Tom Lowe’s identity and his pride are invested in the work he does with his back and his hands. He designed and built his family’s dream home, working extra hours to pay off the adjustable rate mortgage he took on the property, convinced he is making every sacrifice for the happiness of his wife and son. Until, in a moment of fatigued inattention, shingling a roof in too-bright sunlight, he falls. In constant pain, addicted to painkillers at the cost of his relationships with his wife and son, Tom slowly comes to realize that he can never work again.

In the spring of 2020, Lara’s three daughters return to the family's orchard in Northern Michigan. While picking cherries, they beg their mother to tell them the story of Peter Duke, a famous actor with whom she shared both a stage and a romance years before at a theater company called Tom Lake. As Lara recalls the past, her daughters examine their own lives and relationship with their mother, and are forced to reconsider the world and everything they thought they knew.

After their parents divorced in the 1970s, Andre Dubus III and his three siblings grew up with their exhausted working mother in a depressed Massachusetts mill town saturated with drugs and crime. To protect himself and those he loved from street violence, Andre learned to use his fists so well that he was even scared of himself. He was on a fast track to getting killed—or killing someone else—or to beatings-for-pay as a boxer.

The collection includes the novella We Don't Live Here Anymore, which served as the basis for the 2004 film of the same title; the novella also introduces Dubus' writer-protagonist Hank Allison, a character who continues to appear throughout his work. Two years later, the title story of Dubus' sophomore collection Adultery and Other Choices continued the exploits of Hank Allison. While the collection's opening stories focus on the fragile nature of youth, later stories shift to darker struggles of adulthood.

Spanning the years 1900 to 1977, The Covenant of Water is set in Kerala, on South India’s Malabar Coast, and follows three generations of a family that suffers a peculiar affliction: in every generation, at least one person dies by drowning—and in Kerala, water is everywhere. At the turn of the century, a twelve-year-old girl from Kerala’s long-existing Christian community, grieving the death of her father, is sent by boat to her wedding, where she will meet her forty-year-old husband for the first time.

William Waters grew up in a house silenced by tragedy, where his parents could hardly bear to look at him, much less love him—so when he meets the spirited and ambitious Julia Padavano in his freshman year of college, it’s as if the world has lit up around him. With Julia comes her family, as she and her three sisters are inseparable: Sylvie, the family’s dreamer, is happiest with her nose in a book; Cecelia is a free-spirited artist; and Emeline patiently takes care of them all.

Chemist Elizabeth Zott is not your average woman. In fact, Elizabeth Zott would be the first to point out that there is no such thing as an average woman. But it’s the early 1960s and her all-male team at Hastings Research Institute takes a very unscientific view of equality. Except for one: Calvin Evans; the lonely, brilliant, Nobel–prize nominated grudge-holder who falls in love with—of all things—her mind. True chemistry results.

Out in the desert in a place called the Palace, a young man tends to a dying soul, someone he once knew briefly, but who has haunted the edges of his life. Juan Gay—playful raconteur, child lost and found and lost, guardian of the institutionalized—has a project to pass along. It is inspired by a true artifact of a book, Sex Variants: A Study in Homosexual Patterns, which contains stories collected in the early twentieth century from queer subjects by a queer researcher, Jan Gay, whose groundbreaking work was then co-opted by a committee, her name buried.

From one of our most accomplished novelists, a mesmerizing story about a mother and daughter seeking refuge in the chaotic aftermath of the Civil War.

Why we think it’s a great listen: Never before has an author’s narration of his fiction been so important to fully grasping the book’s impact and global implications. Taking us from Afghanistan in the final days of its monarchy to the present, The Kite Runner is the unforgettable story of the friendship between two boys growing up in Kabul. Their intertwined lives, and their fates, reflect the eventual tragedy of the world around them.

Quentin Coldwater is brilliant but miserable. A senior in high school, he's still secretly preoccupied with a series of fantasy novels he read as a child, set in a magical land called Fillory. Imagine his surprise when he finds himself unexpectedly admitted to a very secret, very exclusive college of magic in upstate New York, where he receives a thorough and rigorous education in the craft of modern sorcery.

On a warm summer morning in North Carthage, Missouri, it is Nick and Amy Dunne’s fifth wedding anniversary. Presents are being wrapped and reservations are being made when Nick’s clever and beautiful wife disappears. Husband-of-the-Year Nick isn’t doing himself any favors with cringe-worthy daydreams about the slope and shape of his wife’s head, but passages from Amy's diary reveal the alpha-girl perfectionist could have put anyone dangerously on edge.

At times stern, at other times patient, at times perceptive, at other times in sad denial, Olive Kitteridge, a retired schoolteacher, deplores the changes in her little town of Crosby, Maine, and in the world at large, but she doesn’t always recognize the changes in those around her: a lounge musician haunted by a past romance; a former student who has lost the will to live; Olive’s own adult child, who feels tyrannized by her irrational sensitivities; and her husband, Henry, who finds his loyalty to his marriage both a blessing and a curse.

This is the way the world ends...for the last time. It starts with the great red rift across the heart of the world's sole continent, spewing ash that blots out the sun. It starts with death, with a murdered son and a missing daughter. It starts with betrayal, and long dormant wounds rising up to fester. This is the Stillness, a land long familiar with catastrophe, where the power of the earth is wielded as a weapon. And where there is no mercy.

After a violent coup in the United States overthrows the Constitution and ushers in a new government regime, the Republic of Gilead imposes subservient roles on all women. Offred, now a Handmaid tasked with the singular role of procreation in the childless household of the enigmatic Commander and his bitter wife, can remember a time when she lived with her husband and daughter and had a job, before she lost everything, even her own name.

By the time of his early death in 1988, Raymond Carver had established himself as one of the great practitioners of the American short story. Where I'm Calling From, his last collection, encompasses classic stories from Cathedral, What We Talk About When We Talk About Love, and earlier Carver volumes, along with seven new works previously unpublished in book form.

Wolff here returns with fresh revelations - about biding one's time, or experiencing first love, or burying one's mother - that come to a variety of characters in circumstances at once everyday and extraordinary. A retired Marine enrolls in college while her son trains for Iraq. A lawyer takes a difficult deposition. An American in Rome indulges the Gypsy who's picked his pocket.

With this, his first collection of stories, Raymond Carver breathed new life into the American short story and instantly became both the recognized master of the form and one of our best-loved fiction writers. Carver shows us the humor and tragedy that dwell in the hearts of ordinary people; his stories are the classics of our time.

Louis Holland arrives in Boston in a spring of ecological upheaval (a rash of earthquakes on the North Shore) and odd luck: the first one kills his grandmother. Louis tries to maintain his independence, but falls in love with a Harvard seismologist whose discoveries about the earthquakes' cause complicate everything.

There's something eerily unsettling about Ottessa Moshfegh's stories, something almost dangerous, while also being delightful and even laugh-out-loud funny. Her characters are all unsteady on their feet in one way or another; they all yearn for connection and betterment, though each in very different ways, but they are often tripped up by their own baser impulses and existential insecurities.

Zou Lei, orphan of the desert, migrates to work in America and finds herself slaving in New York's kitchens. She falls in love with a young man whose heart has been broken in another desert. A new life may be possible if together they can survive homelessness, lockup, and the young man's nightmares, which may be more prophecy than madness.

Like the work of Cormac McCarthy, Denis Johnson, Richard Ford, and Annie Proulx, Battleborn represents a near-perfect confluence of sensibility and setting, and the introduction of an exceptionally powerful and original literary voice. In each of these ten unforgettable stories, Claire Vaye Watkins writes her way fearlessly into the mythology of the American West, utterly reimagining it.

Margo is not like other girls. She lives in a derelict neighborhood called the Bone, in a cursed house, with her cursed mother, who hasn't spoken to her in over two years. She lives her days feeling invisible. It's not until she develops a friendship with her wheelchair-bound neighbor, Judah Grant, that things begin to change. When a neighborhood girl, seven-year-old Neveah Anthony, goes missing, Judah sets out to help Margo uncover what happened to her. What Margo finds changes her, and with a new perspective on life she's determined to find evil and punish it.

Laguna: a place where a crazed killer has turned paradise into a Disneyland of depraved violence - with a fiery vengeance - and where homicide cop Tom Shephard unravels a grisly mystery. It reaches back across 40 years of sordid sex, blackmail, and suicide into the dark corners of his own past.

On a rainy night in April, a chance encounter on a lonely road draws David into a romance with Jana Fletcher, a beautiful young law student. Jana is an enigma: living in a run-down apartment and sporting a bruise on her cheek that she refuses to explain. David would like to know her secrets, but he lets them lie-until it's too late. When Jana is brutally murdered, the police consider David a prime suspect.

In Fort Hood housing, like all army housing, you get used to hearing through the walls. You learn too much. And you learn to move quietly through your own small domain. You also know when the men are gone. As Siobhan Fallon shows in this collection of loosely interconnected short stories, each woman deals with her husband's absence differently.

Anthony Award-winning author William Kent Krueger crafts this riveting tale about a small Minnesota town’s ex-sheriff who is having trouble retiring his badge. Cork O’Connor loses his job after being blamed for a tragedy on the local Anishinaabe Indian reservation. But he must set aside his personal demons when a young boy goes missing on the same day a judge commits suicide—and no one but O’Connor suspects foul play.

Nines Lives is a multivoiced biography of a dazzling, surreal, and imperiled city, told through the lives of nine unforgettable characters and bracketed by two epic storms: Hurricane Betsy, which transformed New Orleans in the 1960s, and Hurricane Katrina, which nearly destroyed it. Dan Baum brings this kaleidoscopic portrait to life, showing us what was lost in the storm and what remains to be saved.

Anders is an angry, cynical man. A book critic known for his scathing reviews, he finds any excuse to dismiss, belittle, or insult. This afternoon is no more agitating than the next. Angers finds himself in a long line at the bank, waiting to reach a teller. Even after two men - wearing masks and carrying guns - take control of the building, Anders is unfazed. It's this behavior that lands him with a pistol against his stomach and a man screamingin his face. And when the bank robber, indignant over Anders' behavior, shoots the book critic in the head, his mind floats through the memories of his life, settling on one particular event....

After the stunning historical novels The Clearing and The Missing, Tim Gautreaux now ranges freely through contemporary life with 12 new stories and eight from previous collections. Most are set in his beloved Louisiana, many hard by or on the Mississippi River, others in North Carolina, and even in midwinter Minnesota. But generally it's heat, humidity, and bugs that beset his people as they wrestle with affairs of the heart, matters of faith, and the pros and cons of tight-knit communities.

After their parents divorced in the 1970s, Andre Dubus III and his three siblings grew up with their exhausted working mother in a depressed Massachusetts mill town saturated with drugs and crime. To protect himself and those he loved from street violence, Andre learned to use his fists so well that he was even scared of himself. He was on a fast track to getting killed—or killing someone else—or to beatings-for-pay as a boxer.

Tom Lowe’s identity and his pride are invested in the work he does with his back and his hands. He designed and built his family’s dream home, working extra hours to pay off the adjustable rate mortgage he took on the property, convinced he is making every sacrifice for the happiness of his wife and son. Until, in a moment of fatigued inattention, shingling a roof in too-bright sunlight, he falls. In constant pain, addicted to painkillers at the cost of his relationships with his wife and son, Tom slowly comes to realize that he can never work again.

In Ghost Dogs, Dubus’s nonfiction prowess is on full display in his retelling of his own successes, failures, triumphs, and pain. In his longest essay, “If I Owned a Gun,” Dubus reflects on the empowerment and shame he felt in keeping a gun, and his decision, ultimately, to give it up. Elsewhere, he writes of a violent youth and of settled domesticity and fatherhood, about the omnipresent expectations and contradictions of masculinity, about the things writers remember and those they forget.

Set in the seamy underside of American life at the moment before the world changed, it juxtaposes lust for domination with hunger for connection, sexual violence with family love. It seizes the listener by the throat with the same psychological tension, depth, and realism that characterized Andre Dubus' #1 bestseller, House of Sand and Fog, and has an even greater sense of the dark and anguished places in the human heart.

Daniel Ahearn lives a quiet, solitary existence in a seaside New England town. Forty years ago, following a shocking act of impulsive violence on his part, his daughter, Susan, was ripped from his arms by police. Now in her 40s, Susan still suffers from the trauma of a night she doesn’t remember, as she struggles to feel settled, to love a man, and create something that lasts. Lois, her maternal grandmother who raised her, tries to find peace in her antique shop in a quaint Florida town but cannot escape her own anger, bitterness, and fear.

Growing up in a world of physical and emotional poverty, Ruth believes her shrewish mother's assessment of her - that she is dimwitted and worthless. When she marries an emotionally unstable ne'er-do-well, her troubles only multiply. Her job at the dry cleaners can't afford her little family the luxury of moving out of her mother's house. As the incessant bickering between her troubled husband and her abusive mother reaches a violent climax, Ruth must find a way to survive.

Judd is the youngest of the four Mulvaney children - three boys and a girl - on their parents’ lush farm in upstate New York. In his childhood, Judd is swept along by the sheer energy of the Mulvaneys and their wealth of beloved family stories. But now, 30 years old, Judd looks back through his memories to tell the secrets that eventually ripped apart the fabric of his storybook family.

Both highly suspenseful and deeply moving, The Deep End of the Ocean imagines every mother's worst nightmare - the disappearance of a child - as it explores a family's struggle to endure, even against extraordinary odds. Filled with compassion, humor, and brilliant observations about the texture of real life, here is a story of rare power, one that will touch listeners' hearts and make them celebrate the emotions that make us all one.

Winter, 1919. Amanda Starkey spends her days nursing soldiers wounded in the Great War. Finding herself suddenly overwhelmed, she flees Milwaukee and retreats to her family's farm on Nagawaukee Lake, seeking comfort with her younger sister, Mathilda, and three-year-old niece, Ruth. But very soon, Amanda comes to see that her old home is no refuge—she has carried her troubles with her. On one terrible night almost a year later, Amanda loses nearly everything that is dearest to her when her sister mysteriously disappears and is later found drowned beneath the ice that covers the lake.

Young Julie Harmon works "hard as a man", they say, so hard that at times she's not sure she can stop. People depend on her to slaughter the hogs and nurse the dying. People are weak, and there is so much to do. At just 17 she marries and moves down into the valley of Gap Creek, where perhaps life will be better. But Julie and Hank's new life in the valley, in the last years of the 19th century, is more complicated than the couple ever imagined.

Songs in Ordinary Time is set in the summer of 1960 - the last of quiet times and America's innocence. It centers on Marie Fermoyle, a strong but vulnerable woman whose loneliness and ambition for her children make her easy prey for the dangerous con man Omar Duvall.