MJ Rodriguez has spent her life hiding in the human world, keeping a heavy secret: She’s half-encanto. As the only child of King Vivencio of the Sirena Court, she’s also next in line for the throne. And now, upon her estranged father’s sudden death, MJ must claim her place as rightful heir.

On the penal colony of Hibiscus Station, no positions are as key as the Pomps, who direct the dangerous mining operations to remove highly valuable—and volatile—crystal from the moon's crust. Young was previously in training to be a Pomp until a depressive episode, mental break, and a suicide attempt. She doesn’t need the other convicts on her work team to suspect she’s unraveling again, so when she suddenly hallucinates visions of the unstable crystals in the tunnel walls around her—along with the potential danger they hold—she keeps her mouth shut.

In this dramatic and pause-resisting narrative history of Japanese Americans before, during, and after their World War II incarceration, Susan H. Kamei weaves the voices of more than 130 individuals who lived through this tragic episode, most of them as young adults.

In the industrial city of Theumas, Nhika is seen not as a healer, but a monster that kills for pleasure. And in the city's criminal underbelly, the rarest of monsters are traded for gold. When Nhika is finally caught by the infamous Butchers, she's forced to heal the last witness to a high-profile murder.

Jayne and June Baek are nothing alike. June’s three years older, a classic first-born, know-it-all narc with a problematic finance job and an equally soulless apartment (according to Jayne). Jayne is an emotionally stunted, self-obsessed basket case who lives in squalor, has egregious taste in men, and needs to get to class and stop wasting Mom and Dad’s money (if you ask June). Once thick as thieves, these sisters who moved from Seoul to San Antonio to New York together now don’t want anything to do with each other. That is, until June gets cancer.