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From Plato to Post-modernism: Understanding the Essence of Literature and the Role of the Author
- Narrated by: Louis Markos
- Length: 12 hrs and 14 mins
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Publisher's summary
Any lover of Shakespeare or the Romantic poets can concede that poetry is pleasurable. But is it good for you? Can it teach you anything? These are questions that have beguiled and engaged eminent critics for millennia, and now you can develop your own answers and options with these 24 lectures.
The source of poetry's wellspring; the relationship between poetry and human progress; the possible truths (and lies) involved in the literary arts; the role of the author; these lectures tap into an enormous range of material to explore these and other provocative issues. You'll follow the strands of this "conversation" between philosophy and the literary arts down the millennia, profiting from in-depth analyses of works by Plato, Aristotle, Horace, Sir Philip Sidney, Dryden, Pope, Wordsworth, Shelley, Coleridge, Matthew Arnold, T.S. Eliot, Northrop Frye, Foucault, Derrida, and more.
Throughout these lectures, you'll meet the poet in many guises. These include: the divine poet (a supernatural creator who transcends the laws of nature), the alchemical poet (the inspired individual who fuses humanity's divided nature into one), the common poet (the poet who roots himself or herself in the real world and speaks for the common individual), the playful poet (who champions sensitivity of feeling, contradictory truths, and uncertainties), and the prisoner poet (who's a product of, and a slave to, his or her own subconscious suppositions).
By concentrating on critical reflections about poetry - the oldest of the literary arts - you'll come away with lessons on how to understand literature, and all of the arts, more generally. More importantly, you'll be prepared to join in these critical conversations yourself.
PLEASE NOTE: When you purchase this title, the accompanying reference material will be available in your Library section along with the audio.
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As the days grow shorter and the temperature drops, Halloween approaches. Come, brave listener, pull up a chair, and spend some time with master storyteller Stephen Fry as he tells us some of his favourite ghost stories of all time, in truly terrifying spatial audio. From the headless horseman of Sleepy Hollow to the tortured spirits of M.R. James, from Edgar Allan Poe’s terrifying tale of a doppelganger to Charlotte Riddell’s Open Door that should definitely stay shut, join Stephen as he tells you some truly terrifying tales.
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Wonderful narration. Mediocre stories.
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Dracula [Audible Edition]
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The modern audience hasn't had a chance to truly appreciate the unknowing dread that readers would have felt when reading Bram Stoker's original 1897 manuscript. Most modern productions employ campiness or sound effects to try to bring back that gothic tension, but we've tried something different. By returning to Stoker's original storytelling structure - a series of letters and journal entries voiced by Jonathan Harker, Dr. Van Helsing, and other characters - with an all-star cast of narrators, we've sought to recapture its originally intended horror and power.
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IS THAT NOT SO?
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Brain Damage
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As Charly struggles to recover from her brain injury, she begins to realize that the events of that fateful night are trapped in the damaged right side of her brain. Now, she must put the jigsaw pieces together to discover the identity of the man who tried to kill her...before he finishes the job he started.
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Who Else Laughed, Cried, and Shuddered?
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Frankenstein
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Narrator Dan Stevens ( Downton Abbey) presents an uncanny performance of Mary Shelley's timeless gothic novel, an epic battle between man and monster at its greatest literary pitch. In trying to create life, the young student Victor Frankenstein unleashes forces beyond his control, setting into motion a long and tragic chain of events that brings Victor to the very brink of madness. How he tries to destroy his creation, as it destroys everything Victor loves, is a powerful story of love, friendship, scientific hubris, and horror.
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ARE WE ALWAYS TO BE UNHAPPY?
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Fahrenheit 451
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Guy Montag is a fireman. In his world, where television rules and literature is on the brink of extinction, firemen start fires rather than put them out. His job is to destroy the most illegal of commodities, the printed book, along with the houses in which they are hidden. Montag never questions the destruction and ruin his actions produce, returning each day to his bland life and wife, Mildred, who spends all day with her television "family."
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Wish I Hadn't Cliff Noted This in High School
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Original cast members from the beloved TV series, Buffy the Vampire Slayer, reunite for an all-new adventure about connections that never die—even if you bury them. A decade has passed since the epic final battle that concluded Buffy the Vampire Slayer (TV). The game-changing spell that gave power to all potential Slayers persists. With new Slayers constantly emerging, things are looking grim for the bad guys.
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A dream come true
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What listeners say about From Plato to Post-modernism: Understanding the Essence of Literature and the Role of the Author
Average customer ratingsReviews - Please select the tabs below to change the source of reviews.
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- Amazon Customer
- 04-10-21
this might be the most beneficial thing on audible
huge fan of getting the great courses from audible for less than the cost of a fast food combo, but this one really resonated with me. i did read Plato's republic after the first lecture and I think I have several other titles to get through before i re listen to this. I'm always impressed at the abilities of great teachers to summarize thousands of years of human thought into digestible chunks. markos is among the best. well worth your time.
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- Werner
- 06-11-17
too advanced for my understanding at this point
the course is too advanced for me at this point, I'm lacking the knowledge or the time to sit down and study it properly
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2 people found this helpful
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- Amazon Customer
- 11-12-19
Great!
Very informative. We are listening to this from our seminary class. There is so much to learn from this it takes several times listening to really take it in. Thank you
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- Fred G
- 08-29-22
Fast, Furious - And Fun
I loved Professor Markos riveting presentation - in itself worth listening to - however the ambitious scope of the course led to sweeping and at times superficial generalizations that exposed a clear bias - detracting from its overall affect - not for everyone - more entertainment than substance perhaps - still enjoyed the subject and unique synthesis of poetry, philosophy and lit criticism
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- Lori Tian Sailiata
- 04-03-16
Aside from his views on feminism...
Prof Louis Markos makes no bones about his personal leanings. He is a long-time professor at an evangelical Christian college. But don't let that deter you if you are left-leaning like myself. There's plenty to love here. I intend to listen to this multiple times. My only displeasure is his dismissal of Feminist theory. But I can get my Kristeva hit elsewhere.
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2 people found this helpful
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- Max Pynchon
- 03-27-16
Great series of lectures by the brilliant Louis Markos
Louis Markos is an amazing lecturer and Professor and this expansive course brought me back to the place I love -- studying literature. But it is Prof Markos that made it work for me. I'm going to get his other course. INSPIRING!
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1 person found this helpful
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- Richard Gilbert
- 03-21-17
Great Start but did disservice to 20th century
Any additional comments?
This course started out very strong, and the professor's performance was outstanding. My major criticism, and it is important, is that he was not very generous to the modern and postmodern critics. He clearly doesn't like them, and he spent at least as much time arguing against them as explaining how their arguments work, and his arguments against them were, frequently, against very reductive versions of their arguments. We get that you don't like arguing with deconstructionists, but there is a lot more to Derrida and company than simple sophistry or being unwilling to give concrete truths. And the idea that gender is performative is important, widely accepted, and rather than simply mocking it, it is worth explaining and clarifying.
The professor is also, unsurprisingly, perhaps over-committed to biblical scholarship, and so more time was spent giving examples from theology than I personally was particularly interested, though of course that is not a criticism; other listeners might find that much more helpful than I did.
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- Gina Marcucci
- 12-05-15
Worthwhile Listening
Would you consider the audio edition of From Plato to Post-modernism: Understanding the Essence of Literature and the Role of the Author to be better than the print version?
I enjoyed hearing the lectures as they were originally given.
What did you like best about this story?
The vast amount of information rendered.
Any additional comments?
I was amazed at how well this lecturer took us over such a great expanse of time and made sense of the paradigms and paradigm shifts in the field of literature.
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- James
- 10-22-21
What a great series!
One of the best series I’ve listened to (and I’ve listened to many). A great combination of deep insight with engaging and entertaining delivery. Highly recommended!
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- Thiago
- 01-30-23
Good teacher
This course is great, it covers a lot of material throughout the whole history of the theory of art criticism. The lecturer really is a vaguely conservative evangelical Christian, as others pointed out, but the fact that you can notice this doesn’t take away from the course in the slightest, unless this just makes you too angry to think. Some of the coverage was shallow, but way less than you expect from the format – he’s better than many of the other Great Courses lecturers on intellectual topics. And his course guide is peculiarly thorough, so you can check the (extensive) bibliography yourself – my copy of the audiobook came with the typical PDF course guide, although I know that not getting the guide is a common issue on this app. His lectures are energetic and engaging. He’s a bit excited to say that one author “destroyed” another author’s ideas, which I find to be a simplistic way to talk, but he’s not too tendentious about that. He clearly loves his subject and is very interested in each author he covers, it strikes me as unkind to be hard on him over these interpretive quibbles.
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