Le ver à soie
Cormoran Strike 2
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Le ver à soie
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Narrated by:
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Philippe Résimont
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By:
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Robert Galbraith
About this listen
Lorsque Quine est retrouvé assassiné, la course contre la montre est lancée. Pour identifier le meurtrier - un tueur machiavélique -, Strike va devoir d'abord percer à jour ses motivations enfouies.
Roman policier haletant, rythmé par une cascade de coups de théâtre, Le Ver à soie est le deuxième opus des enquêtes de Cormoran Strike et de sa jeune assistante, Robin Ellacott.©2014 "The Silkworm", Robert Galbraith Limited / Éditions Grasset & Fasquelle. Traduit de l'anglais par Florianne Vidal (P)2014 Audiolib
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What listeners say about Le ver à soie
Average customer ratingsReviews - Please select the tabs below to change the source of reviews.
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Overall5 out of 5 stars
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Performance3 out of 5 stars
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Story5 out of 5 stars
- simon
- 10-11-16
Intriguant, bien traduit, narrateur irritant
What aspect of Philippe Résimont’s performance would you have changed?
Je me suis lancé dans l'écoute des Cormoran Strike récement et j'ai vraiment préféré le narrateur du 1er qui, heureusement, reviens dans le 3ième. Philippe Résimont à une belle voix sombre et grésillante. Mais il exagère trop, à mon avis, sur les voix rauques. Cela ne ruine pas pas l'écoute, mais j'ai dû m'y faire. L'histoire demeure intriguante et supérieure au premier tome.
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Overall5 out of 5 stars
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Performance5 out of 5 stars
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Story5 out of 5 stars
- SCHREIBER
- 03-20-16
Très bon livre
Ai beaucoup aimé ce roman, personnages attachants et intrigue surprenante. Je recommande vivement ce livre
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Overall4 out of 5 stars
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Performance2 out of 5 stars
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Story3 out of 5 stars
- Vie
- 05-17-17
Good story, but i HATE STUPIDE CARACTER VOICES
What made the experience of listening to Le ver à soie (Cormoran Strike 2) the most enjoyable?
For many audiobooks it's a shame that narrators instead of just reading the book with good diction and punctuation have to play comedy and pretend they were at the theater shouting, taking old crazy voices, or Policeman who shouts. A good narrator should read his modulate his voice and leave room for the readers (us) to imagine what is written. Example when you read "she shouted, was angry" I do not need to hear the narrator scream and cry, I read a book, I do not listen to a movie or soap opera. If not I love audio books, but this side is really aggressive. Thank you.
Pour plusieurs livres audio c'est dommage que les narrateurs au lieu de simplement lire le livre avec une bonne diction et ponctuation doivent jouer la comédie et faire comme s'ils étaient au théâtre en criant, en prenant des voix de vieille folle, ou de policier qui gueule. Un bon narrateur devrait lire son moduler sa voix et laisser la place aux lecteurs ( nous ) de s'imaginer ce qui est écrit. Exemple quand on lit « elle criait, était en colère » Je n'ai pas besoin d'entendre le narrateur crier et pleurer, je lis un livre, je n'écoute pas un film ou téléroman. Si non j'adores les livres audio, mais ce côté m'agresse vraiment. Merci.
How would you have changed the story to make it more enjoyable?
NOOOOOOOOOO. Just read the story, my imagination is alive to do the reste of enjoyable or sadness.
How did the narrator detract from the book?
I think it is, maybe, not the decision of the narrator to play a role. The narrator should only read with good punctuation.
Any additional comments?
For many audiobooks it's a shame that narrators instead of just reading the book with good diction and punctuation have to play comedy and pretend they were at the theater shouting, taking old crazy voices, or Policeman who shouts. A good narrator should read his modulate his voice and leave room for the readers (us) to imagine what is written. Example when you read "she shouted, was angry" I do not need to hear the narrator scream and cry, I read a book, I do not listen to a movie or soap opera. If not I love audio books, but this side is really aggressive. Thank you.
Pour plusieurs livres audio c'est dommage que les narrateurs au lieu de simplement lire le livre avec une bonne diction et ponctuation doivent jouer la comédie et faire comme s'ils étaient au théâtre en criant, en prenant des voix de vieille folle, ou de policier qui gueule. Un bon narrateur devrait lire son moduler sa voix et laisser la place aux lecteurs ( nous ) de s'imaginer ce qui est écrit. Exemple quand on lit « elle criait, était en colère » Je n'ai pas besoin d'entendre le narrateur crier et pleurer, je lis un livre, je n'écoute pas un film ou téléroman. Si non j'adores les livres audio, mais ce côté m'agresse vraiment. Merci.
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