Detective series Let George Do It came to radio in 1946. It starred Bob Bailey as ex-G.I. and detective-for-hire George Valentine. Clients came to Valentine's office after reading a newspaper carrying his classified ad: Personal notice: Danger's my stock in trade. If the job's too tough for you to handle, you've got a job for me. George Valentine.

"If the job's too tough for you to handle, you've got a job for me." Whatever your problem, he's the solution! George Valentine is sardonic yet sympathetic as he solves mysteries, unravels crises, and gets to the bottom of whatever's complicating the lives of his paid-up clients. Bob Bailey made his first big impression on radio audiences in this series of tightly-packed, thought-provoking thrillers! Here are 16 of his most fascinating exploits, with Virginia Gregg co-starring as Claire "Brooksie" Brooks.

First heard on network radio in 1948, Yours Truly, Johnny Dollar chronicled the adventures of freelance insurance investigator Johnny Dollar, "the man with the action-packed expense account." For 15 years, it was one of the most popular detective shows on the air, lasting until the final days of network radio drama in 1962. Each story started with a phone call from an insurance executive calling on Johnny Dollar to investigate an unusual claim.

This collection contains twelve of the greatest mystery shows ever broadcast during the golden age of radio! You'll hear Richard Widmark starring in Inner Sanctum Mysteries, Orson Welles in The Black Museum, Peter Lorre in Mystery in the Air, William Conrad in The Whistler, Ernest Chappell in Quiet, Please, Everett Clarke in Lights Out, Harry Bartell in Escape, and Fredric Marchin a tale well calculated to keep you in Suspense, plus many more.

Thrill to the hardboiled adventures of Ellery Queen, Philip Marlow, Dragnet, The Man called X, Philo Vance, Rocky Fortune and so many more as heroes fight the bad guys. 100 great detective classics in one collection.

Two little girls stand with their heads bowed in my living room. I’m told they’re my granddaughters. Daisy is nine, and Alice seven. Daisy is the spitting image of her mother. This is the first time I’ve met them since my daughter and I fell out after she married that waste of space, Vince. They’ve come to live with me because their mother — my daughter — was murdered. In her own home while they slept close by. I think Vince killed her. But the police can’t prove it. I’ve always known he was no good. He treated my daughter like dirt. I said he’d cheat on her — but she wouldn’t listen.

Lowen Ashleigh is a struggling writer on the brink of financial ruin when she accepts the job offer of a lifetime. Jeremy Crawford, husband of best-selling author Verity Crawford, has hired Lowen to complete the remaining books in a successful series his injured wife is unable to finish. Lowen arrives at the Crawford home, ready to sort through years of Verity's notes and outlines, hoping to find enough material to get her started. What Lowen doesn't expect to uncover in the chaotic office is an unfinished autobiography Verity never intended for anyone to read.

Who is Audrey Hoedemaker? It's a question her sister Maureen has heard more times than she can count, and she doesn't know what the short answer would be. Little sister, troubled teen, backpacker, musical theatre coach, con artist, childcare worker. Murderer. A tragic, traumatic childhood casts a long shadow on the Hoedemaker sisters. Maureen has worked hard to move beyond the violence of the past and build a good, honest life for herself. Audrey, however, just can't seem to do the same, careening from one state of chaos to another.

After the killing of a prominent mob lawyer, NYPD homicide detectives Jacob Jackson and Caitlin Grimes start receive chilling, written “rules” for how to commit the perfect murder. "Rule number one for the perfect murder: Evidence is your enemy. Leave none behind." Jackson (Reid Scott) and Grimes (Cobie Smulders) race to find the killer, setting them on a collision course with the city’s crime underbelly, and a perpetrator who seems happy to toy with them. “Rule number two. No crimes of passion. The perfect murder is always business, never pleasure.”

Kidnappers grabbed Jenna in broad daylight, right in front of her children and their horrified classmates. Her family was issued an insane ransom demand: $25 million in cash and jewels, payable by the end of the school day, otherwise they’ll never see her again. As Jenna’s mother scrambles to gather the money, detectives Mo Butler and George Ortega follow the trail of the kidnappers, which will lead them through a sordid landscape of jealous lovers, broken dreamers, and twisted schemers. But every second counts, and there’s one thing Jenna Wade doesn’t have: very much time.