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Held

By: Anne Michaels
Narrated by: Anne Michaels
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Publisher's summary

INSTANT NATIONAL BESTSELLER • Shortlisted for the 2024 Booker Prize • Shortlisted for the 2024 Giller Prize • One of the Globe and Mail’s Best Books of 2023

A breathtaking and mysterious new novel from the beloved Anne Michaels, internationally bestselling author of
Fugitive Pieces and The Winter Vault.

1917. On a battlefield near the River Aisne, John lies in the aftermath of a blast, unable to move or feel his legs. Struggling to focus his thoughts, he is lost to memory—a chance encounter in a pub by a railway, a hot bath with his lover on a winter night, his childhood on a faraway coast—as the snow falls.

1920. John has returned from war to North Yorkshire, near another river—alive, but not whole. Reunited with Helena, an artist, he reopens his photography business and endeavours to keep on living. But the past erupts insistently into the present, as ghosts begin to surface in his pictures: ghosts whose messages he cannot understand.

So begins a narrative that spans four generations, moments of connection and consequence igniting and re-igniting as the century unfolds. In luminous moments of desire, comprehension, longing, and transcendence, the sparks fly upward, working their transformations decades later. This resonance through time—not only of actions but also of feelings and perceptions—desire in its many forms—are at the heart of this novel’s profound investigation.

Held is a deeply affecting and intensely beautiful novel, full of unforgettable characters and imagery, wisdom and compassion. It explores the deepest mysteries, and the ways in which desire in its many forms—and perhaps the deepest desire, to find meaning—manifests itself. Held moves through history to light upon Darwin, Sir Ernest Rutherford, North Sea ganseys, early photography, Ella Mary Leather, modern field hospitals…while lovers find each other and snow drifts down across the centuries. From the WW1 battlefield where the novel begins, and its opening lines, Held is alive with seeking: "We know life is finite. Why should we believe death lasts forever?”

©2023 Anne Michaels (P)2023 McClelland & Stewart
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Critic reviews

“The first few pages of this brief kaleidoscopic novel from the author of Fugitive Pieces may seem forbidding, yet every member of the judging panel was transported by this book. Michaels, a poet, is utterly uncompromising in her vision and execution. She is writing about war, trauma, science, faith and above all love and human connection; her canvas is a century of busy history, but she connects the fragments of her story through theme and image rather than character and chronology, intense moments surrounded by great gaps of space and time. Appropriately for a novel about consciousness, it seems to alter and expand your state of mind. Reading it is a unique experience.”
The Booker Prize 2024 judges’ citation

"Held is a novel that floats, a beguiling association of memories, projections, and haunted instances through which the very notion of our mortality, of our resilience and desires, is interrogated in passages as impactful as they can be hypnotic. . . . Michaels’ mastery of word and situations is understated but insistent, an altogether successful reliance that deflects attention from its author and embeds the reader in the resoundingly mysterious and ephemeral. Here is a novel in which we are willingly held.” Giller Prize 2024 jury citation

“Her alchemical abilities are undimmed. It is really a novel-in-stories, delivering a series of pivotal junctures in the lives of a string of characters — some obviously linked, others more tenuously. Spanning the 20th century and reaching into the near future, this series of decisive moments presents love, both romantic and familial, as a temporary balm to inevitable loss.” —Christian House, Financial Times

“The characters in Held remain hazy. Michaels draws accolades for her incantatory prose — an image-rich style that has led to comparisons to her fellow Toronto resident the poet-novelist Michael Ondaatje.” —Mia Levitin, Sunday Times

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