We are surrounded by emoji. They appear in politics, movies, drug deals, our sex lives, and more. But emoji's impact has never been explored in full. In this rollicking tech and pop culture history, Keith Houston follows emoji from its birth in 1990s Japan, traces its Western explosion in the 2000s, and considers emoji's ever-expanding lexicon. Named for the world's most popular pictogram, Face with Tears of Joy tells the whole story of emoji for the first time.

Mia Fredrickson, the wry, vituperative, tragic comic, poet narrator of The Summer Without Men, has been forced to reexamine her own life. One day, out of the blue, after thirty years of marriage, Mia's husband, a renowned neuroscientist, asks her for a "pause." This abrupt request sends her reeling and lands her in a psychiatric ward. The June following Mia's release from the hospital, she returns to the prairie town of her childhood, where her mother lives in an old people's home.

Brought to her uncle’s decaying Oxfordshire estate when she was a child, Grace has grown up on the periphery of a once-great household, an outsider in her own home. Now a self-possessed and secretive young woman, she has developed unusual predilections: for painting, particularly forgery; for deception; for other girls.

A debut essay collection by the inimitable cultural critic Maris Kreizman—an introspective, searing account of the life experiences that have pushed this former “good Democrat” even further to the political left.

DMT is the world’s strangest and most mysterious drug, inducing one of the most remarkable and yet least understood of all states of consciousness. This common plant molecule has, from ancient times to the modern day, been used as a tool to gain access to a bizarre alien reality of inordinate complexity and unimaginable strangeness, populated by a panoply of highly advanced, intelligent, and communicative beings entirely not of this world.

Maurice and Maralyn make an odd couple. He’s a loner, awkward and obsessive; she’s charismatic and ambitious. But they share a horror of wasting their lives. And they dream – as we all dream – of running away from it all. What if they quit their jobs, sold their house, bought a boat, and sailed away? Most of us begin and end with the daydream. But Maurice began to study nautical navigation. Maralyn made detailed lists of provisions. And in June 1972, they set sail. For nearly a year all went well, until deep in the Pacific, a breaching whale knocked a hole in their boat and it sank.

Lately, Julia Pritzker is beginning to think she’s cursed. She’s lost her adoptive parents, then her husband is murdered. When she realizes that her horoscope essentially foretold his death, she begins to spiral. She fears her fate is written in the stars, not held in her own hands. Then a letter arrives out of the blue, informing her that she has inherited a Tuscan villa and vineyard —but her benefactor is a total stranger named Emilia Rossi. Julia has no information about her biological family, so she wonders if Rossi could be a blood relative. Bewildered, she heads to Tuscany for answers.

Years before Dorothy and her dog crash-land, another little girl makes her presence known in Oz. This girl, Elphaba, is born with emerald-green skin—no easy burden in a land as mean and poor as Oz, where superstition and magic are not strong enough to explain or overcome the natural disasters of flood and famine. Still, Elphaba is smart, and by the time she enters Shiz University, she becomes a member of a charmed circle of Oz’s most promising young citizens.

Nina Harrow and Patrick Colson are twelve years old when they are whisked away from the shadows of their disenfranchised mining towns to dazzling Belavere City to discover their magical potential. Those who pass Belavere’s test will become Artisans, wielders of powerful elemental magic. For Nina, the Artisan School symbolizes a dream and an escape from her harsh reality, while Patrick yearns to return to his Craftsman family, whose extraordinary physical strength serves the idium mines keeping the city alive. And then they uncover a devastating truth: Artisans aren’t born, they’re chosen.

When the invitation to attend the press opening of a luxury Swiss hotel—owned by reclusive billionaire Marcus Leidmann—arrives, it’s like the answer to a prayer. Three years after the birth of her youngest child, Lo Blacklock is ready to reestablish her journalism career, but post-pandemic travel journalism is a very different landscape from the one she left ten years ago.