Vivacious Vivienne has finally won her family's approval by getting engaged to the wealthy and upright John Vandergrift. But when threatened by a vicious blackmail scheme, it is to her childhood friend that Vivienne turns; the deliciously wicked Viscount Dashiell. Lord Dashiell promised himself long ago that his friendship with Vivienne would be the one relationship with a woman that he wouldn't ruin. He agrees to help her just to keep the little hothead safe, but soon finds that Vivienne has grown up to be very, very dangerous to all of Dash's best intentions.

My name is Bird Howsley, and I'm a beautiful disaster. Okay, "beautiful" is probably being generous. But the "disaster" part is right. In a brutal dystopian waterworld, where survival depends on skill and smarts, I'm pretty much always one bad decision away from watching my life go completely down the drain. Luckily, I have a lifeline: my cute, level-headed sailing teacher, Sargo Paz. Did I say cute? I didn't mean cute. He's just a friend. I definitely don't have weird sex dreams about him.

To be chosen as a lady-in-waiting for Queen Mary is more than just an honor for Countess Margaretha: it’s a matter of life and death. After her brother is captured on the battlefield, Margaretha hopes the queen’s favor will allow her entry into circles of the powerful elite. There she will leverage her irresistible charm to secure her brother’s release. But as the victim of an unfortunate case of shyness, Margaretha’s feminine wiles are sorely lacking. Her only hope of achieving her aim is to practice the arts of flirtation on a man she should never fall in love with.

Nathan Hunt needs a girlfriend—specifically a fake one. Yes, the shy, grumpy twin of Henry Cavill who sits at the end of my bar needs to convince his absurdly rich family that he's capable of a normal social life. And he's willing to pay a professional to fill that role. Who happens to be me. It helps that I'm just desperate enough to need the cash and not ask any questions. I'm the obvious choice: Joni Zola, former dancer and forever flirt. Never too serious. Always a good time. On its surface, the plan is simple. First, tell everyone we're roommates. Then move on to lovers.

Johanna Beals decided sixteen years ago to sacrifice everything to raise her daughter Kayla as a single mother. She knew it was the right decision even when it led to lonely nights and broken relationships, and even when adolescent secrets challenged their mother/daughter bond. But the decision to go it alone seems easy compared to the one she is about to face.

Every night, when I close my eyes, I relive that moment. The heat, the smoke, and the cruel smile on her face. For the longest time, I believed them. All I wanted was to find a place to belong, to be needed. But who could ever need me, a prey shifter? How can a rabbit be useful, especially when I lack elemental magic?

I hate Felix Malone with all my heart and soul. He's the second-born son of a murderous don. The newest leader of the Malone mafia family now that his father is dead. If I could have hoped a change in management would mean a positive shift for the notorious crime family, I'm proven wrong as Felix quickly settles into his new role and lays scourge on New York City. He believes he's not as bad as the man who came before him, purely because the women he beds survive the night. But Felix is just a different kind of evil.

She's ours, even if she doesn't know it. Even if she isn't a wolf-shifter. Even if her shifter hasn't surfaced yet. I've endured far too many years of torture and abuse with the only thought keeping me alive, the only thing that enabled me to endure the pain and agony being bestowed on me, was the hope of finding my divinely chosen true-mate. Our true-mate. And there's no way in hell we're losing her now that we've found her. She may not be a wolf but I'm still her alpha and once her shifter emerges there will be no denying that fact… or us.

Alina Carson meets Chase Adams when she’s eleven years old, after he moves in down the street carrying nothing but a chip on his shoulder and dimples in his cheeks. Immediately she falls, loving him before she even knows what loving is. But becoming best friends with Chase’s little sister means that he’s off-limits, no matter how much their connection screams for something more.

When grumpy, muscled-up artist Bennett Bishop bothers to speak, it’s usually to say something you’re not ready to hear. When he first speaks to Norah Ellis, a rambling runaway bride who hitchhikes a ride from him, it’s to tell her to get out of his truck and walk because she’s a pain in the a-s-s. By appearance, Norah Ellis is a fancy fashionista who’s spent the last several years living the good life in the city—expensive apartments, highbrow events, and a fiancé with wealth and good looks. The only problem is that she didn’t choose any of it for herself.