans toward the British occasionally, as is justified by the characters, but Christopher Aruffo’s voice is resoundingly American.
Christopher Aruffo has a fine and versatile voice. His rendering of these Poe stories is wonderful and urgently demands your attention making it difficult for your mind to wander. Aruffo’s ability to voice different characters makes me wish that Poe had constructed his tales utilizing a larger cast of characters and with more dialog. I had always enjoyed the stories of Edgar Allan Poe but now that I can hear Christopher Aruffo narrate them I find that Poe makes more sense. It seems that it takes a faithful and entirely devoted rendering by a scholar such as Aruffo to get inside Poe’s head and then voice them for me in order for me to fully appreciate Poe. I do think that Aruffo deeply understands Poe at a level that only someone fully immersed in Poe’s oeuvre can hope to do. I even found that the many articles included in this collection were made enjoyable—even artistic—by Christopher Aruffo’s sublime delivery.
The HIGHLIGHTS of this collection include the following:
Poe’s Erueka (Collection 5) reveals that Poe was up to date with the latest scientific discoveries of his day. In it he expounds at length upon the nature of the universe and the primary forces that affect it. It is less dated than I would have supposed considering its nineteenth century origin. Poe calls this a prose poem and wished for it to be judged by the standards of poetry.
In “The Facts in the Case of M. Valdemar” (Collection 10) Aruffo gave me such a shock in delivering the voice of the mesmerized M. Valdemar that I had to go back and listen to it again to hear what was being said. Here Aruffo enhances the impact of Poe’s story even beyond that possible from the printed version.
When reading “The Tell-Tale Heart” (Collection 11) it is clear that Christopher Aruffo is in danger of succumbing to the insanity of Poe’s main character. This is perfectly done.
Any fan of The Raven will find their understanding and appreciation of the classic poem by listening The Philosophy of Composition in Collection 4. This very technical essay will help you understand that this masterpiece was approached in a very careful and mathematical fashion. The result achieved was exactly the one designed. The famous poem is not included in this collection but extensive excerpts, given for example, make it seem as if Aruffo has read the poem.
Christopher Aruffo’s voicing of the title character in “Hop Frog” (Collection 12) is wonderful. I remember reading this years ago and not really getting the point. Now that Aruffo has read it to me, I can say that it is one of Poe’s most entertaining stories.
“The Cask of Amontillado” (Collection 7) demonstrates Poe’s great sense of timing. Also here Aruffo is spot on in his rendering of the tricky pacing. Here also is a fine chance for his to display his knack for character voices, since much of the story is told through a dialog between the main characters.
“The Oblong Box” (Collection 6)somehow manages to be simultaneously surprising and inevitable. And hearing Aruffo adds some heightened drama.
Bottom line: I recommend that anyone desiring to cultivate their appreciation for the works of Edgar Allan Poe obtain this quality edition by Christopher Aruffo
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