Two little girls stand with their heads bowed in my living room. I’m told they’re my granddaughters. Daisy is nine, and Alice seven. Daisy is the spitting image of her mother. This is the first time I’ve met them since my daughter and I fell out after she married that waste of space, Vince. They’ve come to live with me because their mother — my daughter — was murdered. In her own home while they slept close by. I think Vince killed her. But the police can’t prove it. I’ve always known he was no good. He treated my daughter like dirt. I said he’d cheat on her — but she wouldn’t listen.

Lowen Ashleigh is a struggling writer on the brink of financial ruin when she accepts the job offer of a lifetime. Jeremy Crawford, husband of best-selling author Verity Crawford, has hired Lowen to complete the remaining books in a successful series his injured wife is unable to finish. Lowen arrives at the Crawford home, ready to sort through years of Verity's notes and outlines, hoping to find enough material to get her started. What Lowen doesn't expect to uncover in the chaotic office is an unfinished autobiography Verity never intended for anyone to read.

Who is Audrey Hoedemaker? It's a question her sister Maureen has heard more times than she can count, and she doesn't know what the short answer would be. Little sister, troubled teen, backpacker, musical theatre coach, con artist, childcare worker. Murderer. A tragic, traumatic childhood casts a long shadow on the Hoedemaker sisters. Maureen has worked hard to move beyond the violence of the past and build a good, honest life for herself. Audrey, however, just can't seem to do the same, careening from one state of chaos to another.

After the killing of a prominent mob lawyer, NYPD homicide detectives Jacob Jackson and Caitlin Grimes start receive chilling, written “rules” for how to commit the perfect murder. "Rule number one for the perfect murder: Evidence is your enemy. Leave none behind." Jackson (Reid Scott) and Grimes (Cobie Smulders) race to find the killer, setting them on a collision course with the city’s crime underbelly, and a perpetrator who seems happy to toy with them. “Rule number two. No crimes of passion. The perfect murder is always business, never pleasure.”

Kidnappers grabbed Jenna in broad daylight, right in front of her children and their horrified classmates. Her family was issued an insane ransom demand: $25 million in cash and jewels, payable by the end of the school day, otherwise they’ll never see her again. As Jenna’s mother scrambles to gather the money, detectives Mo Butler and George Ortega follow the trail of the kidnappers, which will lead them through a sordid landscape of jealous lovers, broken dreamers, and twisted schemers. But every second counts, and there’s one thing Jenna Wade doesn’t have: very much time.

Ella no recuerda nada. Mejor así. Su verdad era solo la mitad de la historia. Megan McDonald está terminando el bachillerato, es popular, carismática, y tiene un futuro increíble por delante. Una de sus últimas noches en Emerson Bay la secuestran. Megan está dos semanas en cautiverio hasta que escapa, y pasa a ser conocida como “la chica que se llevaron”.

La verdad es fácil de perder, incluso cuando está justo delante de nosotros. Como reconstrucionista forense, Rory Moore arroja luz sobre los homicidios en casos fríos al unir detalles de la escena del crimen que otros no ven. Limpiando el despacho de abogados de su difunto padre una semana después de su entierro, recibe una llamada que la sumerge en un caso de décadas de antigüedad que cobra vida una vez más.

Puri ha heredado dos cosas de su padre: la pasión por el chocolate y una plantación de cacao situada en Vinces, Ecuador, la ciudad conocida como el «París Chiquito». Aunque no ha visto a su padre desde que era un bebé, este le ha dejado una parte de la plantación que tenía. También les ha dejado su parte a los tres hijos ilegítimos que tenía.

La vida tranquila y rutinaria de Livy Templeton está a punto de saltar por los aires. Literalmente. Tras la muerte de su marido en un accidente de avioneta, Livy Templeton huye del bullicio de Londres y se traslada a una pequeña villa inglesa, Bishops Corner, donde nunca pasa nada. O casi nada. Durante una tarde aburrida de domingo, en medio de una intensa nevada, Livy ve la luz de una linterna en una ventana de la casa de enfrente. Lo cual, por sí solo, no es alarmante. Si no fuera porque la casa lleva dos años deshabitada.

Me lo llevo a la tumba reúne en formato audiolibro las voces de diez autores y autoras latinoamericanes LGBTIQ+ que recibieron nuestra invitación a revelar un secreto jamás contado. Las narradores argentinas Camila Sosa Villada, María Moreno y Marta Dillon, el escritor uruguayo Dani Umpi, la narradora mexicana Yolanda Segura, el autor peruano Juan Carlos Cortázar, la brasilera Amara Moira, el escritor colombiano John Harold Beter Armella, el chileno Juan Pablo Sutherland y desde Paraguay Elián Cabrera tematizan violencias, experiencias identitarias y fantasías queer.