Dave Win, the son of a Burmese man he’s never met and a British dressmaker, is thirteen years old when he gets a scholarship to a top boarding school. With the doors of elite English society cracked open for him, heady new possibilities emerge, even as Dave is exposed to the envy and viciousness of his wealthy classmates.

It’s 2001, and twenty-four-year-old Gordon—handsome, sensitive, and eager for direction—takes a bus from Minnesota to New York City because it’s the only place for a young gay man to go. As he begins to settle into the city’s punishing rhythm, he gets a job walking rich Manhattanites’ dogs. But it isn’t until he stumbles into the West Village brownstone of two of his clients, the powerful gallery owners Phillip and Nicola, that Gordon learns how much the world has hidden from him—and what he’s capable of doing in order to get it for himself.

A few years ago, David Alvarez had it all: a six-figure book deal, a loving boyfriend, and an exciting writing career. His debut novel was a resounding success, which made the publication of his second book—a total flop—all the more devastating. Now, David is single, lonely, and desperately trying to come up with the next great idea for his third manuscript, one that will redeem him in the eyes of readers, reviewers, the entire publishing world…and maybe even his ex-boyfriend.

Three gay men in pre-Stonewall New York City find their fates thrown together in the police raid of a Village bar. The three men find themselves in a police wagon together, their hidden lives threatened to be revealed to the world. Blackmail, a private investigator, Gus’s disappearance, and Danny’s quest for retribution propel Disorderly Men to its piercing conclusion, as each man meets the boundaries of his own fear, love, and shame. The stakes for each are different, but all of them confront a fundamental question: How much happiness is he allowed to have . . .

A poet's life is turned inside out by a sudden, wrenching pain. The pain brings him to his knees, and eventually to the ICU. Confined to bed, plunged into the dysfunctional American healthcare system, he struggles to understand what is happening to his body, as someone who has lived for many years in his mind. This is a searching, sweeping novel set at the furthest edges of human experience, where the forces that give life value—art, memory, poetry, music, care—are thrown into sharp relief.

Two little girls stand with their heads bowed in my living room. I’m told they’re my granddaughters. Daisy is nine, and Alice seven. Daisy is the spitting image of her mother. This is the first time I’ve met them since my daughter and I fell out after she married that waste of space, Vince. They’ve come to live with me because their mother — my daughter — was murdered. In her own home while they slept close by. I think Vince killed her. But the police can’t prove it. I’ve always known he was no good. He treated my daughter like dirt. I said he’d cheat on her — but she wouldn’t listen.

Who is Audrey Hoedemaker? It's a question her sister Maureen has heard more times than she can count, and she doesn't know what the short answer would be. Little sister, troubled teen, backpacker, musical theatre coach, con artist, childcare worker. Murderer. A tragic, traumatic childhood casts a long shadow on the Hoedemaker sisters. Maureen has worked hard to move beyond the violence of the past and build a good, honest life for herself. Audrey, however, just can't seem to do the same, careening from one state of chaos to another.

Lucas knows the perfect night entails just three things: video games, wine, and pad thai. Peanuts are a must! Other people? Not so much. Why complicate things when he’s happy alone? Then one day the apartment board, a vexing trio of authority, rings his doorbell. And Lucas’s solitude takes a startling hike. They demand to see his frying pan. Someone left one next to the recycling room overnight, and instead of removing the errant object, as Lucas suggests, they insist on finding the guilty party. But their plan backfires. Colossally.

It’s 1984, and life has changed beyond recognition. Airstrip One, formerly known as Great Britain, is a place where Big Brother is always watching, and nobody can hide. Except, perhaps, for Winston Smith. Whilst working at the Ministry of Truth, rewriting history, he secretly dreams of freedom. And in a world where love and sex are forbidden, where it’s hard to distinguish between friend and foe, he meets Julia and O’Brien and vows to rebel.

The 13 chapters of The Art of War, each devoted to one aspect of warfare, were compiled by the high-ranking Chinese military general, strategist, and philosopher Sun-Tzu. In spite of its battlefield specificity, The Art of War has found new life in the modern age, with leaders in fields as wide and far-reaching as world politics, human psychology, and corporate strategy finding valuable insight in its timeworn words.

Bestselling poet and author of the acclaimed Pillow Thoughts series, Courtney Peppernell returns with a story of uncovering the light that resides deep within us all, should we only be brave enough to search the darkness to find it. A Month of Sundays is a tribute to surviving a long winter and a promise that, despite the darkness, the light will undoubtedly return.

For decades, the four families who rule the Summerlands have been locked at an impasse. No one is fighting, but neither has anyone been speaking. We don't have time for that anymore. Mount Slate, the volcano that sits in the middle of the Summerlands, is threatening to erupt, and only the four family heads working together can avert disaster.

Jim Provenzano's sixth novel, "Now I'm Here," is set in the small town of Serene, Ohio, in the 1970s and 80s. Two boys from different families Joshua, with his stable middle-class home in town, and David, raised by his alcoholic and abusive father on their isolated farm - discover, then lose, then find each other again. Thirty years later, as the town's history is slowly erased by fading memories and encroaching suburbia, their childhood friend, Eric Gottlund, tells the tale of their quiet heroism with poignancy and a sharp eye for detail.

Summer in London stops for no one. Not the half-naked drunks and stoners, the bachelorette parties glugging from bejewelled bottles, the drag queens puffing on hurried cigarettes. It’s June 2019, and everyone has converged on the city’s parks, beer gardens, and street corners to revel in the collective joys of being alive. Everyone but Maggie. She’s 30, pregnant, and broke.

Now in audio for the first time! Award-winning actor and two-time Tony Award nominee David Pittu narrates one of the most influential books in gay literature. Andrew Holleran's Dancer from the Dance defined gay life in late 1970s New York. Published in 1978, the novel captures the time post-Stonewall and pre-AIDS where sexual freedom was celebrated and the future appeared limitless.

John is an exceptionally good lawyer. He’s driven, arrogant, and hides a warm heart beneath a façade of cool politeness. He’s used to people disliking him, but for some reason, when meeting Matt in London, the other man’s open dislike bothers him. He’s therefore surprised to find himself offering Matt a place to stay in his villa in the South of France while he’s working nearby. He’d actually planned to spend the summer working on his book and plotting to get his ex-wife back.

On the night before her wedding, seventeen-year-old Sorel leaps from a window and runs away from her life, grabbing men’s clothes and a sharp knife. To keep from being found, she takes on the identity of Isser Jacobs—but it soon becomes clear that the real Isser Jacobs is a lawbreaker, a revolutionary, and powerful people want him dead. Sorel is drawn into the dark underworld of her small city, where smugglers, forgers, and wicked angels fight for control of the Jewish community. In order to make it out, Sorel must discover who Isser Jacobs really is—and who she wants to be.

Trapped in nightmares from my past, the only comfort I find is in gifts from the man who killed my mother's killer—presents wrapped in a body bag and delivered to the morgue for me to examine. From the first time I saw his mark, I knew I had to keep my killer safe, had to keep his work a secret for me and me alone. Every body is a love letter, and I'm the only one who can read them.

It’s 2001, and twenty-four-year-old Gordon—handsome, sensitive, and eager for direction—takes a bus from Minnesota to New York City because it’s the only place for a young gay man to go. As he begins to settle into the city’s punishing rhythm, he gets a job walking rich Manhattanites’ dogs. But it isn’t until he stumbles into the West Village brownstone of two of his clients, the powerful gallery owners Phillip and Nicola, that Gordon learns how much the world has hidden from him—and what he’s capable of doing in order to get it for himself.

It's been over thirty years since Billy last called Northern Ireland home. Back then, his secret love for schoolfriend Conor was the only shining light that kept him going during troubled times. That is, until their romance was tragically cut short when Conor disappeared without a trace. Now a phone call draws Billy back home when his mother falls into a coma. While sorting through old belongings, he stumbles upon an envelope bearing his name. Inside, he finds a mysterious note and a mixtape left by Conor - dated the very day he disappeared in 1989.