Horror stars, action heroes, matinee idols, leading ladies - Suspense offered them all a showcase that expanded and emphasized their distinctive talents. Peter Lorre and Edward G. Robinson were particular favorites and appear here in tortured, desperate roles and never failing to wring every bit of tension from the scripts in their hands. Popular comedians - like Bob Hope and Milton Berle - were also regularly featured. Cast hard against type, the audience was forced to view them in an entirely different light and were left gasping in their wake.

Crime, mystery, and just a touch of the supernatural - they're all on display in Radio's Outstanding Theatre of Thrills! Join your host, The Man in Black, for 20 gripping installments of Suspense (including the first ever broadcast of "Sorry, Wrong Number"). Legends like Cary Grant, Agnes Moorehead, Peter Lorre, Vincent Price, Orson Welles, and Gene Kelly star in stories by thriller greats like Agatha Christie, Lucille Fletcher, John Dickson Carr, and Cornell Woolrich. Enjoy these tales well calculated to keep you in…Suspense!

Before TV’s The Twilight Zone, there was radio’s The Inner Sanctum Mystery, Lights Out!, The Weird Circle, and so many other great mysteries starring Orson Welles, Jane Wyman, Dana Andrews, Edmond O’Brien, James Cagney and more. 100 great mystery classics in one collection.

Agonizing predicaments, stellar sound effects, and high wattage Hollywood star power combine in radio's top thriller. Myrna Loy, Joseph Cotten, Lucille Ball, Robert Taylor, Ronald Colman, and Agnes Moorehead give brilliant performances in blood-chilling stories. Twenty white-knuckled episodes (produced and directed by the legendary William Spier) feature a superior supporting cast, including John Dehner, Howard Duff, Elliott Lewis, William Johnstone, Joseph Kearns, and more. The tension and excitement of this Peabody Award-winning series are well calculated to keep you in...Suspense!

Inner Sanctum Mysteries set the standard for what a radio horror show was all about. Equal parts wildly improbable scripting, stylized acting, and threatening organ music, the show took radio horror in a new direction - and cast an influence that would far outlast even radio drama itself. Pass through the squeal and groan of the iconic creaking door as your sinister host guides you through 12 digitally remastered episodes of the radio equivalent of a midnight ride through a carnival house of horrors…with an evil clown as your seatmate.

When Sasha receives a call from her old university friend Gabby inviting her to spend Christmas at Gabby’s remote Scottish lake house, Sasha knows she shouldn’t go. Twelve years ago, on Christmas Eve, when Sasha and her five closest friends were celebrating the festive season, something truly horrific happened that would change the course of their friendship forever. Something that meant Sasha hasn’t spoken to any of them since that night.

Two little girls stand with their heads bowed in my living room. I’m told they’re my granddaughters. Daisy is nine, and Alice seven. Daisy is the spitting image of her mother. This is the first time I’ve met them since my daughter and I fell out after she married that waste of space, Vince. They’ve come to live with me because their mother — my daughter — was murdered. In her own home while they slept close by. I think Vince killed her. But the police can’t prove it. I’ve always known he was no good. He treated my daughter like dirt. I said he’d cheat on her — but she wouldn’t listen.

Lowen Ashleigh is a struggling writer on the brink of financial ruin when she accepts the job offer of a lifetime. Jeremy Crawford, husband of best-selling author Verity Crawford, has hired Lowen to complete the remaining books in a successful series his injured wife is unable to finish. Lowen arrives at the Crawford home, ready to sort through years of Verity's notes and outlines, hoping to find enough material to get her started. What Lowen doesn't expect to uncover in the chaotic office is an unfinished autobiography Verity never intended for anyone to read.

After the killing of a prominent mob lawyer, NYPD homicide detectives Jacob Jackson and Caitlin Grimes start receive chilling, written “rules” for how to commit the perfect murder. "Rule number one for the perfect murder: Evidence is your enemy. Leave none behind." Jackson (Reid Scott) and Grimes (Cobie Smulders) race to find the killer, setting them on a collision course with the city’s crime underbelly, and a perpetrator who seems happy to toy with them. “Rule number two. No crimes of passion. The perfect murder is always business, never pleasure.”

Jenny sits in the same seat on the same train every week, seeing familiar faces come and go. Until a chance encounter shatters her world. Sixteen years ago, Jenny survived a traumatic ordeal that left her best friend, Susie, missing and presumed dead. The world has its theories about what happened to Susie Patterson, and one of those theories points the finger at Jenny. Now she lives a quiet life, volunteering at a crisis helpline while trying to deal with her own anxiety and the true crime fans obsessed with finding her missing friend.

It’s been two years since Anna Cartwright’s life fell apart. During her first school trip as a young teacher, a student went missing and was never found. Not only was her career ruined, she was also accused of having an affair with fellow teacher and prime suspect Graham. Facing questions from journalists, police and family, Anna said she didn’t know what happened. She was lying. Now, Anna has returned to Australia. Her only hope is Land’s End Area School, an isolated concrete wasteland perched on the cliffs.

Kidnappers grabbed Jenna in broad daylight, right in front of her children and their horrified classmates. Her family was issued an insane ransom demand: $25 million in cash and jewels, payable by the end of the school day, otherwise they’ll never see her again. As Jenna’s mother scrambles to gather the money, detectives Mo Butler and George Ortega follow the trail of the kidnappers, which will lead them through a sordid landscape of jealous lovers, broken dreamers, and twisted schemers. But every second counts, and there’s one thing Jenna Wade doesn’t have: very much time.

My fiancé brought me tea and scrambled eggs in bed that morning, and we snuggled together, talking about buying our rings, and about our perfect wedding next year. Then we headed into town. He held my hand and gazed at the ring I liked best, a smile spreading slowly over his face. Then a glass of bubbly to celebrate. I felt flushed, excited and ready for the rest of my life with the man I loved. We race to get on the train home. It screams to a halt and I run towards its open doors. Made it. I think he’s right behind me — but when I turn around, he’s gone.

Jazz Bashara is a criminal. Well, sort of. Life on Artemis, the first and only city on the moon, is tough if you're not a rich tourist or an eccentric billionaire. So smuggling in the occasional harmless bit of contraband barely counts, right? Not when you've got debts to pay and your job as a porter barely covers the rent. Everything changes when Jazz sees the chance to commit the perfect crime, with a reward too lucrative to turn down.

England, 1914. The world is at war. Captain Hastings, injured and shaken, is invited to Styles Court to recover. It’s a grand old country house - the family home of his old friend - and a perfect haven. Or so it seems. But in the blistering summer heat, trouble is afoot. Simmering tensions are tearing the family apart, and it all comes to a head in the most horrifying way.