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Leif and the Fall
- Narrated by: Allison Sweet Grant, Adam Grant
- Length: 5 mins
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Publisher's summary
Persistence and creativity can lead to amazing things, as Leif the leaf discovers in this lovely audiobook from Allison Sweet Grant and Adam Grant, the number one New York Times best-selling author of Originals.
Leif is a leaf. A worried leaf. It is autumn, and Leif is afraid to fall. "All leaves fall in the fall," say the other leaves. But Leif is determined to find a different way down, and with his friend Laurel, he uses the resources around him to create a net, a kite, a parachute in hopes of softening his landing. The clock is ticking, the wind is blowing. What will happen when a gust of wind pulls Leif from his branch? In a culture that prizes achievement, kids are often afraid to fail - failing to realize that some of the very ideas that don't work are steps along the path to ones that will.
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Skip the audiobook, read the real thing.
- By Kelly on 11-26-15
By: Martha Conway
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Australian Mythology
- Captivating Dreamtime Stories of Indigenous Australians
- By: Matt Clayton
- Narrated by: Mike Reaves
- Length: 3 hrs and 4 mins
- Unabridged
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Story
According to the Australian government’s website, at the time of first contact with Europeans, there were some 500 distinct Indigenous nations, speaking different languages and following their own religious and cultural practices. As with all human societies, that of the Indigenous Australians is abounding in stories. Stories of how the world came to be the way it is, stories of heroism and perfidy, stories about animals and birds, and stories about love and hate all have parts to play in the wide array of myths, legends, and tales created by Indigenous Australians.
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What is with the voice
- By Little on 12-21-20
By: Matt Clayton
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The Cloven Viscount
- Translated by Archibald Colquhoun
- By: Italo Calvino
- Narrated by: Edoardo Ballerini
- Length: 2 hrs and 34 mins
- Unabridged
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Story
In this fantastically macabre tale, the separate halves of a nobleman split in two by a cannonball go on to pursue their own independent adventures. In a battle against the Turks, Viscount Medardo of Terralba is bissected lengthwise by a cannonball. One half of him returns to his feudal estate and takes up a lavishly evil life. Soon the other, virtuous half appears. The two halves become rivals for the love of the same woman, fight a bloody duel, and achieve a miraculous resolution.
By: Italo Calvino
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What listeners say about Leif and the Fall
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- Rachel
- 05-18-23
Lackluster story with a good message
I really love children’s books and wanted to love this one as well. I’m a licensed professional counselor by trade so I read a lot of different stories with different messages to help kids (and adults!) label and process emotions. While I love the message behind this story, I felt there were details missing that would have truly brought the story home. For example, Leif is nervous about falling due to the upcoming winter, but the story doesn’t actually use very many feeling words (scared, sad, anxious) to help describe what he is experiencing and why. It also doesn’t describe what he felt at the end when the resolve happens. The book does a good job of saying what actions he takes and some of what he thinks, but I wouldn’t liked the emotions to have been fleshed out more. Also, his relationship with another leaf, Laurel, just kind of appears out of nowhere and there aren’t many context clues to help the listener know what to do with this character. It’s not clear to what degree they are friends, or more, and it’s not clear what brought them together or what if any is their shared purpose. While Laurel ultimately benefits from Leif’s ventures,it does beg the question if she was so supportive and interested in his ideas why didn’t she get a bigger role in adding her own voice and ideas and fears and hopes in the journey? Is it a small nod to the patriarchy where female characters are only good for being caring and supportive but not given roles that show their ambition and intelligence? That’s me overthinking it… but it just seems like the small changes of adding emotional depth to the characters by using more feeling words and motivations, and balancing out the character development through context clues and giving the female character more of a voice could’ve elevated this story into something a bit more enjoyable and complete. In its current form it feels a little loose and ends without much closure. I’d say listen to The Rabbit Listens, or any of Peter Reynolds stuff instead.
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