Mma "Precious" Ramotswe sets up a detective agency in Botswana on the edge of the Kalahari Desert, making her the only female detective in the country. At first, cases are hard to come by. But eventually, troubled people come to Precious with a variety of concerns. Potentially philandering husbands, seemingly schizophrenic doctors, and a missing boy who may have been killed by witch doctors all compel Precious to roam about in her tiny van, searching for clues.

Mildred Lathbury is a clergyman's daughter and a mild-mannered spinster in 1950s England. She is one of those excellent women - the smart, supportive, repressed women whom men take for granted. As Mildred gets embroiled in the lives of her new neighbors - anthropologist Helena Napier; Helen's handsome, dashing husband, Rocky; and Julian Malory, the vicar next door - the novel presents a series of snapshots of human life as actually, and pluckily, lived.

The brilliant Alexander McCall Smith became an international sensation with his New York Times best-selling No. 1 Ladies' Detective Agency novels. His award-winning wit, made famous through that series, is fully on display in 44 Scotland Street.

It is 1938 and the final days of the British Empire. In a bungalow high up in the green hills above the plains of Ceylon, under a vast blue sky, live the Ferguson family: Bella, a precocious eight-year-old; her father Henry—owner of Pitlochry, a tea plantation—and her mother Virginia. The story centres around the Pavilion in the Clouds, set in the idyllic grounds carved out of the wilderness. But all is not as serene as it seems. Bella is suspicious of her governess, Miss White’s intentions.

The scene of this entertaining story is laid in a charming English village. The plot centres round Miss Barbara Buncle, a maiden lady who was obliged to write a book because – as she naively explained – her dividends were so poor. Unfortunately, Miss Buncle had no imagination, so she wrote about her friends – quite kindly and truthfully, of course, for she was a benevolent and veracious soul.

At the end of her first unsuccessful season out in society, Lady Georgiana has all but given up on attracting a suitable man - until she receives an invitation to a masked Halloween ball at Broxley Manor. Georgie is uncertain why she was invited, until she learns that the royal family intends to marry her off to a foreign prince, one reputed to be mad.

Elfrida Jane, accustomed to the energetic life of a small-part actress, finds life at Mountain Cross very different. At first her mother's old cliff-top house seems lonely and bleak, compared to the glitter and bustle of the theatre. But Elfrida has plenty of courage and soon settles down to enjoy herself. Then, suddenly, her peace is shattered. To the house on the cliff come unexpected visitors from the world of the theatre - a world Elfrida thought she had left behind forever.

Charlotte Fairlie is a successful, elegant career woman. Still in her 20s, she has landed a job as headmistress of her old school. She is admired and liked by both staff and pupils - but she begins to feel there is something missing in her well-organised life. Then one summer she goes to stay with a young pupil on the remote Scottish Isle of Targ. In the romantic atmosphere of the Highlands, anything can happen - and even the cool, efficient Charlotte surprises herself.

When their father dies, none of the three Harcourt girls are particularly upset. The loss of the family's income, however, is not something so easily overcome. When their mother Anna discovers that they have been left penniless, she decides to move them out of London and back to her hometown in Scotland.

Bel, an orphan daughter of an Army colonel, is brought up in an English village and flung into the whirl of London life to earn a hard living as a secretary while attempting to navigate romance, unexpected friendships and urban life. Shy and sensitive, she is unaware of the pitfalls that surround her. When Bel is offered a chance to leave London and venture to a fishing hotel in Scotland for a much needed holiday with an old school friend, things begin to change. There she learns that you cannot escape from your troubles by running away from them....

In the spring of 1974, Calliope Stephanides, a student at a girls' school in Grosse Pointe, finds herself drawn to a chain-smoking, strawberry-blonde classmate with a gift for acting. The passion that furtively develops between them - along with Callie's failure to develop physically - leads Callie to suspect that she is not like other girls. In fact, she is not really a girl at all.

It’s 2011, and Samuel Andresen-Anderson—college professor, stalled writer—has a Nix of his own: his mother, Faye. He hasn’t seen her in decades, not since she abandoned the family when he was a boy. Now she’s re-appeared, having committed an absurd crime that electrifies the nightly news, beguiles the internet, and inflames a politically divided country. The media paints Faye as a radical hippie with a sordid past, but as far as Samuel knows, his mother was an ordinary girl who married her high-school sweetheart.

Vivacious, young Hester Christie tries to run her home like clockwork, as would befit the wife of British Army officer, Tim Christie. However hard Mrs Tim strives for seamless living amidst the other army wives, she is always moving flat-out to remember groceries, rule lively children, side-step village gossip and placate her husband with bacon, eggs, toast and marmalade. Left alone for months at a time whilst her husband is with his regiment, Mrs Tim resolves to keep a diary of events large and small in her family life.

One of the most revered works in English literature, Great Expectations traces the coming of age of a young orphan, Pip, from a boy of shallow aspirations into a man of maturity. From the chilling opening confrontation with an escaped convict to the grand but eerily disheveled estate of bitter old Miss Havisham, all is not what it seems in Dickens’ dark tale of false illusions and thwarted desire.

Amelia Peabody embarks on her first Egyptian adventure armed with unshakable self-confidence, a journal for her thoughts, and, of course, a sturdy umbrella. On her way, she rescues Evelyn Barton-Forbes, who has been "ruined" and abandoned on the streets of Rome by her lover. With a typical disregard for convention, Amelia promptly hires her fellow countrywoman as a companion and takes her to Cairo, where strange visitations and a botched kidnapping convince Amelia that there is a plot afoot to harm Evelyn.