
Inventing the Renaissance
Myths of a Golden Age
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Narrated by:
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Candida Gubbins
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By:
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Ada Palmer
About this listen
The Renaissance is one of the most studied and celebrated eras of history. Spanning the end of the Middle Ages to the beginning of modernity, it has come to symbolise the transformative rebirth of knowledge, art, culture and political thought in Europe. And for the last two hundred years, historians have struggled to describe what makes this famous golden age unique.
In Inventing the Renaissance, acclaimed historian Ada Palmer provides a fresh perspective on what makes this epoch so captivating. Her witty and irreverent journey through the fantasies historians have constructed about the period show how its legend derives more from later centuries’ mythmaking than from the often grim reality of the period itself. She examines its defining figures and movements: the enduring legacy of Niccolò Machiavelli, the rediscovery of the classics, the rise of the Medici and fall of the Borgias, the astonishing artistic achievements of Michelangelo, Leonardo, and Cellini, the impact of the Inquisition and the expansion of secular Humanism. Palmer also explores the ties between culture and money: books, for example, could cost as much as grand houses, so the period’s innovative thinkers could only thrive with the help of the super-rich. She offers fifteen provocative and entertaining character portraits of Renaissance men and women, some famous, some obscure, whose intersecting lives show how the real Renaissance was more unexpected, more international and, above all, more desperate than its golden reputation suggests.
Drawing on her popular blogs and writing with her characteristic energy and wit, Palmer presents the Renaissance as we have never seen it before. Colloquial, funny and brilliant, you would never expect a work of deep scholarship to make you alternately laugh and cry.©2025 Ada Palmer (P)2025 Bloomsbury Publishing Plc.
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I'm not even mad
Fantastic book
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The narration could be better when it comes to Italian names. And the tone is very informal. Ok, I can live with that. But there is also some political bias. She makes no secret of her very left-wing politics, and brings up things like colonialism to attack it when completely uncalled for. That can get a little annoying. But it's almost always side matters, the history is generally solid (even when it goes against her politics).
If you critically evaluate the book and Ignore the politics, it can be a great book.
Erudite but informal and takes political swipes
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