
La próxima vez que te vea, te mato
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Narrated by:
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Camila Valenzuela
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By:
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Paulina Flores
About this listen
Una oda al disparate como antídoto a la incertidumbre y el desamor
Javiera es una joven chilena que ha llegado a Barcelona gracias a una beca de posgrado en Literatura. Estudiar es el pretexto más decente, y genuino, que ha encontrado para dejar su país y descubrir el hemisferio del bienestar. Pero la disponibilidad apabullante de libros en la biblioteca y de papel higiénico en los supermercados se ve contrarrestada por unas condiciones habitacionales tan desastrosas como las del Cono Sur, aunque el doble de caras.
De habitación en habitación, Javiera acabará instalándose en un piso compartido en el que vive Manuel, un peruano cuyo signo zodiacal se rige por Venus, que toca el bajo en dos bandas de punk y escribe una tesis de pregrado sobre los boleros en el melodrama de Almodóvar. Hará falta menos de una semana para que Javiera caiga rendida ante los encantos de su compañero, junto al cual se le revelará una de las mayores sorpresas que le depara la vida adulta: las relaciones no monógamas. Pero pronto Javiera se dará cuenta de que, quizá, solo se entrega al amor libre para evitar la cronología lineal e irreversible de la monogamia, una especie de obsolescencia programada que termina en tedio, en engaños o en ambos.
Con la entrada en escena de Laura y Armonía, con quienes Manuel mantiene una relación a tres, Javiera se adentrará en una espiral de celos e inseguridades que, sumada a su temeridad y a su tendencia innata a lo absurdo, convertirá a esa amante inocua y discreta en una femme fatale de manual…
Con una voz a medio camino entre Violeta Parra y Bad Bunny, Paulina Flores traza en esta tragicomedia el retrato de una ciudad, una generación y sus tipismos. Admirada por su compatriota Alejandro Zambra y seleccionada por Granta como una de las mejores narradoras en español, es considerada hoy una de las autoras más innovadoras del panorama contemporáneo en lengua castellana.
Critic reviews
¿Qué duele más, la pérdida de un amante o la pérdida de una patria? La nueva, divertida, sexy y mortal novela de Paulina Flores se hace esa pregunta, y para responderla suelta a un puñado de personajes deseantes en el corazón del Raval, e inventa a una protagonista que parece estar siempre a punto de decir esas palabras tan difíciles de Anna Karénina: “Quiero amor, y eso no existe
-- Luna Miguel
La novela de migración que no esperábamos de Paulina Flores es una ráfaga mordaz de cientos de balas por minuto: todos los traumas, todos los afters, todas las pérdidas en una sola operación narrativa frenética, extravagante, perpetrada en estado de gracia. La escritora chilena reinventa el policial en una Barcelona más latinoamericana, biodegradable y gore que nunca, y hace del poliamor la comedia oscura del autosabotaje que merece ser
-- Gabriela Wiener
Una novela fascinante, tan delicada como impúdica, tan clásica como abiertamente contemporánea, acerca de una aprendiz de heroína o de victimaria que polemiza con el mundo y sobre todo consigo misma para descifrar las heridas urgentes del amor y los relampagueos de la muerte
-- Alejandro Zambra
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