
Ill-Fated
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Narrated by:
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Tabitha Wood
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By:
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Jody Wenner
About this listen
When Shana’s father joins a cult, she tries to find someone, anyone who will help her. Unsuccessful, she takes on the monumental task of fixing it herself. Eventually, she gets some support from the families of the other followers.
Adding to her problems, the person she connects with the most is the leader’s son. She figures that's the worst of it, until the rest of the group is found dead, and her dad is charged with 11 counts of first-degree murder and arson.
With the trial looming, everything starts to nosedive as new revelations about the cult and their bizarre philosophies come to light. Shana’s confidence in her dad begins to waver.
Maybe he isn’t a victim after all?
©2019 Jody Wenner (P)2020 Jody WennerA daughter searching for the truth...
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Although I'm a lawyer, I do not expect books with legal proceedings to be totally accurate, but the effort here is pretty far off the mark. Most of the trial testimony consisted of improper questions, opinions by non-experts about what they think happened, and what most readers would recognize as inadmissible hearsay.
More generally, the conclusion revolved around some surprise testimony that could not possibly have been anticipated, which in my world isn't quite fair in a thriller. The narration was just so-so.
Still, even with the flaws, I found the book fun, because of the writer's strengths.
Interesting Plot but a Flawed Effort
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Listener received this title free
Ill-Fated is the story of everything and everyone surrounding the creation and consequences of cults. It perfectly depicts what matters: facts regarding the beginnings of the group, the feelings and life changes for the members as well as their families, the suffering and dangers, building belonging, etc.
This book has perfectly rounded and likeable characters, proper investigation made before starting the writing process on cults, psychology and law and a wrapping atmosphere. You need to know what happens next!
I have never been very fond of open endings, but it somehow seems perfect on the story.
On the other side is Tabitha Wood, who improved -if possible- her narration as the story developed, hooking the listener and differenciating each character's voice and intention.
I hadn't realised how much I was into it, until I gasped and held y breath on a couple of events along the resolution of the plot.
If you like this topic, listening to this book is a must.
Interesting, involving and well-documented.
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The narrator was all right. I didn’t feel there was enough distinction between the character voices, but with the story being so great, it didn’t bother me as much as it typically would. I noted that with chapter one, she spoke a lot softer as though she were trying to talk quietly. I’m not sure why considering she sounded normal the rest of the story. One big issue I had was the length of pause between the end of one chapter before beginning the next. Why she would have done them so long, I have no clue. After the first chapter, the pause came, and I had to look back at my phone because I thought Audible had restarted on me. But nope. Just a…really…long…pause. The only other issue was during chapter thirty when Trevor was on the stand. There was the sound of a page turning (the narrator) and a really long pause between words.
I loved this story!
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