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Leaves of Grass
- Narrated by: Mel Foster
- Length: 15 hrs and 55 mins
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Publisher's summary
Abraham Lincoln read it with approval, but Emily Dickinson described its bold language and themes as "disgraceful". And Ralph Waldo Emerson found Leaves of Grass "the most extraordinary piece of wit and wisdom that America has yet contributed," calling it a "combination of the Bhagavad Gita and the New York Herald."
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IS THAT NOT SO?
- By Jim "The Impatient" on 11-05-15
By: Bram Stoker
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He Who Fights with Monsters 2
- A LitRPG Adventure (He Who Fights with Monsters, Book 2)
- By: Shirtaloon, Travis Deverell
- Narrated by: Heath Miller
- Length: 22 hrs and 1 min
- Unabridged
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But Jason Asano is settling into his new life. Now, a contest draws young elites to the city of Greenstone to compete for a grand prize. Jason must gather a band of companions if he is to stand a chance against the best the world has to offer. While the young adventurers are caught up in competition, the city leaders deal with revelations of betrayal as a vast and terrible enemy is revealed. Although Jason seems uninvolved, he has unknowingly crossed the enemy’s path before.
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Contrary to common reviews
- By Karen on 05-21-21
By: Shirtaloon, and others
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Ghost Stories: Stephen Fry's Definitive Collection
- By: Stephen Fry, Washington Irving, M.R. James, and others
- Narrated by: Stephen Fry
- Length: 8 hrs and 18 mins
- Unabridged
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Story
As the days grow shorter and the temperature drops, Halloween approaches. Come, brave listener, pull up a chair, and spend some time with master storyteller Stephen Fry as he tells us some of his favourite ghost stories of all time, in truly terrifying spatial audio. From the headless horseman of Sleepy Hollow to the tortured spirits of M.R. James, from Edgar Allan Poe’s terrifying tale of a doppelganger to Charlotte Riddell’s Open Door that should definitely stay shut, join Stephen as he tells you some truly terrifying tales.
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Wonderful narration. Mediocre stories.
- By Michael Fuchs on 11-07-23
By: Stephen Fry, and others
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The House on the Water
- A Novella
- By: Margot Hunt
- Narrated by: Taylor Schilling
- Length: 2 hrs and 47 mins
- Original Recording
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Overall
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Performance
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Story
Every year, Caroline Reed takes a trip with her best friend, Esme Lamont. They’re usually accompanied by their spouses - but this year, everything’s changed. Esme has just gone through a bitter divorce, and Caroline's wondering if her own marriage is reaching its breaking point as she and her husband, John, cope with the discovery that their son has been abusing drugs. Still, the inseparable duo books a weeklong stay at a beach-front home in Shoreham, Florida, inviting Esme’s brother, Nick, and his new husband. After a blissful first night in the vacation home, tragedy strikes.
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Wonderful Story
- By David M. Wilcox on 12-04-20
By: Margot Hunt
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Frankenstein
- By: Mary Shelley
- Narrated by: Dan Stevens
- Length: 8 hrs and 35 mins
- Unabridged
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Overall
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Performance
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Story
Narrator Dan Stevens ( Downton Abbey) presents an uncanny performance of Mary Shelley's timeless gothic novel, an epic battle between man and monster at its greatest literary pitch. In trying to create life, the young student Victor Frankenstein unleashes forces beyond his control, setting into motion a long and tragic chain of events that brings Victor to the very brink of madness. How he tries to destroy his creation, as it destroys everything Victor loves, is a powerful story of love, friendship, scientific hubris, and horror.
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ARE WE ALWAYS TO BE UNHAPPY?
- By Jim "The Impatient" on 01-28-16
By: Mary Shelley
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Best Reading--But some bad information.....
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Problem with editing
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technical comment
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Magical
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What listeners say about Leaves of Grass
Average customer ratingsReviews - Please select the tabs below to change the source of reviews.
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Overall
- Martin W
- 02-11-11
a passionate and believable interpretation
Mel Foster has a very good understanding of Walt Whitman's poetry. He must have read a lot of it before he did this recording. He probably loved Whitman's poetry before he got this job.
I for one am sick of "way back then" styles of reading poetry. It wasn't "back then" when it was written. It should be read by someone who thinks of it as immediate and meaningful. Especially Walt Whitman's poetry.
I'm baffled as to what some people were expecting.
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