Invisible
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Narrated by:
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Paul Auster
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By:
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Paul Auster
About this listen
"One of America's greatest novelists" dazzlingly reinvents the coming-of-age story in his most passionate and surprising book to date
Sinuously constructed in four interlocking parts, Paul Auster's fifteenth novel opens in New York City in the spring of 1967, when twenty-year-old Adam Walker, an aspiring poet and student at Columbia University, meets the enigmatic Frenchman Rudolf Born and his silent and seductive girfriend, Margot. Before long, Walker finds himself caught in a perverse triangle that leads to a sudden, shocking act of violence that will alter the course of his life.
Three different narrators tell the story of Invisible, a novel that travels in time from 1967 to 2007 and moves from Morningside Heights, to the Left Bank of Paris, to a remote island in the Caribbean. It is a book of youthful rage, unbridled sexual hunger, and a relentless quest for justice. With uncompromising insight, Auster takes us into the shadowy borderland between truth and memory, between authorship and identity, to produce a work of unforgettable power that confirms his reputation as "one of America's most spectacularly inventive writers."
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Yates movingly portrays a man and a woman from their courtship in the 1950s to their divorce in the '70s, chronicling their heartbreaking attempts to reach their highest ambitions. Michael Davenport dreams of being a poet after returning home from World War II, and at first he and his new wife, Lucy, enjoy their life together. But as the decades pass and the success of others creates a fear of failure in both Michael and Lucy, their once bright future gives way to a life of adultery and isolation.
By: Richard Yates
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At Home with the Templetons
- By: Monica McInerney
- Narrated by: Ulli Birve
- Length: 19 hrs and 22 mins
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When the Templeton family from England takes up residence in a stately home in country Australia, they set the locals talking – and with good reason. From the outside, the seven Templetons seem so bohemian, peculiar even. No one is more intrigued by the family than their neighbours, single mother Nina Donovan and her young son Tom. Before long, the two families' lives become entwined in unexpected ways.
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A dreadful mistake
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By: Monica McInerney
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Marina and Lee
- The Tormented Love and Fatal Obsession Behind Lee Harvey Oswald's Assassination of John F. Kennedy
- By: Priscilla Johnson McMillan
- Narrated by: R.C. Bray, Joseph Finder
- Length: 24 hrs and 13 mins
- Unabridged
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Marina and Lee is one of the best and truest audiobooks about the Kennedy assassination. Priscilla Johnson McMillan came to the story with a unique knowledge of the two main characters. In the 1950s she knew Kennedy well for a time when he was hospitalized with Addison's disease. She talked to him frequently, brought him books, knew his wife, and formed a strong opinion of the sort of man he was. What is astonishing is that she also knew Lee Harvey Oswald.
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Now I know why he did it
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The Book of Air and Shadows
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- Narrated by: Stephen Hoye
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Jake Mishkin's seemingly innocent job as an intellectual property lawyer has put him at the center of a deadly conspiracy and a chase to find a priceless treasure involving William Shakespeare. As he awaits a killer (or killers) unknown, Jake writes an account of the events that led to this deadly endgame, a frantic chase that began when a fire in an antiquarian bookstore revealed the hiding place of letters containing a shocking secret, concealed for 400 years.
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Not your average story.
- By Nicholas Winn on 06-02-07
By: Michael Gruber
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The Museum of Innocence
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Kemal, scion of one of the city's wealthiest families, is about to become engaged to Sibel, daughter of another prominent family, when he encounters Füsun, a beautiful shopgirl and a distant relation. Once the long-lost cousins violate the code of virginity, a rift begins to open between Kemal and the world of the Westernized Istanbul bourgeosie - a world, as he lovingly describes it, with opulent parties and clubs, society gossip, picnics, and mansions on the Bosphorus, infused with the melancholy of decay.
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one of the very best I've ever heard
- By Rebecca Lindroos on 03-06-10
By: Orhan Pamuk, and others
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Thus Bad Begins
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Madrid, 1980. Juan de Vere, nearly finished with his university degree, takes a job as personal assistant to Eduardo Muriel, an eccentric, once-successful film director. Urbane, discreet, irreproachable, Muriel is an irresistible idol to the young man. But Muriel's voluptuous wife, Beatriz, inhabits their home like an unwanted ghost, and on the periphery of their lives is Dr. Jorge Van Vechten, a family friend implicated in unsavory rumors that Muriel now asks Juan to investigate.
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Fascinating plot, superb performance, psychological depth
- By Doctor George on 12-05-16
By: Javier Marias, and others
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What Is Not Yours Is Not Yours
- Stories
- By: Helen Oyeyemi
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- Unabridged
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In "Books and Roses", one special key opens a library, a garden, and clues to at least two lovers' fates. In "Is Your Blood as Red as This?", an unlikely key opens the heart of a student at a puppeteering school. "'Sorry' Doesn't Sweeten Her Tea" involves a "house of locks", where doors can be closed only with a key - with surprising unobservable developments. And in "If a Book Is Locked There's Probably a Good Reason for That Don't You Think", a key keeps a mystical diary locked (for good reason).
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clever
- By jared rogerson on 03-15-18
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In the Light of What We Know
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One September morning in 2008, an investment banker approaching forty, his career in collapse and his marriage unraveling, receives a surprise visitor at his West London townhouse. In the disheveled figure of a South Asian male carrying a backpack the banker recognizes a long-lost friend, a mathematics prodigy who disappeared years earlier under mysterious circumstances. The friend has resurfaced to make a confession of unsettling power.
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dreadful
- By sam on 06-05-15
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An Available Man
- A Novel
- By: Hilma Wolitzer
- Narrated by: Fred Sullivan
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When Edward Schuyler - a modest and bookish 62-year-old science teacher - is widowed, he finds himself ambushed by female attention. There are plenty of unattached women around, but a healthy, handsome, available man is a rare and desirable creature. Edward receives phone calls from widows seeking love, or at least lunch, while well-meaning friends try to set him up at dinner parties. The problem is that Edward doesn’t feel available. He’s still mourning his beloved wife, Bee, and prefers solitude and the familiar routine of work, gardening, and bird-watching.
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Lovely book, easy read, wonderful characters
- By Molly-o on 02-17-12
By: Hilma Wolitzer
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Last Evenings on Earth
- By: Roberto Bolano, Chris Andrews - translator
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The first short-story collection in English by the acclaimed Chilean author Roberto Bolano. Winner of a 2005 PEN Translation Fund Award. "The melancholy folklore of exile", as Roberto Bolano once put it, pervades these 14 haunting stories. Bolano's narrators are usually writers grappling with private (and generally unlucky) quests, who typically speak in the first person, as if giving a deposition, like witnesses to a crime.
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Solid Character based Stories
- By Michael on 06-06-24
By: Roberto Bolano, and others
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Brilliant and enjoyable
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It keeps you reading... but whats the point?
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Paul Auster's most intimate autobiographical work to date. In the beginning, everything was alive. The smallest objects were endowed with beating hearts…Having recalled his life through the story of his physical self in Winter Journal, internationally acclaimed novelist Paul Auster now remembers the experience of his development from within through the encounters of his interior self with the outer world in Report from the Interior.
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What listeners say about Invisible
Average customer ratingsReviews - Please select the tabs below to change the source of reviews.
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- Dale C.
- 08-24-24
A Masterpiece
I absolutely loved this book! One of Paul Auster's best! It makes me so sad about his recent death, and that there will be no more Paul Auster novels
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- P. Carson
- 10-30-11
Be willing to suspend your disbelief
I like the author's style of writing, his lively intellect, and his intuition about what his characters are thinking. The subject of this novel, the development, and conclusion of the narrative are all quite puzzling, however, and controversial. How is Walker's incestuous relationship with his sister central to his character or relevant to his conflict with his nemesis, Robert Born? Perhaps his love of women is the product of his early-teen sexual contact with his sister and is central to understanding his protective stance with three other women in the novel. His defense of these women brings him into conflict with Professor Born on several occasions and it is those battles that power the book. Born's multiple roles of Professor, Agent, Double Agent, protector, and murder are also at the heart of the book, however, and those roles are implausible at best. It requires quite a suspension of disbelief to accept the central facts about Born, enjoy the characters in the fable, and continue your appreciation of the author, Paul Auster.
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3 people found this helpful
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- Dr.
- 05-18-17
absorbing discussion of the writing process
easy going narrative that leaves you Hungary for more. wondering is this it? was this it a good enough one. there is something about how the story telling is. very absorbing but leaves you with only questions and no answers. i think he was trying to discuss the act of writing and the formulation of stories . but not sure.
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- Carol R. Lang
- 06-25-24
Invisible
It was all beautifully done . Having the book read by the author is a highlight.
Many twists in the storytelling.
The characters were so very interesting. Will be thinking about this book for a long time
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Overall
- YOON
- 05-16-11
It was amazing
I loved this story and narration as well. I feel special thinking that it's narrated by Paul auster himself.
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1 person found this helpful
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- Thomas
- 08-10-13
Good book, but no masterpiece
I enjoyed this book. The narrative is very nicely crafted, and I that's enough a reason for me to recommend it. Sadly however, in spite of a very good start, the story never reached the climax I was hoping for.
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- Golanka
- 03-11-18
What did you expect?
This is not what I expected, but then it is a mistake to expect anything from a Paul Auster novel. Not knowing what to expect is part of the fun.
This book made me uneasy--that might be good, but maybe not. Auster can do that because he is such a good author. Make me unsure of whether my reaction is good or bad, that is.
So I think the novel is great.
And the narration is in some ways perfect. Given the book's theme of questionable authorship, I could see someone making that argument. But I mainly found Auster's voice flat and his cadence random.
So I think the narration is not great.
In summary: great novel (unless it isn't), not great narration (unless it is).
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2 people found this helpful
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Overall
- David and Shoshana Cooper
- 02-06-10
One of Auster's Best
I am a big fan of Paul Auster and this is one of his best books. It is not quite as dark as some of his other novels and the story is revealed in an intriguing manner. Unlike most novelist, Auster narrates his own book and I really enjoy his deep voice. (In fact after listening to Brooklyn Follies, I read some other books of his and I could hear his voice telling me the story.)
The characters are complex and without giving away the ending, I will say that it ties up enough of the story without seeming to be contrived. I highly recommend this engaging book.
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7 people found this helpful
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- carolaird
- 01-04-19
I’m a new fan of Auster
This man writes like he is telling me all his dirty secrets privately into my ear. Engaging and touching from the first sentence.
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- Charles
- 06-22-23
Style, narrative and a story
Auster here appears at the height of his powers with words--he wields them at will to create narratives in narratives that make allusions to himself as a writer--and the NYC he inhabits.
While i found the incest distasteful, he, nonetheless, is in intellectual company that he, no doubt, is aware of: Freud, Martha Nussbaum, Jonathan Haidt. For me, it mars the story, but that is no reason not to read or listen to the book.
The story propels the narrative; nothing sags from beginning to end. Listeners or readers may only be left asking, "What happened to x, y, or z?"
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