Strange things are happening in the Cape Cod sand dunes. There have been sightings of an unknown creature in the National Seashore, part African lion, part … something else?

Here is the classic Gothic mystery combining a lurking sense of danger in a strongly atmospheric setting, a Hound of the Baskervilles-style case involving the reawakening of an ancient family curse dating back to the whaling days of New Bedford, and a curse foretelling another death about to take place.

A mystery lampoon recorded live at the Woods Hole Community Hall, July 15, 1989. Hugo LeGrand, “The Great Hugo,” is determined to defy public opinion and be the first to help himself to the loot from the sunken Titanic. Together with his hapless pilot, Mr. Smalley, they discover a surprise much greater than teacups and saucers.

Lottery winners Henry and Pamela McKnown have their luck stolen from them when their four-year-old daughter, Heidi, is kidnapped. Years pass without a word and the McKnowns, coping with their grief, are slowly rebuilding their lives. Then the cycle of terror begins again, as a carnival psychic shows up on Cape Cod, claiming to have made contact with the spirit of the dead child. Though Heidi’s voice comes through in a séance, Underhill is convinced it’s a fake.

A premonition of murder leading to violent death…voodoo, séances, automatic writing and psychic messages from the dead are all elements in a strange case that turns criminal. A worried Doctor Scofield calls in his friend, Captain Waverly Underhill, to unravel the mystery.

A literary flashback combining the creations of Charles Dickens (A Christmas Carol) and Erle Stanley Gardner, this courtroom melodrama poses the questions: What if Ebenezer Scrooge was murdered, found strangled in his bed with a bell cord knotted around his neck and a stake of holly driven through his heart? And what if the man charged with the crime was his own employee, Bob Cratchit?

It begins as static ... then, you hear a voice, desperate, frightened, coming from a shack in the Cape Cod dunes, broadcasting his story to anyone who might be listening. He tells an unbelievable tale of missing persons and an unseen enemy that may already have conquered us.

Is he insane? Is he deluded? And most terrifying of all, is he telling the truth?

When little Anna Gale Storm is abducted by a stranger in a white van, the police — and the media — spring into action. Bulletins are issued. The police swarm. News and police helicopters hover near the twin bridges. Anna Gale’s mother, Betsy Storm, is hysterical but must be questioned. The police are desperate, frustrated by the fact that the only eyewitness is a frightened, easily confused, five year old named Jody Higgins.

A comatose witness in the hospital is stalked by a fiendish killer. A compassionate psychiatrist must use the techniques of hypnosis to reach her in time before the killer does. A psychological thriller uniquely suited for radio. Told from the internal perspective of the comatose patient, it guides us through the twilight realm of the subconscious mind, where the real and the surreal coexist.

Dr. Alexander Scofield encounters his friend, retired police captain Waverly Underhill, at a Provincetown art opening. Then they both encounter a murder. The celebrity judge is stabbed in the back upstairs. Downstairs, there are seventy or eighty guests, one of whom must have done it.

Captain Underhill takes charge and quickly devises a simple but ingenious test that will force the killer to reveal himself.

An old man leaps to his death from the Sagamore Bridge spanning the Cape Cod Canal. A clear case of suicide? Perhaps not, once Captain Underhill reads about it in the newspaper. Now, using the same bridge for his own cat and mouse purposes, Captain Underhill takes the killer for a ride…

After the killing of a prominent mob lawyer, NYPD homicide detectives Jacob Jackson and Caitlin Grimes start receive chilling, written “rules” for how to commit the perfect murder. "Rule number one for the perfect murder: Evidence is your enemy. Leave none behind." Jackson (Reid Scott) and Grimes (Cobie Smulders) race to find the killer, setting them on a collision course with the city’s crime underbelly, and a perpetrator who seems happy to toy with them. “Rule number two. No crimes of passion. The perfect murder is always business, never pleasure.”

Kidnappers grabbed Jenna in broad daylight, right in front of her children and their horrified classmates. Her family was issued an insane ransom demand: $25 million in cash and jewels, payable by the end of the school day, otherwise they’ll never see her again. As Jenna’s mother scrambles to gather the money, detectives Mo Butler and George Ortega follow the trail of the kidnappers, which will lead them through a sordid landscape of jealous lovers, broken dreamers, and twisted schemers. But every second counts, and there’s one thing Jenna Wade doesn’t have: very much time.

When Heather McKinley dreamed of becoming a doctor, she imagined curing sick kids and sporting pink stethoscopes. She never anticipated the sleepless nights, grueling exams, and endless labs. And she certainly never knew that her medical school earned the nickname Dead Med thanks to the tragic history of students overdosing on illegal drugs. But Heather would never consider doing anything like that. That is, until her longtime boyfriend dumps her, she finds herself failing anatomy, and her world starts to crumble.

Lowen Ashleigh is a struggling writer on the brink of financial ruin when she accepts the job offer of a lifetime. Jeremy Crawford, husband of best-selling author Verity Crawford, has hired Lowen to complete the remaining books in a successful series his injured wife is unable to finish. Lowen arrives at the Crawford home, ready to sort through years of Verity's notes and outlines, hoping to find enough material to get her started. What Lowen doesn't expect to uncover in the chaotic office is an unfinished autobiography Verity never intended for anyone to read.

Cassie thinks she has met the perfect man. Joel is sweet, handsome, romantic, and best of all, he’s crazy about Cassie. She thinks she’s found the guy she’ll spend the rest of her life with. Have children with. Grow old with. Yes, she knows about his perfect ex-girlfriend, Francesca. The beautiful, brilliant chef, beloved by all his friends. But she thinks Francesca is out of the picture. She thinks Francesca is gone for good. Think again, Cassie.

Jenny sits in the same seat on the same train every week, seeing familiar faces come and go. Until a chance encounter shatters her world. Sixteen years ago, Jenny survived a traumatic ordeal that left her best friend, Susie, missing and presumed dead. The world has its theories about what happened to Susie Patterson, and one of those theories points the finger at Jenny. Now she lives a quiet life, volunteering at a crisis helpline while trying to deal with her own anxiety and the true crime fans obsessed with finding her missing friend.

Jazz Bashara is a criminal. Well, sort of. Life on Artemis, the first and only city on the moon, is tough if you're not a rich tourist or an eccentric billionaire. So smuggling in the occasional harmless bit of contraband barely counts, right? Not when you've got debts to pay and your job as a porter barely covers the rent. Everything changes when Jazz sees the chance to commit the perfect crime, with a reward too lucrative to turn down.

They were madly in love. The perfect couple. That was the story everyone in South River believed...until Gin Talcott and Adam Archer are found shot in their bed. Adam is dead at the scene. Gin is fighting for her life. Detectives Greta Jessup and Finn Pate are assigned to the case. Greta has a long history with Gin’s first husband, Eddie, and is determined to protect his 18-year-old twins. Piper discovered the bodies. Daniel is missing—and so is Adam’s gun.

Sloan will go through hell and back for those she loves. And she does so, every single day. Caught up with the alluring Asa Jackson, a notorious drug trafficker, Sloan has finally found a lifeline to cling to, even if it’s meant compromising her morals. She was in dire straits trying to pay for her brother’s care until she met Asa. But as Sloan became emotionally and economically reliant on him, he in turn developed a disturbing obsession with her—one that becomes increasingly dangerous every day.

Tess Strebel can’t recognize her own face. She can’t recognize her home. Her bedroom is unfamiliar. And she can’t remember the handsome stranger lying next to her in bed. A stranger who claims he’s her husband. Tess reads a letter in her own handwriting, composed during a rare lucid day, explaining her life as it now exists: she was in a terrible car accident one year ago. Every morning, she wakes up unable to remember most of the last decade. Including her own wedding.