Two little girls stand with their heads bowed in my living room. I’m told they’re my granddaughters. Daisy is nine, and Alice seven. Daisy is the spitting image of her mother. This is the first time I’ve met them since my daughter and I fell out after she married that waste of space, Vince. They’ve come to live with me because their mother — my daughter — was murdered. In her own home while they slept close by. I think Vince killed her. But the police can’t prove it. I’ve always known he was no good. He treated my daughter like dirt. I said he’d cheat on her — but she wouldn’t listen.

Lowen Ashleigh is a struggling writer on the brink of financial ruin when she accepts the job offer of a lifetime. Jeremy Crawford, husband of best-selling author Verity Crawford, has hired Lowen to complete the remaining books in a successful series his injured wife is unable to finish. Lowen arrives at the Crawford home, ready to sort through years of Verity's notes and outlines, hoping to find enough material to get her started. What Lowen doesn't expect to uncover in the chaotic office is an unfinished autobiography Verity never intended for anyone to read.

Who is Audrey Hoedemaker? It's a question her sister Maureen has heard more times than she can count, and she doesn't know what the short answer would be. Little sister, troubled teen, backpacker, musical theatre coach, con artist, childcare worker. Murderer. A tragic, traumatic childhood casts a long shadow on the Hoedemaker sisters. Maureen has worked hard to move beyond the violence of the past and build a good, honest life for herself. Audrey, however, just can't seem to do the same, careening from one state of chaos to another.

After the killing of a prominent mob lawyer, NYPD homicide detectives Jacob Jackson and Caitlin Grimes start receive chilling, written “rules” for how to commit the perfect murder. "Rule number one for the perfect murder: Evidence is your enemy. Leave none behind." Jackson (Reid Scott) and Grimes (Cobie Smulders) race to find the killer, setting them on a collision course with the city’s crime underbelly, and a perpetrator who seems happy to toy with them. “Rule number two. No crimes of passion. The perfect murder is always business, never pleasure.”

Kidnappers grabbed Jenna in broad daylight, right in front of her children and their horrified classmates. Her family was issued an insane ransom demand: $25 million in cash and jewels, payable by the end of the school day, otherwise they’ll never see her again. As Jenna’s mother scrambles to gather the money, detectives Mo Butler and George Ortega follow the trail of the kidnappers, which will lead them through a sordid landscape of jealous lovers, broken dreamers, and twisted schemers. But every second counts, and there’s one thing Jenna Wade doesn’t have: very much time.

Invite faith, hope, love, and laughter into your home this Christmas with classic holiday programs from the Golden Age of Radio. Ranging from the solemn to the slapstick, each of these heartwarming episodes celebrates the spirit of the season. This collection brings you yuletide tales from Jack Benny, Gunsmoke, Fibber & Molly, The Great Gildersleeve, The Whistler, and more. There are Christmas comedies, merry mysteries, wintry Westerns, and poignant dramas to lend meaning and merriment to your festivities this, and every, holiday season.

When great stars (like Kirk Douglas and Ava Gardner) took their talents to the radio microphones, it was always a treat. But when these accomplished actors worked under the masterful direction of William Spier, it was radio's outstanding theater of thrills. You'll hear Angela Lansbury, Donald O'Connor, Gloria Swanson, José Ferrer, and more in well-crafted tales of doubt, double cross, and death. Steady your nerves for 20 classic tension-packed thrillers from 1947!

For 20 years Suspense brought radio listeners incalculable sharp inhales, tingled spines, and shortened breaths. Every week brought a fresh slate, a fresh cast, and a fresh challenge with an attention to detail and consistent script quality that never lost ground. From beginning to end, Suspense stands as one of radio’s lasting achievements - and the creative peak of the broadcast anthology format. Suspense: Omnibus includes 20 of the best episodes from the series.

Radio's Outstanding Theatre of Thrills seldom stayed in one place for long. Over the course of its 20-year run, Suspense presented stories that spanned the entire Earth. From the four corners of the globe come tales of shock and tension! Distant lands, exotic settings, and the mystery of the unknown all converge to bring you outstanding tales of... Suspense!

Crime, mystery, and just a touch of the supernatural - they're all on display in Radio's Outstanding Theatre of Thrills! Join your host, The Man in Black, for 20 gripping installments of Suspense (including the first ever broadcast of "Sorry, Wrong Number"). Legends like Cary Grant, Agnes Moorehead, Peter Lorre, Vincent Price, Orson Welles, and Gene Kelly star in stories by thriller greats like Agatha Christie, Lucille Fletcher, John Dickson Carr, and Cornell Woolrich. Enjoy these tales well calculated to keep you in…Suspense!