Two specially extended editions featuring all the bits you didn't hear on transmission! If you've ever wondered what it's like to attend a live recording of I'm Sorry I Haven't a Clue, the antidote to panel games, now is your chance to discover how much fun they are! These two extended editions of the programme, from 1995 and 1996, offer an exclusive glimpse behind the scenes, in the company of players Graeme Garden, Barry Cryer, Tim Brooke-Taylor, Willie Rushton, and Jeremy Hardy.

Beginning with A Study in Scarlet and concluding with The Hound of the Baskervilles, this epic project took over 8 years to complete - and this landmark collection contains the extraordinary result. Here is the world's first ever fully dramatised Sherlock Holmes canon: 56 short stories and 4 novels, all made by the same team of directors, producers, dramatists and leading actors, and packed with the high production qualities of a film or TV drama that set it apart.

The show that grabs listeners by the waist, swirls them round in time to a Strauss waltz, and then trips over the banana skins of convention.

A sparkling collection of specials and spin-offs from the award-winning BBC Radio 4 comedy show, plus two tributes to the legendary Humphrey Lyttelton. This third and final Clue treasury features a panoply of specials based around the perennial ‘antidote to panel games’. In the mix are I’m Sorry I Haven’t a Christmas Clue, featuring the team’s unique interpretation of A Christmas Carol; Humph in Wonderland, in which they venture down a rabbit hole; and In Search of Mornington Crescent, in which Andrew Marr peers behind the veil of secrecy surrounding that illustrious game.

Another bumper collection of classic fun and games from one of BBC Radio 4's best-loved and most enduring comedy panel games. The inimitable Humphrey Lyttelton is in the chair for these 25 hilarious editions (including the very first episode from 1972) plus two volumes of vintage 'Live' recordings (ad libs, retakes, warm-ups and all), a 35th anniversary special edition, and I'm Sorry I Haven't a Desert Island, in which famous fans Judi Dench, Jim Broadbent and Germaine Greer choose their favourite 'Clue' moments.

Separated by 10 years, 3,000 miles, and the unrelenting stresses of adulthood, best friends Janet and Serena plan a 40th birthday girls’ trip to reconnect. But after a massive crash, they’re the only survivors to wash ashore on an uncharted Caribbean Island. Armed with only the clothes on their backs and zero survival skills, they fight to overcome hunger, thirst, deadly wildlife—and most terrifyingly—decades of accrued resentment. Can they find their way home, or will they kill each other first?

Lucas knows the perfect night entails just three things: video games, wine, and pad thai. Peanuts are a must! Other people? Not so much. Why complicate things when he’s happy alone? Then one day the apartment board, a vexing trio of authority, rings his doorbell. And Lucas’s solitude takes a startling hike. They demand to see his frying pan. Someone left one next to the recycling room overnight, and instead of removing the errant object, as Lucas suggests, they insist on finding the guilty party. But their plan backfires. Colossally.

A bad best man’s speech can ruin a wedding. Why do we plan every detail of a perfect day and then give the groom’s idiot best friend five minutes of total power? Enter Nate (Glen Powell), a speechwriter-for-hire who helps people write incredible best man speeches. To keep the best man from embarrassing himself (and the newlyweds), Nate uses his list of don’ts: Don’t mention the exes, don’t be rated R, and don’t bum everyone out. Nate’s system never fails. That is, until he meets Dan (Nicholas Braun).

In this award-winning Audible Studios production, Trevor Noah tells his wild coming-of-age tale during the twilight of apartheid in South Africa. It’s a story that begins with his mother throwing him from a moving van to save him from a potentially fatal dispute with gangsters, then follows the budding comedian’s path to self-discovery through episodes both poignant and comical.

Traumatized by the bombing of Dresden at the time he had been imprisoned, Pilgrim drifts through all events and history, sometimes deeply implicated, sometimes a witness. He is surrounded by Vonnegut's usual large cast of continuing characters (notably here the hack science fiction writer Kilgore Trout and the alien Tralfamadorians, who oversee his life and remind him constantly that there is no causation, no order, no motive to existence).