In the Light of What We Know
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Narrated by:
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Ralph Lister
About this listen
One September morning in 2008, an investment banker approaching forty, his career in collapse and his marriage unraveling, receives a surprise visitor at his West London townhouse. In the disheveled figure of a South Asian male carrying a backpack the banker recognizes a long-lost friend, a mathematics prodigy who disappeared years earlier under mysterious circumstances. The friend has resurfaced to make a confession of unsettling power.
In the Light of What We Know takes us on a journey of exhilarating scope-from Kabul to London, New York, Islamabad, Oxford, and Princeton-and explores the great questions of love, belonging, science, and war. It is an age-old story: the friendship of two men and the betrayal of one by the other. The visitor seeks atonement, and the narrator sets out to tell his friend's story but finds himself at the limits of what he can know about the world-and, ultimately, himself. Set against the breaking of nations and beneath the clouds of economic crisis, this surprisingly tender novel chronicles the lives of people carrying unshakable legacies of class and culture as they struggle to tame their futures.
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When Hisham Matar was a 19-year-old university student in England, his father was kidnapped. One of the Qaddafi regime's most prominent opponents in exile, he was held in a secret prison in Libya. Hisham would never see him again. But he never gave up hope that his father might still be alive. "Hope," as he writes, "is cunning and persistent." Twenty-two years later, after the fall of Qaddafi, the prison cells were empty, and there was no sign of Jaballa Matar. Hisham returned with his mother and wife to the homeland he never thought he'd go back to again.
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Touching memoir. Consider hard copy
- By Joschka Philipps on 02-22-18
By: Hisham Matar
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The Zahir
- By: Paulo Coelho
- Narrated by: Derek Jacobi, Emilia Fox
- Length: 5 hrs and 16 mins
- Abridged
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It begins with a glimpse or a passing thought. It ends in obsession. One day a renowned author discovers that his wife, a war correspondent, has disappeared leaving no trace. Though time brings more success and new love, he remains mystified - and increasingly fascinated - by her absence. Was she kidnapped, blackmailed, or simply bored with their marriage? The unrest she causes is as strong as the attraction she exerts.
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Beautiful and deep read!
- By Top 1% Buyer on 09-13-15
By: Paulo Coelho
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The Captain and the Enemy
- By: Graham Greene
- Narrated by: Kenneth Branagh
- Length: 3 hrs and 57 mins
- Unabridged
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Victor was only 12 when the Captain took him away from school to live with Liza, his girlfriend. He claimed that Victor, now reborn as Jim Smith, had been won as the result of a bet. Having reached his 20s, Jim attempts to piece together the story.
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"Who is This King Kong?"
- By Mel on 07-07-12
By: Graham Greene
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What Is Not Yours Is Not Yours
- Stories
- By: Helen Oyeyemi
- Narrated by: Ann Marie Gideon, Piter Marek, Bahni Turpin
- Length: 7 hrs and 42 mins
- Unabridged
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In "Books and Roses", one special key opens a library, a garden, and clues to at least two lovers' fates. In "Is Your Blood as Red as This?", an unlikely key opens the heart of a student at a puppeteering school. "'Sorry' Doesn't Sweeten Her Tea" involves a "house of locks", where doors can be closed only with a key - with surprising unobservable developments. And in "If a Book Is Locked There's Probably a Good Reason for That Don't You Think", a key keeps a mystical diary locked (for good reason).
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clever
- By jared rogerson on 03-15-18
By: Helen Oyeyemi
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Death at La Fenice
- Commissario Brunetti Mysteries, Book 1
- By: Donna Leon
- Narrated by: David Colacci
- Length: 9 hrs and 33 mins
- Unabridged
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During intermission at the famed La Fenice opera house in Venice, Italy, a notoriously difficult and widely disliked German conductor is poisoned—and suspects abound. Guido Brunetti, a native Venetian, sets out to unravel the mystery behind the high-profile murder. To do so, he calls on his knowledge of Venice, its culture, and its dirty politics. Along the way, he finds the crime may have roots going back decades—and that revenge, corruption, and even Italian cuisine may play a role.
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Hercule Poirot in Venice...!!!
- By Emil Grancagnolo on 10-09-22
By: Donna Leon
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The Razor's Edge
- By: W. Somerset Maugham
- Narrated by: Michael Page
- Length: 11 hrs and 7 mins
- Unabridged
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The Great War changed everything and everyone, and Larry Darrell is no exception. Though his physical wounds from the war heal, his spirit is changed almost beyond recognition. He leaves his betrothed, the beautiful and devoted Isabel; studies philosophy and religion in Paris; lives as a monk, and witnesses the exotic hardships of Spanish life. All of life that he can find - from an Indian Ashrama to labor in a coal mine - becomes Larry's spiritual experiment as he spurns the comfort and privilege of the Roaring 20s.
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An Classic of Love and the Desire for Meaning
- By Eric on 01-06-17
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The Submission
- A Novel
- By: Amy Waldman
- Narrated by: Bernadette Dunne
- Length: 12 hrs and 46 mins
- Unabridged
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Claire Harwell hasn't settled into grief; events haven't let her. Cool, eloquent, raising two fatherless children, Claire has emerged as the most visible of the 9/11 widows who became a potent political force in the aftermath of the catastrophe. She longs for her husband, but she has found her mission: she sits on a jury charged with selecting a fitting memorial for the victims of the attack.
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Some books were meant to be read...
- By Barbara on 02-24-12
By: Amy Waldman
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Thus Bad Begins
- A Novel
- By: Javier Marias, Margaret Jull Costa
- Narrated by: Robert Fass
- Length: 16 hrs and 39 mins
- Unabridged
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Madrid, 1980. Juan de Vere, nearly finished with his university degree, takes a job as personal assistant to Eduardo Muriel, an eccentric, once-successful film director. Urbane, discreet, irreproachable, Muriel is an irresistible idol to the young man. But Muriel's voluptuous wife, Beatriz, inhabits their home like an unwanted ghost, and on the periphery of their lives is Dr. Jorge Van Vechten, a family friend implicated in unsavory rumors that Muriel now asks Juan to investigate.
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Fascinating plot, superb performance, psychological depth
- By Doctor George on 12-05-16
By: Javier Marias, and others
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Reading Like a Writer
- By: Francine Prose
- Narrated by: Nanette Savard
- Length: 8 hrs and 59 mins
- Unabridged
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In her entertaining and edifying New York Times bestseller, acclaimed author Francine Prose invites you to sit by her side and take a guided tour of the tools and the tricks of the masters and discover why their work has endured. Written with passion, humor, and wisdom, Reading Like a Writer will inspire listeners to return to literature with a fresh eye and an eager heart.
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Practical, literate, generous
- By Gare on 04-13-08
By: Francine Prose
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How It All Began
- By: Penelope Lively
- Narrated by: Katherine Kellgren
- Length: 7 hrs and 38 mins
- Unabridged
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When Charlotte Rainsford, a retired schoolteacher, is accosted by a petty thief on a London street, the consequences ripple across the lives of acquaintances and strangers alike. A marriage unravels after an illicit love affair is revealed through an errant cell phone message; a posh yet financially strapped interior designer meets a business partner who might prove too good to be true.
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Wonderful and beautifully written
- By Molly-o on 02-15-12
By: Penelope Lively
What listeners say about In the Light of What We Know
Average customer ratingsReviews - Please select the tabs below to change the source of reviews.
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- Araceli
- 07-07-16
Into the mind of one who understands feelings, the West, the East and life.
This is an amazing novell, worth every bit of its prizes. It is long; it is slow; it wanders into almost unrelated reflections; but every sentence makes you feel the characters close at heart.
The narrator makes a believable scene of two men with British accents with South-Asian undertones. However I wish he had given different voices to each character when they speak. It makes easy to loose the thread of whose toughts we are listening to.
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Overall
- Sandra E. Chatelain
- 02-26-15
Listened twice.
Beautiful writing. Wonderful character development; I will have Zafar as a permanent resident in my personal list of memorable fictional characters. This is a very rich work of philosophical and social commentary.
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3 people found this helpful
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- CVBullen
- 05-11-15
A Tour De Force of philosophy and literature
This book is exceptional in its beauty of language and depth of intellectual pursuits. it was also surprising in the details of the story and kept me thoroughly engaged.
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3 people found this helpful
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- jdukuray
- 07-30-15
Challenging, but beautifully written and conceived
Any additional comments?
This is a dense novel but the writing and performance are outstanding. It is full of ideas and I had to go buy a hard copy because I wanted to underline sections of it and be able to refer back to it. It is about our times and about identity and exile. Especially brilliant on the latter. It is not a page turner and I did put it down a couple of times. But it always drew me back in and I felt a resonance with its ideas and a deep sympathy for the two main characters, the narrator and his friend Zafar.
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5 people found this helpful
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- sam
- 06-05-15
dreadful
I have a doctorate in philosophy; I read many, many books; I like serious fiction. I say all that simply to let you know that my feelings about this book are not because I am in any sense anti-intellectual or averse to ambitious fiction. This, however, is fake fiction. It's as if someone had devised some sort of hot air balloon that has just the right contours and just the right behavior to make it appear like a fighter jet on distant radar. This book, with its pretentious epigraphs, its exotic locations, its occasionally inflated vocabulary, its adolescent opining on politics and philosophy, its world weary sophisticates, its post-colonial ambiance is just that sort of hollow fake designed to push the buttons of wanna-be's, middlebrows, and hipsters. But beneath all the posturing, it's basically a not terribly good soap opera. And I suppose that's why I so strongly dislike it: it isn't an honest failure; it's a cynical fraud by someone who likes to play at being a writer but lacks any real inspiration other than a desire to strike poses. I honestly feel like I've been robbed of many hours of my life.
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6 people found this helpful
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- Hudson River Reader
- 12-20-14
Terrible Story, Dreadful Reader
I have never submitted a review on either Audible or Amazon but I hated this book and this reader so much, I am taking the time to submit a review on both sites.
This story is told by two people, constantly switching back and forth, and the narrator was unable to differentiate between the two characters. Audible records books with more than one reader sometimes, this, of all books, should have been done that way.
This author has more airs than Umberto Eco (Who's the Name of the Rose was bearable but whose other books were insufferable). A friend of mine recommended b/c he read the New Yorker article. I gave up after 20 hours b/c I had 36 more to go.
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4 people found this helpful
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- C. P. O. Carroll
- 11-01-14
Too many words
Somerset Maugham was once asked what advice he had for would-be writers. He answered.."don't". Pity Rahman didn't heed this advice
The modern novelist confuses length with value. The last few books I have read or listened to could have been reduced by half and lose nothing. This book is typical of this modern curse. Pages go by with pointless recitative. When the "aria" finally arrives it's not very profound or interesting.The critics who gushed about this book are like abstract art critics: Some key figure gives the nod of approval and they fall into line.
The "story" could be told in a few pages;the rest of this book is self-indulgent drivel.To imagine that whatever pops into the writer's head will be of great interest to the reader is a form of literary narcissism. The book is largely boring and pointless. The few digressions into Godel's logic theory or credit default swaps could have been lifted from Wikipedia.
My advice to the would be writer....Keep it brief and read Martin Amis
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3 people found this helpful
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- Nayan
- 04-12-17
Narrator is so distracting.
What disappointed you about In the Light of What We Know?
Couldn't even get through 10 mins. The narrator is so distracting. Why use such a heavily accented narration? Ugggh! Will just read the book when I can.
Who would you have cast as narrator instead of Ralph Lister?
No.
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