When Hester is diagnosed with terminal cancer on her fortieth birthday, she knows immediately what she must do: abandon her possessions and drive to California to kill her estranged father. With no friends or family tying her to the life she’s built in New York City, she quits her wildly lucrative job in corporate law and starts driving west. She hasn’t made it far when she runs into John, an environmental activist in need of a ride to different superfund sites across the United States.

Sanjana Satyananda is trying to recover her life. It’s been a year since she walked out on her husband, a struggling actor named Killian, at a commune in India, after a disagreement about whether to have children. Now, Sanjana is struggling to resurrect her busted anthropology dissertation and crashing at her annoyingly perfect sister’s while her well-adjusted peers obsess over marriages, mortgages, and motherhood. Sanjana needs to move forward—and finalize her divorce, ASAP.

Taking over her parents’ estate-sale business is not the life’s work that Emma Lewis bargained for. Yes, she grew up helping them empty people’s nests, but nothing prepared her for her biggest and stickiest “get”—the grand, beautiful house of ill repute masquerading as a decidedly beddable B and B. Should Emma turn down potential clients in need of decluttering just because they are shady, escort-y, and proud of it?

A coming-of-age novel that is as relevant today as it was nearly ninety years ago, There’s No Turning Back centers on eight women with radically different backgrounds who attend the same college in Rome. Some are there to study, others to escape a scandal, or keep a secret, and during their time there, they experience the challenges of love, work, and emancipation.

For generations, the Winston women have possessed an unspoken magical gift: they can heal with the touch of a hand. It’s a tradition they’ve always had to practice in secret, in the moonlight hours, when the fireflies dance and the whippoorwill birds sing. But not every healer has rightfully passed on this knowledge to her descendants, and for young Louise Winston, the discovery of her abilities comes in less-than-ideal circumstances—she brings her best friend back from death following an accident, the day after he professed his long-held feelings for her.

When her husband goes missing, Marissa Creighton fears the worst. Tell me you trust me was the last thing Ethan said to her, and she’d shrugged it off. Now she can’t get those words out of her head. Marissa’s family has always been her rock. But when they come to help her with eighteen-month-old Logan, their overprotectiveness borders on oppression—occupational hazard of the family’s surveillance business, or is it? Seeking comfort in the playlist she and Ethan share, Marissa is shocked to find a new song there: “Trust Me.” She’s certain it’s a message.

No one appears more surprised than Hailey Gelman when she comes under suspicion for the murder of her soon-to-be ex-husband Jonah. Hailey—nicknamed Sunshine by her mother for her bright outlook and ever-present smile—has always tried to do what is expected of her and is regarded as the family peacemaker. But is anyone, including Hailey, who she has always seemed to be? The months leading up to Jonah’s death have been fraught, including a bitter separation and a messy custody battle over their young daughter, Maya.

23-year-old Sirad Ali is a woman adrift. Abandoned by her father in childhood, she does her best to support her mother and younger brother in their small flat in South London. But she can’t help but wonder if this is the life she really wants. Until one morning, when she boards the bus to work in Greenwich, she finds herself transported to an alternate reality in present-day Mogadishu. There she encounters her double, Ubah – the woman she could have been had her parents never fled to London during the Somali Civil War.

In a quiet North Carolina town in 1968, a seventeen-year-old girl’s life is forever changed when a summer romance leads to an unplanned pregnancy. She is sent to an abusive “maternity home,” where she is shamed and deceived into signing adoption papers.

Grace Hastings’s dream job at the popular “true love” dating app, Fate, has turned into a nightmare. Her boss is a leech, her career is stagnating, and her fiancé has just brutally dumped her. Her hope for finding her own love story is waning, and she feels like a fraud for promoting a concept she no longer believes in. When the company’s CEO offers her an opportunity to earn a big promotion, she resolves to fight her imposter syndrome to show she deserves a seat at the table. The opportunity? To launch a brand-new app focusing on IRL dating and genuine connection.

Devon Mayes thought she was done with the small conservative town she once called home. She fled when she was eighteen after her best friend Summer took her own life, leaving Summer’s twin brother, Keaton, lost in his grief. But when tragedy strikes again, Devon has nowhere to turn but back to the place that first broke her heart. Being back in Arkana means struggling with the old guilt that shrouds her bisexuality and her feelings for Keaton. There’s so much she’s still hiding from him—and so much of their shared past that’s now resurfacing.

In this intimate collection, Amanda Peters melds traditional storytelling with beautiful, spare prose to describe the dignity of the traditional way of life, the humiliations of systemic racism and the resilient power to endure. A young man returns from residential school only to realize he can no longer communicate with his own parents. A grieving mother finds purpose and healing on the front lines as a water protector. And a nervous child dances in her first Mawi’omi. The collection also includes the Indigenous Voices Award–winning and title story “Waiting for the Long Night Moon.”

When Elizabeth Walker, the last heir of the Alexander Hamilton line, is tragically killed by a subway train in New York, foul play is immediately suspected. Elizabeth had been terrified, frantic, and manic during her last days, running mysterious errands, searching for a strange antique key, and sending cryptic messages to her best friend, Sarah Brockman. The morning after Elizabeth’s death, a box of tattered documents lands on Sarah’s doorstep, confirming her suspicions about Elizabeth’s strange behavior and shocking death. She brings the box to Elizabeth’s grieving husband, Ralph.

On a New England morning in the late 1980s, a group of young cousins wander deep into the woods on their family’s property, drawn in by uncanny visions and the disappearance of one of their own—but the farther they go, the stranger their surroundings become. Lingering at the edge of a family party, a troop of cousins loses track of the youngest child among them. With their parents preoccupied with bickering about decades-old crises, the children decide they must set out to investigate themselves—to the rickety chicken coop, the barn and its two troublesome horses, and into the woods.

Beartooth is a novel about two survivalist brothers in desperate straits, who are lured into committing a crime in Yellowstone National Park. Thad and Hazen, long ago abandoned by their wayward mother, are drowning in medical bills and notices about back taxes. They live alone in an aging, timber house hand-built into the leeside of the Beartooth Mountains. Thad’s the older brother, responsible, a loner, the caretaker of Hazen, who is a little . . . different.