In 2005, Anne Rice startled her readers with her novel Christ the Lord: Out of Egypt, and by revealing that, after years as an atheist, she had returned to her Catholic faith. And now, in her powerful and haunting memoir, Rice tells the story of the spiritual transformation that produced a complete change in her literary goals.

Demonstrating once again her gift for spellbinding storytelling, Anne Rice makes real for us a great dynasty of four centuries of witches - a family given to poetry and incest, murder and philosophy, a family that over the ages is itself haunted by a powerful, dangerous, and seductive being called Lasher who haunts the Mayfair women. Moving in time from today's New Orleans and San Francisco to long-ago Amsterdam and the France of Louis XIV, from the coffee plantations of Port-au-Prince to Civil War New Orleans and back to today, Anne Rice has spun a mesmerizing tale.

Having completed the two cycles of legend to which she has devoted her career so far, Anne Rice gives us now her most ambitious and courageous book, a novel about the early years of Christ the Lord, based on the Gospels and on the most respected New Testament scholarship.

Anne Rice, creator of the Vampire Lestat, the Mayfair witches and the amazing worlds they inhabit, now gives us the first in a new series of novels linked together by the fledgling vampire David Talbot, who has set out to become a chronicler of his fellow Undead. The novel opens in present-day Paris in a crowded café, where David meets Pandora. She is two thousand years old, a Child of the Millennia, the first vampire ever made by the great Marius. David persuades her to tell the story of her life.

In a sweeping saga of music and vengeance, the acclaimed author of The Vampire Chronicles draws listeners into 18th-century Italy, bringing to life the decadence beneath the shimmering surface of Venice, the wild frivolity of Naples, and the magnetic terror of its shadow, Vesuvius. This is the story of the castrati, the exquisite and otherworldly sopranos whose graceful bodies and glorious voices win the adulation of royal courts and grand opera houses throughout Europe. These men are revered as idols - and, at the same time, scorned for all they are not.