Two little girls stand with their heads bowed in my living room. I’m told they’re my granddaughters. Daisy is nine, and Alice seven. Daisy is the spitting image of her mother. This is the first time I’ve met them since my daughter and I fell out after she married that waste of space, Vince. They’ve come to live with me because their mother — my daughter — was murdered. In her own home while they slept close by. I think Vince killed her. But the police can’t prove it. I’ve always known he was no good. He treated my daughter like dirt. I said he’d cheat on her — but she wouldn’t listen.

Lowen Ashleigh is a struggling writer on the brink of financial ruin when she accepts the job offer of a lifetime. Jeremy Crawford, husband of best-selling author Verity Crawford, has hired Lowen to complete the remaining books in a successful series his injured wife is unable to finish. Lowen arrives at the Crawford home, ready to sort through years of Verity's notes and outlines, hoping to find enough material to get her started. What Lowen doesn't expect to uncover in the chaotic office is an unfinished autobiography Verity never intended for anyone to read.

Who is Audrey Hoedemaker? It's a question her sister Maureen has heard more times than she can count, and she doesn't know what the short answer would be. Little sister, troubled teen, backpacker, musical theatre coach, con artist, childcare worker. Murderer. A tragic, traumatic childhood casts a long shadow on the Hoedemaker sisters. Maureen has worked hard to move beyond the violence of the past and build a good, honest life for herself. Audrey, however, just can't seem to do the same, careening from one state of chaos to another.

After the killing of a prominent mob lawyer, NYPD homicide detectives Jacob Jackson and Caitlin Grimes start receive chilling, written “rules” for how to commit the perfect murder. "Rule number one for the perfect murder: Evidence is your enemy. Leave none behind." Jackson (Reid Scott) and Grimes (Cobie Smulders) race to find the killer, setting them on a collision course with the city’s crime underbelly, and a perpetrator who seems happy to toy with them. “Rule number two. No crimes of passion. The perfect murder is always business, never pleasure.”

Kidnappers grabbed Jenna in broad daylight, right in front of her children and their horrified classmates. Her family was issued an insane ransom demand: $25 million in cash and jewels, payable by the end of the school day, otherwise they’ll never see her again. As Jenna’s mother scrambles to gather the money, detectives Mo Butler and George Ortega follow the trail of the kidnappers, which will lead them through a sordid landscape of jealous lovers, broken dreamers, and twisted schemers. But every second counts, and there’s one thing Jenna Wade doesn’t have: very much time.

Git O'Rourke is from the wrong side of the tracks - even if, in the depressed Rust Belt town of Baxter, it's not always clear where that designation begins. A single mother, she works hard to support her daughter, Charlie, but still finds time to cut loose every once in a while, to go to a local bar, drink martinis, and find a companion for the night. Which is exactly how she ends up in a hotel room with a strange man passed out on heroin and how she comes to possess the bag of money and guns that he left open as he got his fix.

FBI Special Agent Nash Running Bear returns to her hometown after a skeleton turns up in the local creek on reservation land. Old racial slights and hatred for outsiders don't make looking for more bones any easier...nor does the appearance of an old high school fling.

Mark Lausson has everything he thought he wanted: a coveted job at elite Sawyer College in Ohio. But at the start of his second year, stuck in a small town with deadlines piling up and paychecks falling short, Mark can already feel the fantasy crumbling. And then, a few weeks in, sophomore Tyler Cunningham shows up in class. In Tyler—confident, mysterious, and popular—Mark glimpses another way of being in the world. He finds Tyler’s self-possession both compelling and unsettling. Caught in the rush of sex and secrets, Mark ignores the increasing evidence that Tyler can’t be trusted.

Twenty years ago, Ripley Fox’s entire family was killed in a fire. After years in the foster care system and trying to rebuild her life, she’s once again confronted not only with the horror of what happened that night, but also with the truth about who was responsible. Kenna Crawford is the very definition of a hard-nosed reporter. She always gets her story, never takes no for an answer and never lets go once she’s got something or someone in her sights. When she comes across the story of Ripley Fox, she’s not only intrigued by it but also by Ripley herself.

It’s October 1931. When Winnie Ruth Judd arrives at the Los Angeles train station from Phoenix, her shipping trunks catch the attention of a suspicious porter. By the time they’re pried open, revealing the dismembered bodies of two women inside, Ruth has disappeared into the crowd. The search for, and eventual apprehension of, the Trunk Murderess quickly becomes a headline-making sensation. Even the Phoenix murder house is a sideshow attraction.