His name, they tell him, is William Monk, and he is a London police detective. But the accident that felled him has left him with only half a life; his memory and his entire past have vanished. As he tries to hide the truth, Monk returns to work and is assigned to investigate the brutal murder of a Crimean War hero and man about town. Which makes Monk’s efforts doubly difficult, since he’s forgotten his professional skills along with everything else.

William Monk knows London’s streets like the back of his hand. But the river Thames and its teeming docks—where wharf rats and night plunderers ply their trades—is unknown territory. Only Monk’s dire need for work persuades him to accept an assignment from shipping magnate Clement Louvain, to investigate the theft of a cargo of African ivory from Louvain’s recently docked schooner, the Maude Idris. But why didn’t Louvain report the ivory theft directly to the River Police? Another mystery is the appearance of an ill woman who Louvain claims is the discarded mistress of an old friend.

As commander of the River Police, Monk is accustomed to violent death, but the mutilated female body found on Limehouse Pier one chilly December morning moves him with horror and pity. The victim’s name is Zenia Gadney. Her waterfront neighbors can tell him little—only that the same unknown gentleman had visited her once a month for many years. She must be a prostitute, but—described as quiet and kempt—she doesn’t appear to be a fallen woman. What sinister secrets could have made poor Zenia worth killing? And why does the government keep interfering in Monk’s investigation?

When a maid in the upper class Ellison household is strangled, Inspector Pitt is called in to investigate. He finds a world ruled by strict manners and social customs, where the inhabitants of the Ellison's neighborhood appear to be more outraged by the thought of scandal than they are by murder. Inspector Pitt finds a most unlikely ally in Charlotte, the Ellison's spirited daughter. But as the murders continue, Charlotte and Pitt find themselves drawn together by more than the investigation.

The year is 1861. The American Civil War has just begun, and London arms dealer Daniel Alberton is becoming a very wealthy man. His quiet dinner party seems remote indeed from the passions rending America. Yet investigator William Monk and his bride, Hester, sense growing tensions and barely concealed violence.

On a sunny afternoon in late June, Cambridge professor Joseph Reavley is summoned from a student cricket match to learn that his parents have died in an automobile crash. Joseph’s brother, Matthew, as officer in the Intelligence Service, reveals that their father had been en route to London to turn over to him a mysterious secret document—allegedly with the power to disgrace England forever and destroy the civilized world. A paper so damning that Joseph and Matthew dared mention it only to their restless younger sister. Now it has vanished.

England, 1920. Eleanor Swift has spent the last few years travelling the world: taking tea in China, tasting alligators in Peru, escaping bandits in Persia and she has just arrived in England after a chaotic 45-day flight from South Africa. Chipstone is about the sleepiest town you could have the misfortune to meet. But then, from the edge of a quarry, through the driving rain, Eleanor is shocked to see a man shot and killed in the distance. Before she can climb down to the spot, the villain is gone and the body has vanished.

It's 1910, and Daniel Pitt is a reluctant lawyer who would prefer to follow in the footsteps of his detective father. When the biographer Russell Graves, who Daniel is helping defend, is sentenced to execution for the murder of his wife, Daniel's Pitt-family investigative instincts kick in, and he sets out to find the real killer. With only 21 days before Graves is to be executed, Daniel learns that Graves is writing a biography of Victor Narraway, the former head of Special Branch and a close friend of the Pitts. And the stories don't shed a positive light. Is it possible someone is framing Graves to keep him from writing the biography-maybe even someone Daniel knows in Special Branch? The only answer, it seems, lies in the dead woman's corpse.

Mariah Ellison, Charlotte Pitt's grandmother, accepts her longtime friend Winnie's gracious invitation to spend Christmas with her and her husband, Barton, in their picturesque village. But upon arrival, Mariah discovers that Winnie has vanished without a trace, and Barton rudely rescinds the invitation. Once Mariah finds another acquaintance to stay with during the holiday season, she begins investigating Winnie's disappearance.

Scuff has come a long way from his time as a penniless orphan scraping together a living on the banks of the Thames. Now he's studying medicine at a free clinic run by Dr. Crowe. Lately Crowe has grown distracted after witnessing an altercation between a former patient of his named Ellie—a woman he not only treated but grew to love—and her controlling fiancé. It seems someone is forcing Ellie to marry the man, and as Crowe's emotions come flooding back, he sets out to uncover the troubling connection between Ellie, her father, and her betrothed.

When Sasha receives a call from her old university friend Gabby inviting her to spend Christmas at Gabby’s remote Scottish lake house, Sasha knows she shouldn’t go. Twelve years ago, on Christmas Eve, when Sasha and her five closest friends were celebrating the festive season, something truly horrific happened that would change the course of their friendship forever. Something that meant Sasha hasn’t spoken to any of them since that night.

Two little girls stand with their heads bowed in my living room. I’m told they’re my granddaughters. Daisy is nine, and Alice seven. Daisy is the spitting image of her mother. This is the first time I’ve met them since my daughter and I fell out after she married that waste of space, Vince. They’ve come to live with me because their mother — my daughter — was murdered. In her own home while they slept close by. I think Vince killed her. But the police can’t prove it. I’ve always known he was no good. He treated my daughter like dirt. I said he’d cheat on her — but she wouldn’t listen.

Lowen Ashleigh is a struggling writer on the brink of financial ruin when she accepts the job offer of a lifetime. Jeremy Crawford, husband of best-selling author Verity Crawford, has hired Lowen to complete the remaining books in a successful series his injured wife is unable to finish. Lowen arrives at the Crawford home, ready to sort through years of Verity's notes and outlines, hoping to find enough material to get her started. What Lowen doesn't expect to uncover in the chaotic office is an unfinished autobiography Verity never intended for anyone to read.

After the killing of a prominent mob lawyer, NYPD homicide detectives Jacob Jackson and Caitlin Grimes start receive chilling, written “rules” for how to commit the perfect murder. "Rule number one for the perfect murder: Evidence is your enemy. Leave none behind." Jackson (Reid Scott) and Grimes (Cobie Smulders) race to find the killer, setting them on a collision course with the city’s crime underbelly, and a perpetrator who seems happy to toy with them. “Rule number two. No crimes of passion. The perfect murder is always business, never pleasure.”

Jenny sits in the same seat on the same train every week, seeing familiar faces come and go. Until a chance encounter shatters her world. Sixteen years ago, Jenny survived a traumatic ordeal that left her best friend, Susie, missing and presumed dead. The world has its theories about what happened to Susie Patterson, and one of those theories points the finger at Jenny. Now she lives a quiet life, volunteering at a crisis helpline while trying to deal with her own anxiety and the true crime fans obsessed with finding her missing friend.

It’s been two years since Anna Cartwright’s life fell apart. During her first school trip as a young teacher, a student went missing and was never found. Not only was her career ruined, she was also accused of having an affair with fellow teacher and prime suspect Graham. Facing questions from journalists, police and family, Anna said she didn’t know what happened. She was lying. Now, Anna has returned to Australia. Her only hope is Land’s End Area School, an isolated concrete wasteland perched on the cliffs.

Kidnappers grabbed Jenna in broad daylight, right in front of her children and their horrified classmates. Her family was issued an insane ransom demand: $25 million in cash and jewels, payable by the end of the school day, otherwise they’ll never see her again. As Jenna’s mother scrambles to gather the money, detectives Mo Butler and George Ortega follow the trail of the kidnappers, which will lead them through a sordid landscape of jealous lovers, broken dreamers, and twisted schemers. But every second counts, and there’s one thing Jenna Wade doesn’t have: very much time.

My fiancé brought me tea and scrambled eggs in bed that morning, and we snuggled together, talking about buying our rings, and about our perfect wedding next year. Then we headed into town. He held my hand and gazed at the ring I liked best, a smile spreading slowly over his face. Then a glass of bubbly to celebrate. I felt flushed, excited and ready for the rest of my life with the man I loved. We race to get on the train home. It screams to a halt and I run towards its open doors. Made it. I think he’s right behind me — but when I turn around, he’s gone.

Jazz Bashara is a criminal. Well, sort of. Life on Artemis, the first and only city on the moon, is tough if you're not a rich tourist or an eccentric billionaire. So smuggling in the occasional harmless bit of contraband barely counts, right? Not when you've got debts to pay and your job as a porter barely covers the rent. Everything changes when Jazz sees the chance to commit the perfect crime, with a reward too lucrative to turn down.

England, 1914. The world is at war. Captain Hastings, injured and shaken, is invited to Styles Court to recover. It’s a grand old country house - the family home of his old friend - and a perfect haven. Or so it seems. But in the blistering summer heat, trouble is afoot. Simmering tensions are tearing the family apart, and it all comes to a head in the most horrifying way.

His name, they tell him, is William Monk, and he is a London police detective. But the accident that felled him has left him with only half a life; his memory and his entire past have vanished. As he tries to hide the truth, Monk returns to work and is assigned to investigate the brutal murder of a Crimean War hero and man about town. Which makes Monk’s efforts doubly difficult, since he’s forgotten his professional skills along with everything else.

The year is 1861. The American Civil War has just begun, and London arms dealer Daniel Alberton is becoming a very wealthy man. His quiet dinner party seems remote indeed from the passions rending America. Yet investigator William Monk and his bride, Hester, sense growing tensions and barely concealed violence.

William Monk knows London’s streets like the back of his hand. But the river Thames and its teeming docks—where wharf rats and night plunderers ply their trades—is unknown territory. Only Monk’s dire need for work persuades him to accept an assignment from shipping magnate Clement Louvain, to investigate the theft of a cargo of African ivory from Louvain’s recently docked schooner, the Maude Idris. But why didn’t Louvain report the ivory theft directly to the River Police? Another mystery is the appearance of an ill woman who Louvain claims is the discarded mistress of an old friend.

As commander of the River Police, Monk is accustomed to violent death, but the mutilated female body found on Limehouse Pier one chilly December morning moves him with horror and pity. The victim’s name is Zenia Gadney. Her waterfront neighbors can tell him little—only that the same unknown gentleman had visited her once a month for many years. She must be a prostitute, but—described as quiet and kempt—she doesn’t appear to be a fallen woman. What sinister secrets could have made poor Zenia worth killing? And why does the government keep interfering in Monk’s investigation?

When a maid in the upper class Ellison household is strangled, Inspector Pitt is called in to investigate. He finds a world ruled by strict manners and social customs, where the inhabitants of the Ellison's neighborhood appear to be more outraged by the thought of scandal than they are by murder. Inspector Pitt finds a most unlikely ally in Charlotte, the Ellison's spirited daughter. But as the murders continue, Charlotte and Pitt find themselves drawn together by more than the investigation.

Mariah Ellison, Charlotte Pitt's grandmother, accepts her longtime friend Winnie's gracious invitation to spend Christmas with her and her husband, Barton, in their picturesque village. But upon arrival, Mariah discovers that Winnie has vanished without a trace, and Barton rudely rescinds the invitation. Once Mariah finds another acquaintance to stay with during the holiday season, she begins investigating Winnie's disappearance.

On a sunny afternoon in late June, Cambridge professor Joseph Reavley is summoned from a student cricket match to learn that his parents have died in an automobile crash. Joseph’s brother, Matthew, as officer in the Intelligence Service, reveals that their father had been en route to London to turn over to him a mysterious secret document—allegedly with the power to disgrace England forever and destroy the civilized world. A paper so damning that Joseph and Matthew dared mention it only to their restless younger sister. Now it has vanished.

It's Christmas and the well-born guests who have gathered at Applecross for a delicious weekend of relaxation are warmed by roaring fires, mistletoe, and gorgeously wrapped gifts. It's scarcely the setting for misfortune, and no one - not even that clever young aristocrat and budding sleuth Vespasia Cumming-Gould - anticipates the tragedy that is to darken this light-hearted holiday house party. But soon one young woman lies dead, a suicide, and Vespasia must uncover the heartbreaking truth behind the tragedy.

Scuff has come a long way from his time as a penniless orphan scraping together a living on the banks of the Thames. Now he's studying medicine at a free clinic run by Dr. Crowe. Lately Crowe has grown distracted after witnessing an altercation between a former patient of his named Ellie—a woman he not only treated but grew to love—and her controlling fiancé. It seems someone is forcing Ellie to marry the man, and as Crowe's emotions come flooding back, he sets out to uncover the troubling connection between Ellie, her father, and her betrothed.

It's 1910, and Daniel Pitt is a reluctant lawyer who would prefer to follow in the footsteps of his detective father. When the biographer Russell Graves, who Daniel is helping defend, is sentenced to execution for the murder of his wife, Daniel's Pitt-family investigative instincts kick in, and he sets out to find the real killer. With only 21 days before Graves is to be executed, Daniel learns that Graves is writing a biography of Victor Narraway, the former head of Special Branch and a close friend of the Pitts. And the stories don't shed a positive light. Is it possible someone is framing Graves to keep him from writing the biography-maybe even someone Daniel knows in Special Branch? The only answer, it seems, lies in the dead woman's corpse.