For as long as anyone can remember, Zeke Ladoja and Imogen Parker have been best friends. Their classmates, their parents, and even the school custodian think that they’re meant to be together. And that’s exactly what Zeke wants: for Gen to be his girlfriend. Now that she’s about to be sixteen (and allowed to date), Zeke is finally going to tell her how he feels—in front of everyone at her birthday party.

After the long journey from England, Ellis arrives in America full of hope. James Fort is where a better life will begin for her: where she will work as an indentured servant to Henry Collins and his pregnant wife, gain financial security, and fall deeply in love with bold, glorious Jane Eddowes. But as summer turns to fall, Ellis begins to notice the cracks in this new life—the viciousness of the colonists toward the Indigenous people and the terrifying anger Henry uses to control his wife and Ellis—leaving her to wonder if she has sentenced herself to a prison rather than a new home.

When you grow up in a funeral home, death is just another part of life. But for sixteen-year-old Jaxon Santiago-Noble, it’s also part of his family’s legacy. Most dead bodies in the town of Jacob’s Barrow wind up at Jaxon’s house; his mom is the local mortician, after all. He doesn’t usually pay them much mind, but when Christian Reyes is brought in after a car accident, Jaxon’s world is turned upside down. There are a lot of things Jaxon wishes he could have said to his once best friend and first crush. When he accidentally resurrects Christian, Jaxon might finally have that chance

It’s eighteen-year-old Gita Desai’s first year at Stanford, and the fact that she’s here and not already married off by her traditional Gujarati parents is a miracle. She’s determined to death-grip her good-girl, model student rep all the way to med school. Should be easy: If there’s one thing she’s learned from her family, it’s how to chup-re—to “shut up,” fade into the background. But when childhood memories of her aunt’s desertion and her then-uncle’s best friend resurface, Gita ends up ditching the books night after night in favor of partying and hooking up with strangers.

From the author of the National Book Award finalist Patron Saints of Nothing comes an emotionally charged, moving novel about four generations of Filipino American boys grappling with identity, masculinity, and their fraught father-son relationships.

Everyone in America knows Dylan Read, or at least has heard her music. Since releasing her debut album her senior year of high school, Dylan’s spent fifteen years growing up in the public eye. She’s not only perfected her skills when it comes to lyrics and melody; she’s also learned how to craft a public narrative that satisfies her fans, her label, and the media. In the circles of fame and celebrity in which she now travels, the careful maintenance of Dylan Read pop star is often more important than the songs themselves.

Alice, the daughter of a wealthy innkeeper in Kilkenny, grows up watching her mother wither under the constraints of family responsibilities—and she vows that she will never suffer the same fate. In time, she discovers she has a flair for making money, and takes her father's flourishing business to new heights. But as her riches and stature grow, so too do rumors about her private life. By the time she marries her fourth husband—the three earlier are dead—a storm of local gossip and resentment culminates in a life-threatening accusation.

Twelve-year-old Kwame Powell isn't ready to deal with losing his grandmother, even as he and his family head to Ghana for her celebration of life. He's definitely not ready when he's sucked into a magical whirlpool that leads straight to Asamando, the Ghanaian underworld. There, he comes face to face with his grandmother, who is very much alive, and somehow still...a kid? Together with his best friend, Autumn, and a talkative aboatia named Woo, Kwame must battle angry nature gods, and stop the underworld from destroying the land of the living.

In Magically Black and Other Essays Jerald Walker elegantly blends personal revelation and cultural critique to create a bracing and often humorous examination of Black American life. He thoughtfully addresses the inherent complexities of topics as eclectic as incarceration, home renovations, gentrification, the crip walk, pimping, and the rise of the MAGA movement, approaching them through various Black perspectives, including husband, father, teacher, and writer.

Before hypnotism, there was Mesmerism. And in 1894 Minneapolis, in the wake of a national financial crisis, spiritualism of every stripe is all the rage, and women are dying under mysterious circumstances. But until a new guest lands at the Bethany Home for Unwed Mothers, refusing to speak or explain her arrival, the sordid stories of unexplained deaths seem unconnected. Faith’s reticence is quickly interpreted as malevolence, setting the house abuzz with whispers of dark magic.