
How To FAIL at Stand-Up Comedy
Avoiding the Pitfalls that Kill a Comic's Career
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Narrated by:
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Virtual Voice
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By:
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Steve Sabo

This title uses virtual voice narration
About this listen
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- By: Sam Wasson
- Narrated by: David de Vries
- Length: 15 hrs and 31 mins
- Unabridged
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Overall
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Performance
-
Story
At the height of the McCarthy era, an experimental theater troupe set up shop in a bar near the University of Chicago. Via word-of-mouth, astonished crowds packed the ad-hoc venue to see its unscripted, interactive, consciousness-raising style. From this unlikely seed grew the Second City, the massively influential comedy theater troupe, and its offshoots - the Groundlings, Upright Citizens Brigade, SNL, and a slew of others. Sam Wasson charts the meteoric rise of improv in this richly reported, scene-driven narrative.
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-
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- By Keith on 03-26-18
By: Sam Wasson
-
The Improv
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- By: Budd Friedman, Tripp Whetsell, Jay Leno - foreword
- Narrated by: Johnny Heller
- Length: 10 hrs and 55 mins
- Unabridged
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Overall
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Performance
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Story
In 1963, 30-year-old Friedman - who had recently quit his job as a Boston advertising executive and returned to his hometown of New York to become a theatrical producer - opened a coffee house for Broadway performers called the Improvisation. His goal? Simply to make a living, and if all went according to plan, to also make enough professional contacts to be able to mount his first Broadway show within a year's time. Later shortened to the Improv, its first West 44th Street location was in a seedy section of Manhattan's Hell's Kitchen.
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-
Shockingly tone deaf
- By JenniferW on 06-28-23
By: Budd Friedman, and others
Great advice to Avoid Pitfalls
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Steve Sabo, is a battle hardened comic, who despite being incredibly funny (check him out on YouTube) has never had a Netflix special. What he has had is a fulltime comedy carrier for decades.
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Steve Sabo tells it like it is - the raw and unpleasant truth about Show Business and the life of a Road Comic. And while it is often quite disheartening, it is also educational and helps young comics make realistic goals.
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More importantly, How To Fail At Stand-up Comedy gave great nuance advice about what not to do that no other How To Be A Comic book touched on.
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I've been doing open mic's for a year now and last month I bombed for the first time. Don't get me wrong, I have had sets with only smiles and light laughter before but this was boondock crickets quiet! I was shaken to my core. The strangest part was that I had actually killed with the same set the night before at another club. It wasn't until I read this book, did I realize it wasn't just a bad crowd (which it was) but I had made two major fauxpas with my first two lines.
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-See, I'm 6'3", 400lbs, and fairly animated when I preform. So when I saw the sage at the back of the bar was only 4'x6' I thought it would be funny to say, "What happen, you couldn't afford the whole sheet of plywood... I'm a big ole boy, I need more room than this" to open my set. So what I thought was self-deprecating was actually fauxpas number one, "Never insult the stage."
-The next joke was my actual opener, that had gotten huge laughs the three previous shows - which had caused me to become accustomed to pausing to let the laughs die down - however this time, it was met with depravation-chamber quality silence. Granted this was an open-mic with only comedians in attendance and half of them had heard the joke at the other club the night before, but this was almost angry silence. Fauxpas number one had already alienated these local comics (I was in WI but live MS). Then I made fauxpas number two, as the silence continued through my set, I acknowledged that I was bombing. From there, I couldn't bring the crowd back around. Even the two friends I brought with me looked at me with a level of pity that is usually reserved for conciliation over the death of a pet.
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However, until I read this book, I didn't see that the bad night was mostly self-inflicted. However, once I was able to see those things, I was able to analyze the set in a new way and found that the night before, I had also left out an edgy tag by accident, but I had added it to the blitzkrieg of bombs the second night. I've since corrected these fauxpas and the set is better than before and back killing.
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One last note on this book: the narrator is a computer program that was shockingly good. Professional narrators are in deep trouble.
Career Comic Gives Advice for Aspiring Comics
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Great strategies - for life….
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Professionalism is key!
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