
Fantastic Imaginings
A Journey through 3,500 Years of Imaginative Writing, Comprising Fantasy, Horror, and Science Fiction
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Narrated by:
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Stefan Rudnicki
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David Burney
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Scott Brick
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Cassandra Campbell
About this listen
Collected here are the stories, poems, and religious writings that preceded and helped form the science fiction and fantasy genres. The collection explores the key imaginative roots and their later literary permutations. The author list alone reads like a literary who’s who and includes many writers not primarily known for their forays into the fantastic. Organized by topic rather than simple chronology, this volume allows the listener to trace the history of robots, aliens, and apocalypses up to some of their most recent manifestations.
Topic chapters and represented authors include "Transformers" (Card, Asimov, Rossetti), "Shocking Futures" (Swift, More), and "Traveling Fools" (Carol, Burroughs, McCaffrey). This definitive collection of science fiction and fantasy sources illustrates how earlier generations imagined the future.
©2004 2009 by Stefan Rudnicki (P)2012 Blackstone Audio, Inc.Listeners also enjoyed...
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The Yellow Sign
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From The King in Yellow: Anyone who possesses, even by accident, a copy of the sign is susceptible to some form of insidious mind control, or possession, by the King in Yellow or one of his heirs. The stories also suggest that the original creator of the sign was not human and possibly came from a strange alternate dimension that contains an ominous and ancient city known as Carcosa. The finder of the sign gives it as a gift to her future lover with disasterous results!
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First King of Shannara
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A True Pleasure
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The Four Agreements
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- Length: 2 hrs and 31 mins
- Unabridged
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Overall
-
Performance
-
Story
In The Four Agreements, don Miguel Ruiz reveals the source of self-limiting beliefs that rob us of joy and create needless suffering. Based on ancient Toltec wisdom, the The Four Agreements offer a powerful code of conduct that can rapidly transform our lives to a new experience of freedom, true happiness, and love.
-
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Incredible!!!
- By R. Baker on 05-25-05
By: don Miguel Ruiz
-
Dante's Inferno (Dramatised)
- By: Dante Alighieri
- Narrated by: Corin Redgrave
- Length: 49 mins
- Original Recording
-
Overall
-
Performance
-
Story
This original and refreshingly different dramatisation follows Dante, "lost in a dark wood", who is met by Virgil, who takes him on a tour of the underworld: a place he could end up if he decides to take his own life. Corin Redgrave is the voice of Dante.
-
-
Dante's Inferno
- By Joseph on 05-26-10
By: Dante Alighieri
-
News From Nowhere
- By: William Morris
- Narrated by: Barnaby Edwards
- Length: 8 hrs and 52 mins
- Unabridged
-
Overall
-
Performance
-
Story
News from Nowhere (1890) is the best-known prose work of William Morris. The novel describes the encounter between a visitor from the 19th century, William Guest, and a decentralized and humane socialist future. Set over a century after a revolutionary upheaval in 1952, these 'Chapters from a Utopian Romance' recount his journey across London and up the Thames to Kelmscott Manor, Morris's own country house in Oxfordshire.
-
-
An essential read.
- By Brandon on 05-18-17
By: William Morris
-
Goblin Market
- By: Christina Rossetti
- Narrated by: Bob Gonzalez
- Length: 25 mins
- Unabridged
-
Overall
-
Performance
-
Story
A dark, allegorical, Gothic horror fable in verse telling of seduction, enthrallment, and deep sisterly love by the British Victorian poet, Christina Rossetti. The goblin market men, selling sweet and delicious fruits, inveigle Laura, a young girl, to partake of their tempting wares. Soon, she is lost to the world and her life begins slowly to fade away. Only the courage of her sister, Lizzie, can possibly save her from her fate. Will it be enough?
-
The Yellow Sign
- By: Robert W. Chambers
- Narrated by: Mike Vendetti
- Length: 46 mins
- Unabridged
-
Overall
-
Performance
-
Story
From The King in Yellow: Anyone who possesses, even by accident, a copy of the sign is susceptible to some form of insidious mind control, or possession, by the King in Yellow or one of his heirs. The stories also suggest that the original creator of the sign was not human and possibly came from a strange alternate dimension that contains an ominous and ancient city known as Carcosa. The finder of the sign gives it as a gift to her future lover with disasterous results!
-
First King of Shannara
- The Shannara Series, Prequel
- By: Terry Brooks
- Narrated by: Scott Brick
- Length: 19 hrs and 15 mins
- Unabridged
-
Overall
-
Performance
-
Story
In this prequel to The Sword of Shannara, in which many details of the Four Lands' history are revealed, Druids, horrified by the misuse of magic, have eschewed it in favor of science. But Bremen the Druid studies magic, and becomes an outcast on its account. Bremen discovers that an invincible army of trolls are fast conquering all that lay to their south. Before them come the Nazgul-like Skull Bearers, disfigured and transformed Druids who have fallen prey to the dark arts.
-
-
A True Pleasure
- By K & L MITCHELL on 08-23-08
By: Terry Brooks
Good anthology on Myth, sci-Fi and Fantasy
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INTRODUCTION
Lofty Ambitions by Harlan Ellison, read by Harlan Ellison
PART 1: THE MYTHS WE LIVE BY
A Youth In Apparel That Glittered by Stephen Crane, read by Stefan Rudnicki (poem)
After the Myths Went Home by Robert Silverberg, read by Stefan Rudnicki
Novelty by John Crowley, read by Harlan Ellison
Pan And The Firebird by Sam M. Steward, read by Stefan Rudnicki
Murderer, The Hope Of All Women by Oskar Kokoschka, performed by cast
The Touch Of Pan by Algernon Blackwood, read by Stefan Rudnicki
The Lost Thyrsis by Oliver Onions, read by Roz Landor
The Bacchae (excerpt) by Eurpides, performed by cast
PART 2: MYTHS THAT BITE
A Noiseless Patient Spider by Walt Whitman, read by Stefan Rudnicki
Mystery Train by Lewis Shiner, read by John Rubenstein
Continued On The Next Rock by R.A. Lafferty, read by Stefan Rudnicki
Diary Of A God by Barry Pain, read by Enn Reitel
The Repairer of Reputations (excerpt) by Robert W. Chambers, read by Stefan Rudnicki
The Yellow Sign by Robert W. Chambers, read by Stefan Rudnicki
An Inhabitant Of Carcosa by Ambrose Bierce, read by Danny Campbell
The Horla by Guy de Maupassant, read by Arte Johnson
PART 3: SHOCKING FUTURES
Kubla Khan by Samuel Taylor Coleridge, read by Stefan Rudnicki (poem)
City Come A’Walkin (excerpt) by John Shirley, read by Don Leslie
A Pail Of Air by Fritz Leiber, read by Stefan Rudnicki
The Machine Stops (excerpt) by E.M. Forster, read by Roz Landor
Looking Backward and Equality (excerpts) by Edward Bellamy, read by David Birney
Gulliver’s Travels (excerpt) by Jonathan Swift read by Scott Brick
Utopia (excerpt) by Sir Thomas More, read byChristopher Cazanove
Monument To Amun by Queen Hatshepsut, read by Judy Young
PART 4: TRAVELING FOOLS
La Bateau Ivre by Arthur Rimbaud, read by Stefan Rudnicki
Inspiration by Ben Bova, read by Stefan Rudnicki
The Bones Do Lie by Anne McCaffrey, read by Stefan Rudnicki
A Princess Of Mars (excerpt) by Edgar Rice Burroughs, read by John Rubinstein
The Great Stone Of Sardis (excerpt) by Frank R. Stockton, read by David Birney
Alice’s Adventures In Wonderland (excerpt) by Lewis Carroll, read by Michael York
Diary Of A Madman (excerpt) by Nicolai Gogol, read by Stefan Rudnicki
The Inferno (excerpt) by Dante, read by Stefan Rudnicki
The Odyssey of Homer (excerpt), read by David Birney
PART 5: TRANSFORMERS
The Stolen Child by William B. Yeats, read by Stefan Rudnicki
The Porcelain Salamander by Orson Scott Card, read by Gabrielle de Cuir
Let’s Get Together by Isaac Asimov, read by Arte Johnson
Dracula (excerpt) by Bram Stoker, read by Simon Vance
Dr. Jekyll And Mr. Hyde (excerpt) by Robert Louis Stevenson, read by John Lee
Goblin Market by Christina Rossetti, read by Gabrielle de Cuir
Frankenstein (excerpt) by Mary Shelley, read by Stefan Rudnicki0\ *
The Laidly Worm of Spindleston Heugh (Traditional English Fairy Tale), read by Judy Young
A Midsummer Night’s Dream (excerpt) by William Shakespeare, performed by cast
The Ballad of Tam Lin (Celtic ballad), read by Stefan Rudnicki
Metamorphosis (excerpt) by Ovid, read by Cassandra Campbell
PART 6: REST IN PIECES
Hearse Song
The Conqueror Worm by Edgar Allan Poe, read by Stefan Rudnicki
The New Testament: Revelations (excerpt), read by Stefan Rudnicki
The Colloquy of Monos & Una by Edgar Allan Poe, read by Stefan Rudnicki and Gabrielle de Cuir
From the Crypts of Memory by Clark Ashton Smith, read by Danny Campbell
The Comet by W.E.B. DuBois, read by Mirron Willis
Sand (excerpt) by Stefan Rudnicki, performed by cast
Transience by Arthur C. Clarke, read by Bahni Turpin
The Illusionist by Gareth Owen, read by Stefan Rudnicki
Unchosen Love by Ursula K. LeGuin, read by Stefan Rudnicki
In Lonely Lands by Harlan Ellison, read by Harlan Ellison
News from Nowhere (excerpt) by William Morris, read by Stefan Rudnicki
PART 7: COMMENTARIES
The Special And General Joys of Science Fiction by Ben Bova, read by Stefan Rudnicki
Edgar Allan Poe 1809-1849 by Elliott Engel, read by Gabrielle de Cuir
Adolescence And Adulthood In Science Fiction by Orson Scott Card, read by Stefan Rudnicki
Table of Contents
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Would you recommend this audiobook to a friend? If so, why?
I'm recommending to everyone here, on Goodreads, on my FB pageWhat other book might you compare Fantastic Imaginings to and why?
There have been some good anthologies over the years, but none like this. Each short story is read by a different reader, each better than all the othersHave you listened to any of the narrators’s other performances before? How does this one compare?
Stefan Rudnicki does OSR's books. Scott Brick reads the first 3 in the Shannara SeriesDid you have an extreme reaction to this book? Did it make you laugh or cry?
It humbled me. How can I possibly write that well? Then that turned to motivation: by re-listening to them & learning from themAny additional comments?
Of course, I didn't love EVERY ONE of the short stories. Of course, I knew some of the short stories. But so well read! I even enjoyed the Forward by 75 y-o Harlan Ellison (editor), himself!SO GOOD! You've Got to listen to it
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I will take this section at a time.
Harlan Ellison's Introduction: Lofty Ambitions.
With the exception of the dig to modern editors such as Dozois, this seems like a good intro. It certainly gets you excited to listen to all 22 hours of the book. After listening you will be upset at being sold such a bill of goods. Ellison, also in his old age, should have learned by now how to praise a person without putting down another. He claims there has not been a good editor of science fiction since Groff Conklin. Groff Conklin was a great editor, especially for his time, the fifties. Gardner Dozois puts out an annual anthology of the best of Science Fiction and has now for over 30 years. In each book he summaries the year in Science Fiction. His summary covers the health of the previous sf year, book publishers, magazines (including actual numbers of magazines published, prices, addresses, web sites, etc...), semiprozines, online only magazines, original anthologies, fantasy anthologies, horror anthologies, novels, first novels, novella chapbooks, Novel omnibuses, out of print books that came back, short story collections, art, movies, television, list of all the award winners, obituary, and more. It goes on for pages and pages. If you are a science fiction nerd like myself, you read and absorb, if you just want good stories, you skip it and go on to an excellent collection of stories. The copyright of this book is 2004, so it may have been to early to recognize John Joseph Adams, who has been coming out with some really good original collections.
We are also told by Harlan that Rudnicki is the worlds greatest editor because he has read thousands of books and speaks various languages. I read and listen to hundreds of books a year, does that make me a candidate for a editor of an anthology? I know I could have come up with a more entertaining collection of material. This collection did not even include Gilgamesh, the worlds oldest book, and a very good book at that. I do not blame Rudnicki, although he did allow this to be published about him. Ellison has a history of mouthing off and he is always hot or cold, never between.
MYTHS WE LIVE BY
About nine entries, of which only one is good (Robert Silverberg's After the Myth). Two more are okay and the rest are painful to listen to.
MYTHS THAT BITE
About six entries, of which one is great (Barry Pain's, Dairy Of a God.), two okay, three painful.
SHOCKING FUTURES
About six entries, of which one is most excellent (Fritz Leiber's, A Pail of Air), one excerpt is good, four painful.
TRANSFORMERS
The best section, including works from Card, Asimov, Stoker, and Goblin Market by Christina Rossetti. Although I don't see how Card's entry is a progenitor to anything. It is an excellent story, but does not keep with the theme of the collection.
REST IN PIECES
Starts with the Hearse song, which is hilarious, has an except from Revelations, which is extremely scary, a great old story by W.E.B Dubois, and a great story by Clarke. Mixed in are about six painful listens.
Commentaries
This starts with a pretty good piece by Bova. He basically defines what science fiction is. He does not like the term Sci-Fi and he hates Hollywood, probably cause they have never turned any of his hundreds of books into a movie, mostly cause they are not that good. I like some of his books and I know he is a scientist, but that does not mean he is a good writer. His characters are usually card board cut outs and he usually has a lot of dull spots. He says in his essay that science is often boring and he often proves that in his writings. Not sure why Rudnicki included this commentary as it goes totally against what he gives us, as most of his Science Fiction does not include any science. SR even comments that Dante's Inferno is as much science fiction as Verne or Clarke's work. I have read Inferno and I never noticed any science. It was good fantasy and it is an insult to Verne and Clarke to have their thoroughly researched writings be compared to Fantasy.
Do not miss Elliot Engel's biography on Edgar Allen Poe. It is a fascinating story and almost made listening for 22 hours worth it, almost.
I agreed with Card's commentary and I think I have heard him harp on it before. He is a great writer and he gets tired of academia looking down their noses at Science Fiction. He has mentioned before that if kids in school could read some good science fiction instead of the boring English Literature, they are forced to read now, they would be better readers as adults. This commentary did get a little technical.
Narrators
Rudnicki does the majority of reading and the rest are professionals. There is one gravely voiced narrator I did not love, but that is a personal thing.
DO NOTHINGISM
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Good for myth lovers but not for Sci-Fi lovers
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