Born on a farm outside Edinburgh in the mid-19th century, Agnes Watt is embraced by family, community, and tradition. Her youthful hopes and dreams are quashed but she falls in love and marries William Miller, a Gordon Highlander. Life spirals into dark places as the couple become ensnared in the nightmare that descended on the Scottish working class during the industrial revolution. The triumphs of the great Victorian era came at an appalling human cost and Agnes fights against disease and grinding poverty.

It's 1843, and Grace Marks has been convicted for her involvement in the vicious murders of her employer and his housekeeper and mistress. Some believe Grace is innocent; others think her evil or insane. Now serving a life sentence, Grace claims to have no memory of the murders. An up-and-coming expert in the burgeoning field of mental illness is engaged by a group of reformers and spiritualists who seek a pardon for Grace. He listens to her story while bringing her closer and closer to the day she cannot remember.

London, 1935. Ruby is always hungry, but she will go without if it means her young brothers can eat. 1930s Bermondsey might be called the larder of London, with its pie, pickle and jam factories, but for the poor working classes, starvation is often only a heartbeat away. When Ruby's neighbour suggests she ought to go to the Methodist Mission for free food, Ruby knows her father will be furious, but she has no other option.

On Midsummer’s Eve, Alinor waits in the church graveyard, hoping to encounter the ghost of her missing husband and thus confirm his death. Until she can, she is neither maiden nor wife nor widow, living in a perilous limbo. Instead she meets James, a young man on the run. She shows him the secret ways across the treacherous marshy landscape of the Tidelands, not knowing she is leading a spy and an enemy into her life. England is in the grip of a bloody civil war that reaches into the most remote parts of the kingdom.

It’s 1835 in Utica, New York, and newlywed Helen Galway discovers a secret: Two runaway slaves are hiding in the shack behind her husband’s house. Suddenly, she is at the center of not only the era’s greatest moral dilemma, but her own, as well. Should she be a “good wife” and report the fugitives to her husband? Or will she defy convention and come to their aid? Within her home, Helen is haunted by the previous Mrs. Galway, recently deceased but still an oppressive presence.

When the peat-cutters came to report the dead man, Gil Cunningham was up in the roof-space of his mother's house, teaching his new young wife swordplay. They believe the corpse to be that of a local missing man. His wife and the widow who runs the local coalmine are sure the body belongs to someone else, but then they find themselves accused of having killed him by witchcraft. And if the corpse is not the missing man, who is it? Gil and Alys try to get to the heart of the matter.

England, 1943: Home is no longer safe for eight-year-old twins Molly and Jacob. Night after night, wailing bombs and screeching planes skim the rooftops overhead. They cradle each other, shivering in terror, not knowing if they'll live to see dawn. Their mother, Martha, has no choice but to evacuate them to the safety of the countryside. At the train station, Martha bites back tears as she says good-bye to her precious children. Knowing she might never see them again, she gives Jacob a letter, pressing the envelope into his hands and telling him to only read it if they are in danger.

England, 1937: After a devastating childhood at Blakely Hall Orphanage, 15-year-old Sandra is released. She finds work as a housemaid, finally able to put her past behind her. But the start of World War Two throws the country into turmoil, and her brother, Alf, is sent away to fight, leaving her completely alone. Germany, 1939: Eleven-year-old Frieda is about to board a ship bound for England with her brother, Kurt. But at the last moment, as Frieda stands on the deck crammed with frightened children, she spots her brother jumping off, back to land.

Adam Bede (1859), George Eliot's first full-length novel, marked the emergence of an artist to rank with Scott and Dickens. Set in the English Midlands of farmers and village craftsmen at the turn of the 18th century, the book relates a story of seduction issuing in "the inward suffering which is the worst form of Nemesis". But it is also a rich and pioneering record - drawing on intimate knowledge and affectionate memory - of a rural world that we have lost.

Keara Michaels doesn't want to leave her family in Ireland, but fate sends her first to Lancashire, then across the sea to Australia, pregnant and penniless. And Theo Mullane, the man who loves her, is married, with an ailing baby son, so cannot follow her as he longs to. Mark Gibson leaves Lancashire to avoid marriage. But gold prospecting is a dangerous pursuit, and when his gentle young wife dies in childbirth, his father-in-law kidnaps the baby. So Mark runs away again, this time to Western Australia, where he employs Keara in his country inn.

When a young woman vanishes without a trace from a quaint fishing village on the coast of England, only one person knows the truth, but he remains silent allowing the authorities to search for her in vain. Meanwhile, Valerie Crane finds herself transported to the year 1605. Terrified and confused, she turns for help to the Whitfield brothers, who take her in and offer her a home. Both Alexander and Finlay Whitfield fall in love with the mysterious woman, who shows up on their doorstep, creating a love triangle that threatens to consume them all.

The year is 1729, and Resolute Talbot and her siblings are captured by pirates, taken from their family in Jamaica and brought to the New World. Resolute and her sister are sold into slavery in colonial New England and taught the trade of spinning and weaving. When Resolute finds herself alone in Lexington, Massachusetts, she struggles to find her way in a society that is quick to judge a young woman without a family. As the seeds of rebellion against England grow, Resolute is torn between following the rules and breaking free.

When Lyddie Berry’s husband is lost in a storm at sea, she finds that her status as a widow is vastly changed from that of respectable married woman. Now she is the “dependent” of her nearest male relative - her son-in-law. Refusing to bow to societal pressure that demands she cede everything that she and her husband worked for, Lyddie becomes an outcast from family, friends, and neighbors - yet ultimately discovers a deeper sense of self and, unexpectedly, love.

In the spring of 1685, Lord Hugo Everly, ardent supporter of the Protestant upstart the Duke of Monmouth, vanishes without a trace just before the Monmouth Rebellion, leaving future generations forever baffled as to what might have become of him. In 2013, while visiting Everly Manor as part of her job as a location scout for a film production company, Neve Ashley stumbles onto a secret passage that leads her into the 17th century and straight into the path of the ill-fated lord.

"It was in the first week of October in the year 1391 that I first came face to face with the man who owned me… the man whose lightest word was to us, his villeins, weightier than the King’s law or the edicts of our Holy Father…” So began the story of Martin Reed - a serf whose resentment of the automatic rule of his feudal lord finally flared into open defiance.

The year is 1729, and Resolute Talbot and her siblings are captured by pirates, taken from their family in Jamaica and brought to the New World. Resolute and her sister are sold into slavery in colonial New England and taught the trade of spinning and weaving. When Resolute finds herself alone in Lexington, Massachusetts, she struggles to find her way in a society that is quick to judge a young woman without a family. As the seeds of rebellion against England grow, Resolute is torn between following the rules and breaking free.

"It was in the first week of October in the year 1391 that I first came face to face with the man who owned me… the man whose lightest word was to us, his villeins, weightier than the King’s law or the edicts of our Holy Father…” So began the story of Martin Reed - a serf whose resentment of the automatic rule of his feudal lord finally flared into open defiance.

Lise’s father is dead, and the life of plenty and freedom that she has known as the daughter of the King’s Huntsman is gone. She must now live a life of duty to her mother and sisters, helping them to cope in their altered circumstances. But where her mother would have her wed a childhood friend to secure their future, Lise knows that is not what she longs for.

Adam Bede (1859), George Eliot's first full-length novel, marked the emergence of an artist to rank with Scott and Dickens. Set in the English Midlands of farmers and village craftsmen at the turn of the 18th century, the book relates a story of seduction issuing in "the inward suffering which is the worst form of Nemesis". But it is also a rich and pioneering record - drawing on intimate knowledge and affectionate memory - of a rural world that we have lost.

Accepting employment as a governess after hard times hit her family, medieval scholar Rosalind Hawkins is surprised when she learns that her mysterious employer has no children and only wants her to read to him through a speaking tube.

Mrs. Laetitia Rodd, aged 52, is the widow of an archdeacon who makes her living as a highly discreet private investigator. Her brother, Frederick Tyson, is a criminal barrister living in nearby Highgate with his wife and 10 children. Frederick finds the cases, and Laetitia solves them using her arch intelligence and her immaculate cover as an unsuspecting widow. When a case arises involving the son of the highly connected Sir James Calderstone, Laetitia sets off for Lincolnshire undercover as the family's new governess.

Set in 1920s London, this is the inspiring story of Kate Goss' struggle against poverty, hunger and cruel family secrets. Her mother died in a fall, her father has vanished without trace, and now her aunt and cousins treat her viciously. In a freezing, vermin-infested garret, factory girl Kate has only her own brave spirit and dreams of finding her father to keep her going. She has barely enough money to feed herself, or to pay the rent. The factory where she works begins to lay off people and it isn't long before she has fallen into the hands of the violent local money-lender.

When the peat-cutters came to report the dead man, Gil Cunningham was up in the roof-space of his mother's house, teaching his new young wife swordplay. They believe the corpse to be that of a local missing man. His wife and the widow who runs the local coalmine are sure the body belongs to someone else, but then they find themselves accused of having killed him by witchcraft. And if the corpse is not the missing man, who is it? Gil and Alys try to get to the heart of the matter.

It’s 1835 in Utica, New York, and newlywed Helen Galway discovers a secret: Two runaway slaves are hiding in the shack behind her husband’s house. Suddenly, she is at the center of not only the era’s greatest moral dilemma, but her own, as well. Should she be a “good wife” and report the fugitives to her husband? Or will she defy convention and come to their aid? Within her home, Helen is haunted by the previous Mrs. Galway, recently deceased but still an oppressive presence.

From the award-winning author of The Day I Died and The Lucky One, a captivating suspense novel about nurses during World War II who come to Agatha Christie’s holiday estate to care for evacuated children, but when a body is discovered nearby, the idyllic setting becomes host to a deadly mystery.

Margaret of Ashbury wants to write her life story. However, like most women in 14th-century England, she is illiterate. Three clerics contemptuously decline to be Margaret’s scribe, and only the threat of starvation persuades Brother Gregory, a Carthusian friar with a mysterious past, to take on the task. As she narrates her life, we discover a woman of startling resourcefulness.

Tess of the d'Urbervilles is the 19th century novel lately thought to be one of the inspirations of E .L.James' Fifty Shades of Grey. It depicts the life of an impressionable, naive, somewhat educated young woman who yearns to be free to live her own life, but finds herself constricted by the bonds of the sexual, religious and socially hypocritical customs that have surrounded her from birth.

Lark Rise is Flora Thompson's childhood memories of a north Oxfordshire village, the people who lived and worked in it, and a way of life that has totally disappeared. The story is built around Laura and her brother Edmund, through whose eyes are seen 'old Sally', whose grandfather built the house she lived in before the enclosure of the heathland, children's games, the interaction of village and gentry, and the way in which the seasons governed life.

Evangeline Keating came West because she had to: after her husband's passing, she needed to build a new life for her young daughter, and marrying a stranger from Montana Territory was her best chance. After a difficult winter journey, she arrives at an isolated outpost called Springwater Station. But the handsome man who's come for her is not her husband-to-be, and Evangeline soon finds herself thrust into a most inconvenient - and highly improper - arrangement.

Sons and Lovers, D. H. Lawrence's first major novel, was also the first in the English language to explore ordinary working-class life from the inside. No writer before or since has written so well about the intimacies enforced by a tightly knit mining community and by a family where feelings are never hidden for long. When the marriage between Walter Morel and his sensitive, high-minded wife begins to break down, the bitterness of their frustration seeps into their children's lives.