Two little girls stand with their heads bowed in my living room. I’m told they’re my granddaughters. Daisy is nine, and Alice seven. Daisy is the spitting image of her mother. This is the first time I’ve met them since my daughter and I fell out after she married that waste of space, Vince. They’ve come to live with me because their mother — my daughter — was murdered. In her own home while they slept close by. I think Vince killed her. But the police can’t prove it. I’ve always known he was no good. He treated my daughter like dirt. I said he’d cheat on her — but she wouldn’t listen.

Lowen Ashleigh is a struggling writer on the brink of financial ruin when she accepts the job offer of a lifetime. Jeremy Crawford, husband of best-selling author Verity Crawford, has hired Lowen to complete the remaining books in a successful series his injured wife is unable to finish. Lowen arrives at the Crawford home, ready to sort through years of Verity's notes and outlines, hoping to find enough material to get her started. What Lowen doesn't expect to uncover in the chaotic office is an unfinished autobiography Verity never intended for anyone to read.

After the killing of a prominent mob lawyer, NYPD homicide detectives Jacob Jackson and Caitlin Grimes start receive chilling, written “rules” for how to commit the perfect murder. "Rule number one for the perfect murder: Evidence is your enemy. Leave none behind." Jackson (Reid Scott) and Grimes (Cobie Smulders) race to find the killer, setting them on a collision course with the city’s crime underbelly, and a perpetrator who seems happy to toy with them. “Rule number two. No crimes of passion. The perfect murder is always business, never pleasure.”

Jenny sits in the same seat on the same train every week, seeing familiar faces come and go. Until a chance encounter shatters her world. Sixteen years ago, Jenny survived a traumatic ordeal that left her best friend, Susie, missing and presumed dead. The world has its theories about what happened to Susie Patterson, and one of those theories points the finger at Jenny. Now she lives a quiet life, volunteering at a crisis helpline while trying to deal with her own anxiety and the true crime fans obsessed with finding her missing friend.

Kidnappers grabbed Jenna in broad daylight, right in front of her children and their horrified classmates. Her family was issued an insane ransom demand: $25 million in cash and jewels, payable by the end of the school day, otherwise they’ll never see her again. As Jenna’s mother scrambles to gather the money, detectives Mo Butler and George Ortega follow the trail of the kidnappers, which will lead them through a sordid landscape of jealous lovers, broken dreamers, and twisted schemers. But every second counts, and there’s one thing Jenna Wade doesn’t have: very much time.

England, 1914. The world is at war. Captain Hastings, injured and shaken, is invited to Styles Court to recover. It’s a grand old country house - the family home of his old friend - and a perfect haven. Or so it seems. But in the blistering summer heat, trouble is afoot. Simmering tensions are tearing the family apart, and it all comes to a head in the most horrifying way.

When Sasha receives a call from her old university friend Gabby inviting her to spend Christmas at Gabby’s remote Scottish lake house, Sasha knows she shouldn’t go. Twelve years ago, on Christmas Eve, when Sasha and her five closest friends were celebrating the festive season, something truly horrific happened that would change the course of their friendship forever. Something that meant Sasha hasn’t spoken to any of them since that night.

It’s been two years since Anna Cartwright’s life fell apart. During her first school trip as a young teacher, a student went missing and was never found. Not only was her career ruined, she was also accused of having an affair with fellow teacher and prime suspect Graham. Facing questions from journalists, police and family, Anna said she didn’t know what happened. She was lying. Now, Anna has returned to Australia. Her only hope is Land’s End Area School, an isolated concrete wasteland perched on the cliffs.

Who is Audrey Hoedemaker? It's a question her sister Maureen has heard more times than she can count, and she doesn't know what the short answer would be. Little sister, troubled teen, backpacker, musical theatre coach, con artist, childcare worker. Murderer. A tragic, traumatic childhood casts a long shadow on the Hoedemaker sisters. Maureen has worked hard to move beyond the violence of the past and build a good, honest life for herself. Audrey, however, just can't seem to do the same, careening from one state of chaos to another.

Jazz Bashara is a criminal. Well, sort of. Life on Artemis, the first and only city on the moon, is tough if you're not a rich tourist or an eccentric billionaire. So smuggling in the occasional harmless bit of contraband barely counts, right? Not when you've got debts to pay and your job as a porter barely covers the rent. Everything changes when Jazz sees the chance to commit the perfect crime, with a reward too lucrative to turn down.

They need a virgin sacrifice... Sara Alexander isn't one for the college party scene; she's serious about her studies and saving herself for marriage. But everything changes when she meets Chad. His easy charm makes her question the values she's always held dear. Despite his bad boy reputation and her best friend's advice, she finds herself drawn to him. Indeed, they do homework together. They watch movies together, go dancing together, and spend nearly all of their free time together. She just might be falling in love with him. Caught up in the thrill of a new relationship, Sara fails to ...

It was just a kiss. Just a desperate, panic-induced kiss to my childhood crush to keep the power-hungry socialite moms from tearing the remnants of my family’s reputation limb-from-limb. Or that’s what I kept telling myself. Between work and school, I don’t have time for boys or dating. And even if I did, there’s no way on Earth that the rich and handsome Eddie Dixon would want anything to do with me. Obviously I was grateful that he agreed to play along so I wouldn’t be thrown out with the trash at his brother’s wedding, but what am I supposed to think when he doesn’t want ...

The Grind by H. Wilhelm Starkweather is a gripping psychological fiction novel set in the industrial heart of America. This poignant story delves into the harsh realities of factory life, exploring themes of human endurance, social justice, and the complex interplay between workers and their environment. Step into the bustling world of the Norman Mills, where the relentless grind of machinery mirrors the unyielding struggles of the workers. Witness the harrowing journey of Dana Wilson, a young nurse who becomes entangled in the lives of factory workers, revealing the stark contrasts between...

Mara Sitwell was only 11 when she went missing. Nineteen years later, she’s been found wandering through remote woodland, alone and confused. She says she’s been kept in an underground cell for all these years - but refuses to reveal anything about the man who snatched her. What does she have to hide? And who’s she protecting? Her brother-in-law, Damian, certainly doubts she’s telling the whole truth and fears she might even be a danger to his young children, especially when his wife insists on moving Mara into their home.

Get ready for a New Year’s Eve like no other in the Town of Tempest, hosted by Mayor Sam Simpleton. When a party-goer turns up dead, complete with a cryptic note, the night shifts from festive to mysterious. And here’s a twist – the story unravels in real-time as you turn the pages. Enter Guy Vanduex, a former chef turned private detective. For Guy, clues are ingredients, each one essential to the final recipe – or solution. With the police not on the scene, Guy and his sidekick Sylvia step up to unravel the evening’s mystery. They’re faced with a list of quirky suspects and ...