Fear Is Just a Word
A Missing Daughter, a Violent Cartel, and a Mother's Quest for Vengeance
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Narrated by:
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Sheldon Romero
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By:
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Azam Ahmed
About this listen
A riveting true story of a mother who fought back against the drug cartels in Mexico, pursuing her own brand of justice to avenge the kidnapping and murder of her daughter—from a global investigative correspondent for The New York Times
“Azam Ahmed has written a page-turning mystery but also a stunning, color-saturated portrait of the collapse of formal justice in one Mexican town.”—Steve Coll, Pulitzer Prize–winning author of Directorate S
LONGLISTED FOR THE MOORE PRIZE FOR HUMAN RIGHTS WRITING • A BEST BOOK OF THE YEAR: New Yorker, The Economist, Chicago Public Library
Fear Is Just a Word begins on an international bridge between Mexico and the United States, as fifty-six-year-old Miriam Rodríguez stalks one of the men she believes was involved in the murder of her daughter Karen. He is her target number eleven, a member of the drug cartel that has terrorized and controlled what was once Miriam’s quiet hometown of San Fernando, Mexico, almost one hundred miles from the U.S. border. Having dyed her hair red as a disguise, Miriam watches, waits, and then orchestrates the arrest of this man, exacting her own version of justice.
Woven into this deeply researched, moving account is the story of how cartels built their power in Mexico, escalated the use of violence, and kidnapped and murdered tens of thousands. Karen was just one of the many people who disappeared, and Miriam, a brilliant, strategic, and fearless woman, begged for help from the authorities and paid ransom money she could not afford in hopes of saving her daughter. When that failed, she decided that “fear is just a word,” and began a crusade to track down Karen’s killers and to help other victimized families in their search for justice.
What do people do when their country and the peaceful town where they have grown up become unrecognizable, suddenly places of violence and fear? Azam Ahmed takes us into the grieving of a country and a family to tell the mesmerizing story of a brave and brilliant woman determined to find out what happened to her daughter, and to see that the criminals who murdered her were punished. Fear Is Just a Word is an unforgettable and moving portrait of a woman, a town, and a country, and of what can happen when violent forces leave people to seek justice on their own.
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Critic reviews
“Ahmed writes about violence in Mexico with insight and sobriety, avoiding the usual markers of journalistic prose (descriptions of the research process, references to site visits). Instead, he maintains a cautious, at times exhilarating, distance from his material, letting the story unfold at a rapid pace, as if on its own, interweaving the contextual and the intimate in a series of vivid juxtapositions.” —Cristina Rivera Garza, The New York Times
“From one of the best reporters of his generation comes this masterful portrait of nightmarish violence, endless pain, and great courage. Azam Ahmed shows us what America’s insatiable lust for drugs has done to one Mexican family and town just across the border.” —George Packer, author of Our Man
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- Narrated by: Laurence Fishburne
- Length: 16 hrs and 52 mins
- Unabridged
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Experience a bold take on this classic autobiography as it’s performed by Oscar-nominated Laurence Fishburne. In this searing classic autobiography, originally published in 1965, Malcolm X, the Muslim leader, firebrand, and Black empowerment activist, tells the extraordinary story of his life and the growth of the Human Rights movement. His fascinating perspective on the lies and limitations of the American dream and the inherent racism in a society that denies its non-White citizens the opportunity to dream, gives extraordinary insight into the most urgent issues of our own time.
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it's Nearly perfect
- By Kerry on 09-16-20
By: Malcolm X, and others
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Mythology: Mega Collection
- Classic Stories from the Greek, Celtic, Norse, Japanese, Hindu, Chinese, Mesopotamian and Egyptian Mythology
- By: Scott Lewis
- Narrated by: Madison Niederhauser, Oliver Hunt
- Length: 31 hrs and 37 mins
- Unabridged
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Do you know how many wives Zeus had? Or how the famous Trojan War was caused by one beautiful lady? Or how Thor got his hammer? Give your imagination a real treat. This Mega Mythology Collection of eight audiobooks is for you....
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An interesting set of introductions.
- By Kevin Potter on 05-30-19
By: Scott Lewis
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Helter Skelter
- The True Story of the Manson Murders
- By: Vincent Bugliosi, Curt Gentry
- Narrated by: Scott Brick
- Length: 26 hrs and 29 mins
- Unabridged
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Prosecuting attorney in the Manson trial Vincent Bugliosi held a unique insider's position in one of the most baffling and horrifying cases of the 20th century: the cold-blooded Tate-LaBianca murders carried out by Charles Manson and four of his followers. What motivated Manson in his seemingly mindless selection of victims, and what was his hold over the young women who obeyed his orders? Now available for the first time in unabridged audio, the gripping story of this famous and haunting crime is brought to life by acclaimed narrator Scott Brick.
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Everything I remembered about the case was wrong..
- By karen on 06-22-12
By: Vincent Bugliosi, and others
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Fingerprints of the Gods
- The Quest Continues
- By: Graham Hancock
- Narrated by: Graham Hancock
- Length: 18 hrs and 31 mins
- Unabridged
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Fingerprints of the Gods is the revolutionary rewrite of history that has persuaded millions of listeners throughout the world to change their preconceptions about the history behind modern society. An intellectual detective story, this unique history audiobook directs probing questions at orthodox history, presenting disturbing new evidence that historians have tried - but failed - to explain.
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Classic in Historical Mysteries
- By Kelly on 09-05-19
By: Graham Hancock
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The Secret History of Christmas
- By: Bill Bryson
- Narrated by: Bill Bryson
- Length: 3 hrs and 3 mins
- Original Recording
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Christmas is the single biggest annual event on the planet, a time for merry-making, over-indulgence, peace, goodwill, and the occasional family row. It’s as comfortable and familiar as a pair of old shoes and yet still glittery and exciting. But what do you really know about it? It’s stuffed full of traditions and rituals that most of us have been observing all our lives without having the slightest idea of where they come from.
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Fascinating and Entertaining
- By Laura Carrington on 11-23-22
By: Bill Bryson
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World War 2 in the Pacific Collection: Across Wake Island, Bataan, Guadalcanal, Corregidor, and Iwo Jima
- Helmet for My Pillow: From Parris Island to the Pacific, The Saga of Pappy Gunn, On Valor's Side, The Coastwatchers, They Call it Pacific, Joe Foss Flying Marine, South from Corregidor, The Story of Wake Island, & Mission Beyond Darkness
- By: Robert Lackie, General George C. Kenney, T. Grady Gallant, and others
- Narrated by: Museum Audiobooks Cast
- Length: 66 hrs and 14 mins
- Unabridged
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This is a nine-book bundle on the Pacific War, the theatre of World War II that was fought in Asia, the Pacific Ocean, the Indian Ocean and Oceania. The Pacific War saw the Allies pitted against Japan, aided by Thailand and its Axis allies, Germany and Italy. Fighting included some of the largest naval battles in history, and the war culminated in the atomic bombings of Hiroshima and Nagasaki.
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Good collection, great bargain well worth a credit
- By R. Denton on 08-13-21
By: Robert Lackie, and others
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Black Elk Speaks
- Being the Life Story of a Holy Man of the Oglala Sioux, The Premier Edition
- By: John G. Neihardt
- Narrated by: Robin Neihardt
- Length: 6 hrs and 35 mins
- Unabridged
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Widely hailed as a spiritual classic, this inspirational and unfailingly powerful story reveals the life and visions of the Lakota healer Nicholas Black Elk (1863–1950) and the tragic history of his Sioux people during the epic closing decades of the Old West. In 1930, the aging Black Elk met a kindred spirit, the famed poet, writer, and critic John G. Neihardt (1881–1973) on the Pine Ridge Reservation in South Dakota.
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Tale of tears
- By William Sanders on 01-25-15
By: John G. Neihardt
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The rich descriptions of the characters brought them to life.
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wonderful story
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For facing death & living life
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During those dark pre-antibiotic days, when tuberculosis killed one in seven people, white nurses at Sea View, New York’s largest municipal hospital, began quitting. Desperate to avert a public health crisis, city officials summoned Black southern nurses, luring them with promises of good pay, a career, and an escape from the strictures of Jim Crow. But after arriving, they found themselves on an isolated hilltop in the remote borough of Staten Island, yet again confronting racism and consigned to a woefully understaffed facility, dubbed “the pest house” where “no one left alive.”
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Not Really About TB
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Adrienne Rich was the female face of American poetry for decades. Her forceful, uncompromising writing has more than stood the test of time, and the life of the woman behind the words is equally impressive. Motivated by personal revelations, Rich transformed herself from a traditional, Radcliffe-educated lyric poet and married mother of three sons into a path-breaking lesbian-feminist author of prose as well as poetry.
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After surviving a traumatic childhood in 1970s New York and young adulthood living in the shadow of her flamboyant mother, Rita, a makeup-addicted former television singer, Elissa Altman has managed to build a very different life, settling in Connecticut with her wife of nearly 20 years. After much time, therapy, and wine, Elissa is at last in a healthy place, still orbiting around her mother but keeping far enough away to preserve the stable, independent world she has built as a writer and editor. Then Elissa is confronted with the unthinkable.
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Seven generations of women in Susana Prather’s family have been lost to the Georgia swamp behind her house. The morning after her eighteenth birthday, she awakens soaked with water, with no memory of sleepwalking. No matter how she tries to stop it, she’s pulled from her safe bed night after night, haunted by her own family history and legacy. Now, the truth feels unavoidable: it’s only a matter of time before she loses her mind and the swamp becomes her grave.
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LOVED IT!!
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It is 1944. A teenager named Rudolf (Rudi) Vrba has made up his mind. After barely surviving nearly two years in the Auschwitz concentration camp in Poland, he knows he must escape. Even if death is more likely. Rudi has learned the terrible secret hidden behind the heavily guarded fences of concentration camps across Nazi-occupied Europe: the methodical mass killing of Jewish prisoners. As trains full of people arrive daily, Rudi knows that the murders won’t stop until he reveals the truth to the world―and that each day that passes means more lives are lost.
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On January 21, 1958, nineteen-year-old Charles Starkweather changed the course of crime in the United States when he murdered the parents and sister of his fourteen-year-old girlfriend (and possible accomplice), Caril Ann Fugate, in a house on the edge of Lincoln, Nebraska. They then drove to the nearby town of Bennet, where a farmer was robbed and killed. When Starkweather’s car broke down, the teenagers who stopped to help were murdered and jammed into a storm cellar. By the time the dust settled, ten innocent people were dead and the city of Lincoln was in a state of terror.
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solid
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It was supposed to be a moment of great optimism, a cause for jubilation. The Congo was at last being set free from Belgium—one of seventeen countries to gain independence in 1960 from ruling European powers. At the helm as prime minister was charismatic nationalist Patrice Lumumba. Just days after the handover, however, the Congo’s new army mutinied, Belgian forces intervened, and Lumumba turned to the United Nations for help in saving his newborn nation from what the press was already calling “the Congo crisis.”
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Somewhere between a bio and a hatchet job
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The Visionaries
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The period from 1933 to 1943 was one of the darkest and most chaotic in human history, as the Second World War unfolded with unthinkable cruelty. It was also a crucial decade in the dramatic, intersecting lives of some of history’s greatest philosophers. There were four women, in particular, whose parallel ideas would come to dominate the twentieth century—at once in necessary dialogue and in striking contrast with one another.
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Satire and Beauvoir’s problematic behavior; Simone Weil’s problematic self-immolation
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What listeners say about Fear Is Just a Word
Average customer ratingsReviews - Please select the tabs below to change the source of reviews.
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- Cathleen Becskehazy
- 10-23-24
Excellent research, sad to read but important.
Liked the writing. Appreciated the extensive research that brought me to my knees, because of the Mother’s strength and tears at the end. Highly recommend!
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- Patrice Ghezzi
- 11-05-23
The best!
I'd give it 10 stars if I could. So well put together, and read! The best!
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1 person found this helpful
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- Alex
- 09-30-23
Heart Wrenching
Incredibly powerful story that gives a voice to the voiceless. The systemic failures on both sides of the border that allows this type violence to go uninterrupted needs a bright light shone on it.
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1 person found this helpful
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- BC2
- 10-21-23
Terrible narration, wish I’d read the print book instead
The narrator is clearly not fluent in English. The narration doesn’t flow; it sounds like a child reading out loud in class with all the emphasis and pauses in the wrong place. He also mispronounces a lot of words. It ruins what should be an engrossing story of a mother’s bravery.
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3 people found this helpful
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- Caleb B Varner
- 12-16-23
Beautifully written and an important story to tell
Often, the stories of the individuals that are “desaparecido” in the drug war in Mexico go untold. Ahmed tells the story of Miriam’s “stop at nothing” approach to brining her daughter’s killers to justice. In the process of navigating the tangled bureaucracy in Mexico, Miriam’s grit and battle against the odds is a story that deserves to be told.
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- Joyce B McMaster
- 05-19-24
Brutality Of living in a Mexican Bordertown
I chose this book in follow-up to American Dirt to further my understanding of why many Mexicans flee to the United States. So much is on the news about stopping Mexicans and not enough about why they are trying to leave in droves. The brutality and killings seem to tied to nothing more than being in the wrong place at the wrong time. The book certainly opened my eyes, but I could’ve done with more of a storyline. To me it was more a jumbo of characters names, and dates and towns. A biography of events. Sometimes going back-and-forth. I stuck through this to the end, but it left a hollow space in my heart as this continues to happen in Mexico every day.
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- BB Bibliophile
- 11-03-23
The subject matter was great, performance no
I thought the author did a nice job, but the voice actor mispronounced about one word every two to three minutes. I almost quit at one point.
Examples: wanton pronounced wonton, he said parents's and other plurals with an extra S pretty consistently after about 30% in, and I can't remember any of the rest but it's extremely noticeable.
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1 person found this helpful
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- jhv3
- 02-15-24
Narrator mispronounced everything
Worst narrator ever. I’ve never seen anything like this number of errors before. The story wasn’t great either. Felt like a stretched out magazine article.
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- Michael Dewey
- 02-10-24
Not as exciting as I hoped
I was really looking forward to this book. The idea of a middle aged mother taking down a brutal cartel sounded amazing. It turned out the bulk of the book is a history lesson on the cartel and the family’s backstory, and the part where the mother actually hunts down her daughter’s killers is actually given very little time. To make matters worse, the book skips around chronologically, so it is difficult to even tell what time period you are in.
The narrator is mostly good, but he mis-pronounces enough words to be bothersome. I have no problem with them using a non-native speaker (especially when he has to say so many Spanish words), but the fact that so many mispronunciations get through tells me that nobody proof-listened the recording, which just feels unprofessional.
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