"Desconcertante, lista a inquietar a la crítica, está ya en los escaparates la primera novela de Juan Rulfo, Pedro Páramo, que transcurre en una serie de transposiciones oníricas, ahondando más allá de la muerte de sus personajes, que uno no sabe en qué momento son sueño, vida, fábula, verdad, pero a los que se les oye la voz al través de la perspicacia despiadada y certera de tan sin duda extraordinario escritor". Con estas palabras iniciaba Edmundo Valdés la primera reseña de Pedro Páramo, aparecida el 30 de marzo de 1955 y conservada por Juan Rulfo entre sus papeles.

El detective Sherlock Holmes es un genio de la observación, la deducción lógica y la ciencia forense. Posee un profundo conocimiento de la química y, sobre todo, un sentido común único. Cualquier detalle que parece indiferente, cobra ante sus ojos pleno sentido. Y así, de detalle en detalle, Holmes va encontrando a los culpables de los crímenes que analiza.

Por un instante, los dos trenes circularon paralelos. En ese preciso momento, Elspeth McGillicuddy presenció un asesinato. Desde su vagón vio con impotencia como en el otro tren un hombre agarraba sin piedad el cuello de una mujer hasta estrangularla. Después el tren se alejó. No había sospechosos ni testimonios. Tampoco había cadáver. ¿Quién, salvo Jane Marple, se tomaría en serio esta historia?

En el año 1984 Londres es una ciudad lúgubre en la que la Policía del Pensamiento controla de forma asfixiante la vida de los ciudadanos. Winston Smith es un peón de este engranaje perverso y su cometido es reescribir la historia para adaptarla a lo que el Partido considera la versión oficial de los hechos. Hasta que decide replantearse la verdad del sistema que los gobierna y somete.

Basil Hallward había terminado el retrato. El joven Dorian, al verlo, no pudo más que desear, desde su frívola inocencia, que fuera su imagen la que envejeciera y se corrompiera con el paso de los años mientras él permanecía intacto. Y así fue: a partir de entonces, Dorian Gray conservó no solo la lozanía y la hermosura propias de la juventud, sino el aspecto puro de los inocentes. Pero ¿a qué precio? El retrato de Dorian Gray es un logro insoslayable de la literatura universal, vertido aquí magníficamente por el escritor y traductor Alejandro Palomas.

When Sasha receives a call from her old university friend Gabby inviting her to spend Christmas at Gabby’s remote Scottish lake house, Sasha knows she shouldn’t go. Twelve years ago, on Christmas Eve, when Sasha and her five closest friends were celebrating the festive season, something truly horrific happened that would change the course of their friendship forever. Something that meant Sasha hasn’t spoken to any of them since that night.

Two little girls stand with their heads bowed in my living room. I’m told they’re my granddaughters. Daisy is nine, and Alice seven. Daisy is the spitting image of her mother. This is the first time I’ve met them since my daughter and I fell out after she married that waste of space, Vince. They’ve come to live with me because their mother — my daughter — was murdered. In her own home while they slept close by. I think Vince killed her. But the police can’t prove it. I’ve always known he was no good. He treated my daughter like dirt. I said he’d cheat on her — but she wouldn’t listen.

Lowen Ashleigh is a struggling writer on the brink of financial ruin when she accepts the job offer of a lifetime. Jeremy Crawford, husband of best-selling author Verity Crawford, has hired Lowen to complete the remaining books in a successful series his injured wife is unable to finish. Lowen arrives at the Crawford home, ready to sort through years of Verity's notes and outlines, hoping to find enough material to get her started. What Lowen doesn't expect to uncover in the chaotic office is an unfinished autobiography Verity never intended for anyone to read.

After the killing of a prominent mob lawyer, NYPD homicide detectives Jacob Jackson and Caitlin Grimes start receive chilling, written “rules” for how to commit the perfect murder. "Rule number one for the perfect murder: Evidence is your enemy. Leave none behind." Jackson (Reid Scott) and Grimes (Cobie Smulders) race to find the killer, setting them on a collision course with the city’s crime underbelly, and a perpetrator who seems happy to toy with them. “Rule number two. No crimes of passion. The perfect murder is always business, never pleasure.”

Jenny sits in the same seat on the same train every week, seeing familiar faces come and go. Until a chance encounter shatters her world. Sixteen years ago, Jenny survived a traumatic ordeal that left her best friend, Susie, missing and presumed dead. The world has its theories about what happened to Susie Patterson, and one of those theories points the finger at Jenny. Now she lives a quiet life, volunteering at a crisis helpline while trying to deal with her own anxiety and the true crime fans obsessed with finding her missing friend.

It’s been two years since Anna Cartwright’s life fell apart. During her first school trip as a young teacher, a student went missing and was never found. Not only was her career ruined, she was also accused of having an affair with fellow teacher and prime suspect Graham. Facing questions from journalists, police and family, Anna said she didn’t know what happened. She was lying. Now, Anna has returned to Australia. Her only hope is Land’s End Area School, an isolated concrete wasteland perched on the cliffs.

Kidnappers grabbed Jenna in broad daylight, right in front of her children and their horrified classmates. Her family was issued an insane ransom demand: $25 million in cash and jewels, payable by the end of the school day, otherwise they’ll never see her again. As Jenna’s mother scrambles to gather the money, detectives Mo Butler and George Ortega follow the trail of the kidnappers, which will lead them through a sordid landscape of jealous lovers, broken dreamers, and twisted schemers. But every second counts, and there’s one thing Jenna Wade doesn’t have: very much time.

My fiancé brought me tea and scrambled eggs in bed that morning, and we snuggled together, talking about buying our rings, and about our perfect wedding next year. Then we headed into town. He held my hand and gazed at the ring I liked best, a smile spreading slowly over his face. Then a glass of bubbly to celebrate. I felt flushed, excited and ready for the rest of my life with the man I loved. We race to get on the train home. It screams to a halt and I run towards its open doors. Made it. I think he’s right behind me — but when I turn around, he’s gone.

Jazz Bashara is a criminal. Well, sort of. Life on Artemis, the first and only city on the moon, is tough if you're not a rich tourist or an eccentric billionaire. So smuggling in the occasional harmless bit of contraband barely counts, right? Not when you've got debts to pay and your job as a porter barely covers the rent. Everything changes when Jazz sees the chance to commit the perfect crime, with a reward too lucrative to turn down.

England, 1914. The world is at war. Captain Hastings, injured and shaken, is invited to Styles Court to recover. It’s a grand old country house - the family home of his old friend - and a perfect haven. Or so it seems. But in the blistering summer heat, trouble is afoot. Simmering tensions are tearing the family apart, and it all comes to a head in the most horrifying way.