Set in 12th-century Jerusalem, Pilgrim follows the treacherous journey of a German knight and his companions as they return home after seven arduous years battling for God in the Holy Land. Within this sprawling tale lies a tapestry of medieval horror, intertwining history and folklore, encompassing both a metaphysical and literal odyssey.

John Langan, author of the Bram Stoker Award-winning novel The Fisherman, returns with ten new tales of cosmic horror in Corpsemouth and Other Autobiographies. In these stories, he continues to chart the course of twenty-first century weird fiction, from the unfamiliar to the familial, the unfathomably distant to the intimate.

Thirteen terrifying tales from the master of horror who created the nationally bestselling Necroscope series. The title story, "Fruiting Bodies," in which a small village slowly disappears, won the British Fantasy Award.

The Necronomicon was not the first book by H.P. Lovecraft to terrify readers with tales of dark and twisted horrors from beyond. No, the Al-Azif, or Book of the Insect, is the first work that told mankind of Cthulhu, Azathoth, and other terrors. Indeed, it was the book that inspired "The Mad Arab" Abdul Al-Hazred to write its more famous successor.

Chiroptera Press presents Noctuary & The Spectral Link by the legendary Thomas Ligotti, a consolidated volume of two horror collections, back in print after over a decade.

STOP. You should not have touched this flyer with your bare hands. NO, don't put it down. It's too late. They're watching you. My name is David Wong. My best friend is John. Those names are fake. You might want to change yours. You may not want to know about the things you'll read on these pages, about the sauce, about Korrok, about the invasion, and the future. But it's too late. You touched the book. You're in the game. You're under the eye. The only defense is knowledge. You need to read this book, to the end. Even the part with the bratwurst. Why?

The red night of bells heralds global catastrophe. Annihilation on a biblical scale. Seeing the morning is no blessing. The handful of scattered survivors are confronted by blood-red skies and an infestation of predatory horrors that never originated on earth. An occupying force intent on erasing the remnants of animal life from the planet. Across the deserted landscapes of England, bereft of infrastructure and society, the overlooked can either hide or try to outrun the infernal hunting terrors. Until a rumour emerges claiming that the sea may offer an escape.

After the loss of a child along with a slew of agonizing misfortunes, Nick and Jess decide to end their lives. Unable to cope with the misery that fills their days, they commit one last act together and die in loving relief. But when Nick wakes up, he soon realizes that death isn't the gentle darkness he expected. Panicked and horrified, he struggles to understand the twisted abominations and hellish world he's now trapped in.

Brian Lumley, author of the best-selling Necroscope and Vampire World series of novels, has for many years been a devotee of H. P. Lovecraft’s Cthulhu Mythos. By such nightmare fables as Dagon, The Call of Cthulhu The Shadow Over Innsmouth, Lovecraft’s legendary Deep Ones have taken their place in terror fiction alongside the vampire and the werewolf. Now they are given the Lumley treatment in—Return of the Deep Ones!

It is the autumn of 1880, and Dr. John Watson has just returned from Afghanistan. Badly injured and desperate to forget a nightmarish expedition that left him doubting his sanity, Watson is close to destitution when he meets the extraordinary Sherlock Holmes, who is investigating a series of deaths in the Shadwell district of London. Several bodies have been found, the victims appearing to have starved to death over the course of several weeks, and yet they were reported alive and well mere days before.

Lucas knows the perfect night entails just three things: video games, wine, and pad thai. Peanuts are a must! Other people? Not so much. Why complicate things when he’s happy alone? Then one day the apartment board, a vexing trio of authority, rings his doorbell. And Lucas’s solitude takes a startling hike. They demand to see his frying pan. Someone left one next to the recycling room overnight, and instead of removing the errant object, as Lucas suggests, they insist on finding the guilty party. But their plan backfires. Colossally.

It’s 1984, and life has changed beyond recognition. Airstrip One, formerly known as Great Britain, is a place where Big Brother is always watching, and nobody can hide. Except, perhaps, for Winston Smith. Whilst working at the Ministry of Truth, rewriting history, he secretly dreams of freedom. And in a world where love and sex are forbidden, where it’s hard to distinguish between friend and foe, he meets Julia and O’Brien and vows to rebel.

The 13 chapters of The Art of War, each devoted to one aspect of warfare, were compiled by the high-ranking Chinese military general, strategist, and philosopher Sun-Tzu. In spite of its battlefield specificity, The Art of War has found new life in the modern age, with leaders in fields as wide and far-reaching as world politics, human psychology, and corporate strategy finding valuable insight in its timeworn words.

Who is Audrey Hoedemaker? It's a question her sister Maureen has heard more times than she can count, and she doesn't know what the short answer would be. Little sister, troubled teen, backpacker, musical theatre coach, con artist, childcare worker. Murderer. A tragic, traumatic childhood casts a long shadow on the Hoedemaker sisters. Maureen has worked hard to move beyond the violence of the past and build a good, honest life for herself. Audrey, however, just can't seem to do the same, careening from one state of chaos to another.

When I was a little girl, I dreamed a handsome knight would come and rescue me from my wretched mother. He'd ride up on his white steed and break the curse I've been fated to carry since the day I was born. Funny how things changed over time, how the fairytale twisted into something far more crooked—and darker—than I ever imagined. In reality, my knight is scarred and broken, living alone in a castle of bones that overlooks the sea. He isn’t searching for me. He never was.

Academy Award nominee Rachel McAdams stars in Mary Jane, a poignant and intimate drama following a single mother’s journey caring for her chronically ill young son. Set in New York City, the play unfolds in two parts—Mary Jane's small Queens apartment and a pediatric hospital. With unflinching honesty and unexpected humor, we witness Mary Jane's tireless devotion, her interactions with medical professionals, and her struggle to maintain her sense of self.

Two little girls stand with their heads bowed in my living room. I’m told they’re my granddaughters. Daisy is nine, and Alice seven. Daisy is the spitting image of her mother. This is the first time I’ve met them since my daughter and I fell out after she married that waste of space, Vince. They’ve come to live with me because their mother — my daughter — was murdered. In her own home while they slept close by. I think Vince killed her. But the police can’t prove it. I’ve always known he was no good. He treated my daughter like dirt. I said he’d cheat on her — but she wouldn’t listen.

As Charly struggles to recover from her brain injury, she begins to realize that the events of that fateful night are trapped in the damaged right side of her brain. Now, she must put the jigsaw pieces together to discover the identity of the man who tried to kill her...before he finishes the job he started.

Traumatized by the bombing of Dresden at the time he had been imprisoned, Pilgrim drifts through all events and history, sometimes deeply implicated, sometimes a witness. He is surrounded by Vonnegut's usual large cast of continuing characters (notably here the hack science fiction writer Kilgore Trout and the alien Tralfamadorians, who oversee his life and remind him constantly that there is no causation, no order, no motive to existence).

Original cast members from the beloved TV series, Buffy the Vampire Slayer, reunite for an all-new adventure about connections that never die—even if you bury them. A decade has passed since the epic final battle that concluded Buffy the Vampire Slayer (TV). The game-changing spell that gave power to all potential Slayers persists. With new Slayers constantly emerging, things are looking grim for the bad guys.

Thirteen terrifying tales from the master of horror who created the nationally bestselling Necroscope series. The title story, "Fruiting Bodies," in which a small village slowly disappears, won the British Fantasy Award.

This pretty much is what the title says. Many of the stories/novellas here will have only been done in limited print runs, such as in fanzines, magazines, pamphlets, special editions or online magazines. It’s a mixed genre of stories and these are what Brian considers the best of the rest of the stories in his body of work. We’ve got 111,000+ words in this collection so that means lots of enjoyment in what is likely the last collection coming from Brian.

Brian Lumley, author of the best-selling Necroscope and Vampire World series of novels, has for many years been a devotee of H. P. Lovecraft’s Cthulhu Mythos. By such nightmare fables as Dagon, The Call of Cthulhu The Shadow Over Innsmouth, Lovecraft’s legendary Deep Ones have taken their place in terror fiction alongside the vampire and the werewolf. Now they are given the Lumley treatment in—Return of the Deep Ones!

A varied collection of short stories from the acknowledged British master of horror, fantasy, and science fiction, Brian Lumley, in a single volume of all three domains of the imagination–but more especially the haunts of the sinister and macabre!

The volcanic eruption that created the island of Surtsey in 1967 also revealed a long-hidden cache of documents that told the fantastic history of Theem'hdra as written by the sorcerer Teh Atht. Building on translations begun by the scholar Thelred Gustau—who vanished under mysterious, some say magical, circumstances—Brian Lumley brings the saga of the Primal Land to audiences of today. Here, the wizard Mylarkhrion—most powerful of the terrible magicians who walked the earth in those long-ago days—battles sorcerers jealous of his knowledge, power, and wealth.

Charlie Trace, professional thief, is no stranger to deceit and violence. But nothing in his life on the knife-edge of London's underworld could prepare him for the horror of Demogorgon. It is centuries old. Satan is its lord and master. It walks the earth in the guise of a man, but it is not a man: it is the very essence of evil. Across many years and nations, Demogorgon has sown the seeds of hell. Now, it is calling its children home.

From Lovecraftian tales such as "The House of the Temple", "Rising With Surtsey", and the title story, to such contemporary horrors as "The Sun, the Sea, and the Silent Scream" and "The Luststone", this new collection has been culled from the writings of a true master of nightmares.

Brian Lumley's Cthulhu Mythos writings began in the 1960s when he was included in new collections by August Derleth's Arkham House. While today, the author is probably better-known for his Necroscope and Psychomech series, he has continued with his Mythos stories for over 40 years. This volume spans that career, using Derleth's suggestion that the Mythos monsters could be viewed as "Elementals", and includes a new novella-length story.

Khai begins life in ancient Egypt as the son of Pharaoh Khasathut's chief architect. Believing Pharaoh to be a god, Khai is stunned to learn that the supposedly great and wise leader is a shriveled, ancient fossil of a man whose chief desires are to deflower young virgins and achieve eternal life through the powers of his black magicians. When Khai dares to raise a hand to Pharaoh, he is condemned to be a slave. Escaping, Khai flees to neighboring Kush where he earns the rank of general in the army of Queen Ashtarta...and a place in Ashtarta's bed.

The Horror at Oakdeene and Others is another of Brian Lumley's collections of short stories, with many of them involving the Cthulhu Mythos.

A terrified man descends into madness, convinced something is making his fingers disappear one by one. A hiker becomes trapped in a surreal empty town in the woods. A man becomes convinced creatures are living inside his blood… and they just want out. As the masks fall away in these and other disturbing tales, are you brave enough to see what lies beneath?

Bent on taking over the earth, the deadly Thone have planted a monstrous device on our planet's surface. Trapped inside is a group of scientists, spies, and innocent bystanders. Part maze, part torture chamber, part laboratory, the house of doors is a test. If its captives survive, the Thone will withdraw from earth and leave us in peace.

Prof. Ewart Masters spends his convalescence, following a car accident, at the home of his nephew Jason Masters, pursuing his studies of ancient civilizations, during which he makes startling discoveries about the hidden city beneath the Yorkshire moors. His search to unravel the mystery of the green figurines, his efforts to assess the implications of Robert Krug's manuscript, lead ultimately to Devil's Pool and the surviving world of Lh'yib, culminating in a series of dream-like adventures as he wanders through the nightmare corridors of his new environment.

You can’t have a good tale of monster hunting without monsters. And sometimes the monsters don’t need to be hunted. Sometimes it’s fun sitting back at minimum safe distance and watching the mayhem.

The Caller of the Black is Brian Lumley's first published collection of stories, with many of them involving the Cthulhu Mythos.