To Karl Alberg a quiet coastal town is exactly what he needs to soothe a psyche that's been battered by big-city police work. But this gentle paradise has more than its share of secrets. Bees buzz among the roses, and the local librarian is attractive, intriguing, and unattached. Perhaps he has at last come in from the cold. But a murder in small town can conceal a lot of secrets—some of them bleak enough to make a man yearn for some nice straightforward urban crime.

Maria Buscombe was a housewife living in Sechelt, British Colombia, until seven years ago when she suddenly abandoned her family. Now it seems she has returned—just in time to be murdered. What made her leave? What made her return? And who was sending her money and photographs of her daughter all that time? These are the questions nagging at Sergeant Karl Alberg as he searches for Maria’s killer. Meanwhile, Alberg’s longtime companion Cassandra Mitchell is doing some nagging of her own. Alberg had promised, after all, to hang up his policeman’s hat.

Three people have been found murdered, by someone known as "the avenging Angel," a killer who has assumed the responsibility of ridding the village of those who sin, those who betray. This latest case also brings with it some life-changing surprises for Alberg and his romantic interest and soon-to-be wife, town librarian Cassandra Mitchell. But theirs are only two of the lives that will be irreparably changed by the murderous activities of an angel straight from hell.

Vancouver's “Sunshine Coast” is famous for its beautiful vistas, but closer inspection reveals a strong dose of dysfunction among its quaint villages. Eliot Gardener is maddeningly sullen as only an angry fourteen-year-old can be. He's also, apparently, a double-murderer, having whacked both of his parents with a machete. At least it’s an open and shut case for Canadian Mountie Karl Alberg. Or is it? Eliot may be guilty, but what drove him to commit such a grisly crime? As Alberg tries to get the troubled boy to talk, he finds himself dealing with dysfunction in his own life.

This trial should be a slam-dunk. A faceless powerbroker has other ideas.... Small-town prosecutor Mara Brent must be tough as nails to succeed in her male-dominated profession. But she harbors a soft spot for the victims who rely on her courtroom skill, especially the wheelchair-bound rape survivor she’s known since her first day on the job. So when her friend’s unsolved case reopens with a DNA match and an arrest, she’s determined to finally bring a monster to justice.

When Sasha receives a call from her old university friend Gabby inviting her to spend Christmas at Gabby’s remote Scottish lake house, Sasha knows she shouldn’t go. Twelve years ago, on Christmas Eve, when Sasha and her five closest friends were celebrating the festive season, something truly horrific happened that would change the course of their friendship forever. Something that meant Sasha hasn’t spoken to any of them since that night.

Two little girls stand with their heads bowed in my living room. I’m told they’re my granddaughters. Daisy is nine, and Alice seven. Daisy is the spitting image of her mother. This is the first time I’ve met them since my daughter and I fell out after she married that waste of space, Vince. They’ve come to live with me because their mother — my daughter — was murdered. In her own home while they slept close by. I think Vince killed her. But the police can’t prove it. I’ve always known he was no good. He treated my daughter like dirt. I said he’d cheat on her — but she wouldn’t listen.

Lowen Ashleigh is a struggling writer on the brink of financial ruin when she accepts the job offer of a lifetime. Jeremy Crawford, husband of best-selling author Verity Crawford, has hired Lowen to complete the remaining books in a successful series his injured wife is unable to finish. Lowen arrives at the Crawford home, ready to sort through years of Verity's notes and outlines, hoping to find enough material to get her started. What Lowen doesn't expect to uncover in the chaotic office is an unfinished autobiography Verity never intended for anyone to read.

After the killing of a prominent mob lawyer, NYPD homicide detectives Jacob Jackson and Caitlin Grimes start receive chilling, written “rules” for how to commit the perfect murder. "Rule number one for the perfect murder: Evidence is your enemy. Leave none behind." Jackson (Reid Scott) and Grimes (Cobie Smulders) race to find the killer, setting them on a collision course with the city’s crime underbelly, and a perpetrator who seems happy to toy with them. “Rule number two. No crimes of passion. The perfect murder is always business, never pleasure.”

Jenny sits in the same seat on the same train every week, seeing familiar faces come and go. Until a chance encounter shatters her world. Sixteen years ago, Jenny survived a traumatic ordeal that left her best friend, Susie, missing and presumed dead. The world has its theories about what happened to Susie Patterson, and one of those theories points the finger at Jenny. Now she lives a quiet life, volunteering at a crisis helpline while trying to deal with her own anxiety and the true crime fans obsessed with finding her missing friend.

It’s been two years since Anna Cartwright’s life fell apart. During her first school trip as a young teacher, a student went missing and was never found. Not only was her career ruined, she was also accused of having an affair with fellow teacher and prime suspect Graham. Facing questions from journalists, police and family, Anna said she didn’t know what happened. She was lying. Now, Anna has returned to Australia. Her only hope is Land’s End Area School, an isolated concrete wasteland perched on the cliffs.

Kidnappers grabbed Jenna in broad daylight, right in front of her children and their horrified classmates. Her family was issued an insane ransom demand: $25 million in cash and jewels, payable by the end of the school day, otherwise they’ll never see her again. As Jenna’s mother scrambles to gather the money, detectives Mo Butler and George Ortega follow the trail of the kidnappers, which will lead them through a sordid landscape of jealous lovers, broken dreamers, and twisted schemers. But every second counts, and there’s one thing Jenna Wade doesn’t have: very much time.

My fiancé brought me tea and scrambled eggs in bed that morning, and we snuggled together, talking about buying our rings, and about our perfect wedding next year. Then we headed into town. He held my hand and gazed at the ring I liked best, a smile spreading slowly over his face. Then a glass of bubbly to celebrate. I felt flushed, excited and ready for the rest of my life with the man I loved. We race to get on the train home. It screams to a halt and I run towards its open doors. Made it. I think he’s right behind me — but when I turn around, he’s gone.

Jazz Bashara is a criminal. Well, sort of. Life on Artemis, the first and only city on the moon, is tough if you're not a rich tourist or an eccentric billionaire. So smuggling in the occasional harmless bit of contraband barely counts, right? Not when you've got debts to pay and your job as a porter barely covers the rent. Everything changes when Jazz sees the chance to commit the perfect crime, with a reward too lucrative to turn down.

England, 1914. The world is at war. Captain Hastings, injured and shaken, is invited to Styles Court to recover. It’s a grand old country house - the family home of his old friend - and a perfect haven. Or so it seems. But in the blistering summer heat, trouble is afoot. Simmering tensions are tearing the family apart, and it all comes to a head in the most horrifying way.

To Karl Alberg a quiet coastal town is exactly what he needs to soothe a psyche that's been battered by big-city police work. But this gentle paradise has more than its share of secrets. Bees buzz among the roses, and the local librarian is attractive, intriguing, and unattached. Perhaps he has at last come in from the cold. But a murder in small town can conceal a lot of secrets—some of them bleak enough to make a man yearn for some nice straightforward urban crime.

Catherine Cross is the most successful female televangelist in the country. Her congregation in the western suburbs of Orlando is one of the wealthiest. She's comfortable and charismatic in front of a camera, but when her youngest daughter goes missing not even she is ready for the media firestorm that follows.

18-year-old Janie has the world and her bright future ahead of her. She's about to leave behind the small seaside town she's known all her life to embark on a career in London in book publishing and couldn't be more excited. She'll miss home—especially her dad. They've only had each other since her mother died years earlier. But she's about to start her life and she can't wait. She's on her way home after her last early dawn swim in the bay when the peaceful stillness of the quiet Tuesday morning is suddenly shattered.

Rachel thought she could outrun her past. But when her sister Imogen returns home after years abroad, the walls Rachel built around her begin to crumble. Imogen wants what she believes is hers—no matter the cost. Twenty years after the tragic drowning of their baby brother, Rachel has constructed a life that appears perfect on the surface. A successful career, a loving daughter, and a claim on her parents’ beautiful family home, The Old Rectory. But the cracks are starting to show.

Haunted by a past trauma, Cathy yearns for sanctuary away from city life. She finds it with her boyfriend Alfie, at Blacksheep Farm, a haven in the Peaks of Derbyshire. But their peace is blighted by Bertha, the cold-hearted matriarch of Alfie’s family, who is hell-bent on keeping control of the farm—and her children. When a collection of hidden portraits is found by Alfie, Cathy is drawn to their mysterious beauty and embarks on a quest to return them to their owner. But her journey threatens to unearth long-buried secrets and tear her new life apart.