Laying out all the evidence in the most comprehensive summary ever written about the Ripper, this book, by a London police officer and crime authority, has subjected every theory - including those that have emerged in recent years-to the same deep scrutiny. The author also examines the mythology surrounding the case and provides some fascinating insights into the portrayal of the Ripper on stage and screen and on the printed page. More seriously, he also examines the horrifying parallel crimes of the Düsseldorf Ripper and the Yorkshire Ripper.

Dozens of theories have attempted to resolve the mystery of the identity of Jack the Ripper, the world's most famous serial killer. Ripperologist Robert House contends that we may have known the answer all along. The head of Scotland Yard's Criminal Investigation Department at the time of the murders thought Aaron Kozminski was guilty, but he lacked the legal proof to convict him. By exploring Kozminski's life, Robert House here builds a strong circumstantial case against him.

Vain and charismatic Walter Sickert made a name for himself as a painter in Victorian London. But the ghoulish nature of his art - as well as extensive evidence - points to another name, one that's left its bloody mark on the pages of history: Jack the Ripper. Cornwell has collected never-before-seen archival material - including a rare mortuary photo, personal correspondence and a will with a mysterious autopsy clause - and applied cutting-edge forensic science to open an old crime to new scrutiny.

Most of us today rarely see a dead body. In 19th-century Sydney, when health was precarious and workplaces and the busy city streets were often dangerous, witnessing a death was rather common. And any death that was sudden or suspicious would be investigated by the coroner. Henry Shiell was the Sydney city coroner from 1866 to 1889. In the course of his unusually long career, he delved into the lives, loves, crimes, homes, and workplaces of colonial Sydneysiders.

Murder in the 19th century was rare. But murder as sensation and entertainment became ubiquitous, with cold-blooded killings transformed into novels, broadsides, ballads, opera, and melodrama - even into puppet shows and performing-dog acts. Detective fiction and the new police force developed in parallel, each imitating the other - the founders of Scotland Yard gave rise to Dickens's Inspector Bucket, the first fictional police detective, who in turn influenced Sherlock Holmes and, ultimately, even P. D. James and Patricia Cornwell.

The dead talk - to the right listener. They can tell us all about themselves: where they came from, how they lived, how they died, and, of course, who killed them. Forensic scientists can unlock the mysteries of the past and help serve justice using the messages left by a corpse, a crime scene, or the faintest of human traces.

In June of 1860 three-year-old Saville Kent was found at the bottom of an outdoor privy with his throat slit. The crime horrified all England and led to a national obsession with detection. At the time, the detective was a relatively new invention; there were only eight detectives in all of England and rarely were they called out of London, but this crime was so shocking that Scotland Yard sent its best man to investigate, Inspector Jonathan Whicher.

In the horrifying annals of American crime, the infamous names of brutal killers such as Bundy, Dahmer, Gacy, and Berkowitz are writ large in the imaginations of a public both horrified and hypnotized by their monstrous, murderous acts. But for every celebrity psychopath who's gotten ink for spilling blood, there's a bevy of all-but-forgotten homicidal fiends studding the bloody margins of US history.

During the Depression, economic anxieties found an outlet in a series of child murders that triggered an irrational nationwide hysteria: pedophiliac psychopaths were overrunning the country. As America was brought to rage and fury by the press and the FBI, lynch mobs took to the streets, reason gave way to doomsday scenarios, and one father was even driven to murder his three daughters to “save them” from a degenerate crime wave. A terrifying cautionary essay, Panic explores the combustible mix of unfounded fears, moral crusades, and the dangers of collective thinking.

Peking in 1937 is a heady mix of privilege and scandal, opulence and opium dens, rumors and superstition. The Japanese are encircling the city, and the discovery of Pamela Werner's body sends a shiver through already nervous Peking. Is it the work of a madman? One of the ruthless Japanese soldiers now surrounding the city? With the suspect list growing and clues sparse, two detectives - one British and one Chinese - race against the clock to solve the crime before the Japanese invade and Peking as they know it is gone forever.

In this fascinating, in-depth account of the hunt for serial killers, Colin Wilson, one of the world's leading authorities on the subject, examines the ways they can be tracked down and caught, from the tried-and-true methods of the early 20th century to the high-tech processes in use today. Wilson examines such areas as psychological profiling, genetic fingerprinting, and the launch of the Behavioral Science Unit. He delves into the importance of fantasy to serial killers, the urge to keep on killing, the desire to become notorious, and murder as an addictive drug.

In The Art of the English Murder, Lucy Worsley explores this phenomenon in forensic detail, revisiting notorious crimes like the Ratcliff Highway Murders, which caused a nationwide panic in the early 19th century, and the case of Frederick and Maria Manning, the suburban couple who were hanged after killing Maria's lover and burying him under their kitchen floor. Our fascination with crimes like these became a form of national entertainment, inspiring novels and plays, prose and paintings, poetry and true-crime journalism.

A grisly book dedicated to the crimes, perversions and outrages of Victorian England, covering high-profile offences - such as the murder of actor William Terriss, whose stabbing at the stage door of the Adelphi Theatre in 1897 filled the front pages for many weeks - as well as lesser-known transgressions that scandalised the Victorian era. The tales include murders and violent crimes but also feature scandals that merely amused the Victorians.

Before the Five Families who so notoriously dominated U.S. organized crime for a bloody half-century, there was the one-fingered, surpassingly cunning Giuseppe Morello and his murderous coterie of brothers. Born into a life of poverty in rural Sicily, Morello became an American nightmare, pioneering the bizarre initiation rituals, imaginative protection rackets, influential underworld reigns, and Mafia wars later popularized by countless books, television shows, and movies.

There is little more terrifying than those who hunt, stalk, and snatch their prey under the cloak of darkness. These hunters search not for animals, but for the touch, taste, and empowerment of human flesh. They are cannibals, vampires, and monsters, and they walk among us. These serial killers are not mythical beasts with horns and shaggy hair. They are people living among society, going about their day-to-day activities until nightfall. They are the Dennis Rader's, the fathers, husbands, church-going members of the community.