Poet Ocean Vuong’s debut novel is a shattering portrait of a family, a first love, and the redemptive power of storytelling. On Earth We’re Briefly Gorgeous is a letter from a son to a mother who cannot read. Written when the speaker, Little Dog, is in his late 20s, the letter unearths a family’s history that began before he was born - a history whose epicenter is rooted in Vietnam - and serves as a doorway into parts of his life his mother has never known, all of it leading to an unforgettable revelation.

When we first meet 14-year-old Susie Salmon, she is already in heaven. In the sweet, untroubled voice of a precocious teenage girl, Susie relates the awful events of her death and her own adjustment to the strange new place where she finds herself. With love, longing, and a growing understanding, Susie watches her family as they cope with their grief. This story of seemingly unbearable tragedy is transformed into a suspenseful and touching narrative about family, memory, love, heaven, and living.

It is a perfect July morning, and Elle, a 50-year-old happily married mother of three, awakens at “The Paper Palace” - the family summer place she has visited every summer of her life. But this morning is different: Last night, Elle and her oldest friend, Jonas, crept out the back door into the darkness and had sex with each other for the first time, all while their spouses chatted away inside. Now, Elle will have to decide between the life she has made with her genuinely beloved husband and the life she always imagined she would have had with her childhood love.

In this masterful collection of short fiction, Joe Hill dissects timeless human struggles in 13 relentless tales of supernatural suspense, including “In The Tall Grass”, one of two stories cowritten with Stephen King, basis for the terrifying feature film from Netflix.

Patricia Campbell's life has never felt smaller. Her ambitious husband is too busy to give her a goodbye kiss in the morning, her kids have their own lives, her senile mother-in-law needs constant care, and she's always a step behind on thank-you notes and her endless list of chores. The one thing she has to look forward to is her book club, a close-knit group of Charleston women united by their love of true crime and paperback fiction. At these meetings they're as likely to talk about the Manson family as they are marriage, motherhood, and neighborhood gossip.

On tour with his latest book, true crime writer Martin Savage discovers one of his most-dangerous subjects has escaped. The so-called "Witch Hunter", a delusional murderer of women and their unborn children, holds a deadly grudge. He'll stop at nothing to get his revenge, and destroy everything Martin cares about. With nowhere to run, Martin and forensic psychologist Sheila Tanner flee to the town he left when he was a boy, after his mother was locked away in a psychiatric facility.

Thirty-two-year-old Jess Abbot has lost everything: her job, her apartment, and - most heart-wrenching - her eight-year-old son, Chance, to a tragic accident. Haunted by memories and grief, Jess packs what’s left and heads for the small mountain town of Pine Lake, where she takes a position as caregiver to an eccentric old woman. A rumored clairvoyant, Lucy is strange but welcoming and immediately intuits Jess as a “loose end” in need of closure. But Jess isn’t the only guest in Lucy’s large Victorian home.

For as long as Augusten Burroughs could remember, he knew things he shouldn't have known. He manifested things that shouldn't have come to pass. And he told exactly no one about this, save one person: his mother. His mother reassured him that it was all perfectly normal, that he was descended from a long line of witches, going back to the days of the early American colonies. And that this family tree was filled with witches. It was a bond that he and his mother shared - until the day she left him in the care of her psychiatrist to be raised in his family.

Connie Goodwin is an expert on America’s fractured past with witchcraft. A young, tenure-track professor in Boston, she’s earned career success by studying the history of magic in colonial America - especially women’s home recipes and medicines - and by exposing society's threats against women fluent in those skills. But beyond her studies, Connie harbors a secret: She is the direct descendant of a woman tried as a witch in Salem, an ancestor whose abilities were far more magical than the historical record shows.

Noah Turner sees monsters. His father saw them - and built a shrine to them with The Wandering Dark, an immersive horror experience that the whole family operates. His practical mother has caught glimpses of terrors but refuses to believe - too focused on keeping the family from falling apart. And his eldest sister, the dramatic and vulnerable Sydney, won't admit to seeing anything but the beckoning glow of the spotlight...until it swallows her up. Noah Turner sees monsters. But, unlike his family, Noah chooses to let them in....

Vanessa Marshall has spent her life in and out of foster care, with only a vague recollection of the women that left her behind. When she receives a strange letter from her mother three weeks before her 18th birthday, Vanessa knows it’s the only shot she has at finding her real family. The letter instructs her to jump off the Swan Pier into the ocean at midnight under the next full moon. With the steadfast hope that her mother would be waiting for her, Vanessa jumps, only to find that she’s come up for air 70 years in the past.

Kali Fajardo-Anstine’s magnetic story collection breathes life into her Indigenous Latina characters and the land they inhabit. Against the remarkable backdrop of Denver, Colorado - a place that is as fierce as it is exquisite - these women navigate the land the way they navigate their lives: with caution, grace, and quiet force. In “Sugar Babies,” ancestry and heritage are hidden inside the Earth but tend to rise during land disputes.

When Hannah Maloney’s aunt dies in a car accident, she returns to her family’s castle in the Catskills and the epicenter of a childhood trauma: her sister’s unsolved disappearance. It’s been 17 years, and though desperate to start a new life with her fiancé, Hannah is compelled to question the events of her last summer at Brackenhill. When a human bone is found near the estate, Hannah is convinced it belongs to her long-lost sister. She launches her own investigation into that magical summer that ended in a nightmare.

When Jax receives nine missed calls from her older sister, Lexie, she assumes that it’s just another one of her sister’s episodes. Manic and increasingly out of touch with reality, Lexie has pushed Jax away for over a year. But the next day, Lexie is dead: drowned in the pool at their grandmother’s estate. When Jax arrives at the house to go through her sister’s things, she learns that Lexie was researching the history of their family and the property. And as she dives in deeper herself, she discovers that the land holds a far darker past than she could have ever imagined.

Whether weaving family life and history into dark fiction or writing speculative Afrofuturism, American Book Award winner and Essence best-selling author Tananarive Due’s work is both riveting and enlightening. In her debut collection of short fiction, Due takes us to Gracetown, a small Florida town that has both literal and figurative ghost; into future scenarios that seem all too real; and provides empathetic portraits of those whose lives are touched by otherness. Featuring an award-winning novella and 15 stories, Ghost Summer: Stories is sure to haunt and delight.