With unparalleled freedom in the Golden Age of Hollywood, movies produced during the “pre-Code” era between 1930 and 1934 dealt with a wide range of social issues, including sexual freedom, incarceration, organized crime, race, and class. Films of the period include beloved classics like King Kong (1933) but also lesser-known penetrating cinema like I Am a Fugitive from a Chain Gang (1932) and Wild Boys of the Road (1933). These films, produced at the height of the Great Depression, boast work by women directors, featured diverse leads, and pushed the limits of contemporary social norms.

In Star of the Show, the culminating book in Dolly Parton’s photographic memoir trilogy—following Songteller (lyrics) and Behind the Seams (fashion)—the global superstar finally shares a definitive look at her career as one of the world’s most dazzling and beloved performers.

New York Times best-selling author Donald Spoto has brilliantly explored the lives and careers of numerous Hollywood stars and entertainment icons. In Possessed, his subject is the inimitable Joan Crawford, one of the most electrifying divas of the Golden Age of American film. A more thorough, revealing, and sympathetic portrait of the often maligned movie star - most notably lambasted, perhaps, in the scandalous best seller, Mommie Dearest - Possessed is a fascinating study of the real Joan Crawford, a remarkable actress, businesswoman, mother, and lover.

An incredible recording of Joan Crawford reading her book, My Way of Life. Originally recorded in 1973, it was recently remastered from the original LP records. Hear the unabridged edition performed by the one and only Joan Crawford.

Joan Crawford's remarkable forty-five-year motion picture career is one of the industry's longest. Signing her first contract in 1925, she was crowned an MGM star four years later and by the mid-1930s was the most popular actress in America. In the early 1940s, Crawford's risky decision to move to Warner Bros. was rewarded with an Oscar for Mildred Pierce. This triumph launched a series of film noir classics. She teamed with rival Bette Davis in Whatever Happened to Baby Jane?, proving that Crawford, whose career had begun by defining big-screen glamor, had matured into a dramatic actress.