
I mattoni della rinascita
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Considerato dalla critica come il "Kafka cinese", Han Song estrapola scenari grotteschi e personaggi surreali direttamente dall'analisi della realtà. Attraverso una critica sofferta ma spietata, la sua visione del presente somiglia a un gigantesco mostro scaturito dal rapporto ambiguo tra l'innovazione tecnologica odierna e una tradizione che in Cina perdura da cinquemila anni.
Che si tratti di viaggiatori di un misterioso aereo-mondo, di ignari cittadini controllati da un fantomatico Comitato delle Tenebre o di feti senzienti e organizzati in una società super-cosciente, in queste storie il processo di modernizzazione cinese, la globalizzazione e lo "spirito orientale" s'incontrano, contorcendosi e dibattendosi alla ricerca di un nuovo senso. Pare quasi che Han Song sia spinto a raccontare dal desidero di comprendere il futuro di quest'entità tanto concreta quanto invisibile - riflesso della Cina e del mondo - che si annida nelle pieghe dell'oggi. "Io scrivo fantascienza bidimensionale, mentre la produzione di Han Song è tridimensionale. Se la fantascienza cinese fosse una piramide, potremmo considerare la mia come le fondamenta del monumento e la sua come la vetta."
Liu CixinHan Song, nato a Chongqing, si è laureato all'Università di Wuhan nel 1991, è direttore del Comitato fantascientifico dell'associazione degli scrittori di scienza popolare, è membro dell'associazione degli scrittori cinesi e lavora presso l'agenzia di stampa Xinhua. Con la sua produzione ha ottenuto il premio Galaxy per la fantascienza cinese, il premio Nebula della lingua cinese e il premio letterario Jingdong. Le sue opere principali includono Metropolitana, Ospedale, Oceano rosso, Marte brilla sugli Stati Uniti, Le tombe del cosmo, I mattoni della rinascita, etc. È stato tradotto in inglese, francese, giapponese, italiano e altre lingue.
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