Looking for Notre Dame
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About this listen
To enjoy this immersive experience on binaural sound, we recommend you listen to this title through earphones.
Looking for Notre Dame takes us into the mind of the young Victor Hugo as he begins his research before writing his "cathedral novel" Notre-Dame de Paris. The year is 1828. Victor Hugo is 26 years old. Notre-Dame was then a church in a dilapidated state. Its renovation by Viollet-le-Duc and Jean-Baptiste Lassus will only take place in 1843. Notre-Dame is dying and Hugo wants to resurrect it, bring it back to its past splendor.
Victor Hugo will engage in a detailed investigation on the sounds of Notre-Dame, making us explore its acoustics and soundscapes over the centuries. He will meet several people for his research: priests, historians, musicians, Viollet-le-Duc, Mérimée... He draws his inspiration from Notre Dame, the consultation of the manuscripts (among which the Black Book, that was thrown in the Seine), history books, but especially from his own imagination, which he nourishes by listening to polyphones.
The scenario is inspired by the story of the writing of the novel Notre-Dame de Paris, largely documented by Victor Hugo himself in his diary, as well as by his entourage. The events of the story are thus taking place in a form of spatiotemporal reality (the dates, the historical events, the temporality of the narrative). In the background, we also learn of the intimate life story of Hugo: the birth of his daughter Adèle, his wife’s adultery with his best friend, his literary meetings, his disputes with the publishers and how he lost the first version of his manuscript during the revolution of July 1830...
The script includes many passages from Victor Hugo's novel, integrated in the form of a reading by the protagonists, or quotations in descriptions and dialogues. This title will make you live the soundscapes and acoustic reconstructions of Notre Dame between the 12th and the 19th century thanks to the advanced research carried out in the PHEND project “The Past has Ears at Notre Dame” since the 2019 fire.
For example, one can hear the sounds of the construction site, a funeral oration of Bossuet as it was pronounced in the 17th century, the events of the French revolution, the bells, the 18th century organ, and many excerpts from musical works performed at Notre Dame.
This immersive narration invites you to rediscover the cathedral of sounds and paper and its incredible history. Welcome to Notre Dame!
Director: Laurence Courtois
Script: Timothée de Fombelle and Nelly Labère
Production: Cécile Cros, Narrative
Audible editorial coordination: Lidwine Hô
Production: Cécile Cros, Narrative
Scientific coordination: Brian Katz, Sorbonne University
Sound recording and editing: Simon Cacheux
Sound effects: Gilles Marsalet
3D mixing: Jean Marc Lyzwa, Julia Griner-Abraham
In partnership with:
Maison des Sciences de l'Homme Lyon Saint -Etienne
IReMus Institute of Research in Musicology
Institute Jean le rond d'Alembert
Centre André Chastel: Research Laboratory in Art History Sunmetron
With the support of the Agence Nationale de Recherche, the Centre National de la Recherche Scientifique and the "European Joint Programming Initiative on Cultural Heritage".
Partial funding has been provided by the European Union’s Joint Programming Initiative on Cultural Heritage project PHE (The Past Has Ears, Grant No. 20-JPIC-0002-FS) and the French project PHEND (The Past Has Ears at Notre-Dame, Grant No. ANR-20-CE38-0014).
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Story
Lucas knows the perfect night entails just three things: video games, wine, and pad thai. Peanuts are a must! Other people? Not so much. Why complicate things when he’s happy alone? Then one day the apartment board, a vexing trio of authority, rings his doorbell. And Lucas’s solitude takes a startling hike. They demand to see his frying pan. Someone left one next to the recycling room overnight, and instead of removing the errant object, as Lucas suggests, they insist on finding the guilty party. But their plan backfires. Colossally.
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Narrator doesn’t get Backman’s satire or rhythm
- By joey1603 on 12-01-24
By: Fredrik Backman, and others
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George Orwell’s 1984
- An Audible Original adaptation
- By: George Orwell, Joe White - adaptation
- Narrated by: Andrew Garfield, Cynthia Erivo, Andrew Scott, and others
- Length: 3 hrs and 27 mins
- Original Recording
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It’s 1984, and life has changed beyond recognition. Airstrip One, formerly known as Great Britain, is a place where Big Brother is always watching, and nobody can hide. Except, perhaps, for Winston Smith. Whilst working at the Ministry of Truth, rewriting history, he secretly dreams of freedom. And in a world where love and sex are forbidden, where it’s hard to distinguish between friend and foe, he meets Julia and O’Brien and vows to rebel.
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A Revelation!
- By wotsallthisthen on 04-07-24
By: George Orwell, and others
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The Art of War
- By: Sun Tzu
- Narrated by: Aidan Gillen
- Length: 1 hr and 7 mins
- Unabridged
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The 13 chapters of The Art of War, each devoted to one aspect of warfare, were compiled by the high-ranking Chinese military general, strategist, and philosopher Sun-Tzu. In spite of its battlefield specificity, The Art of War has found new life in the modern age, with leaders in fields as wide and far-reaching as world politics, human psychology, and corporate strategy finding valuable insight in its timeworn words.
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The actual book The Art of War, not a commentary
- By Nemo71 on 12-31-19
By: Sun Tzu
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Dead Med
- By: Freida McFadden
- Narrated by: Patricia Santomasso, Scott Merriman
- Length: 10 hrs and 3 mins
- Unabridged
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When Heather McKinley dreamed of becoming a doctor, she imagined curing sick kids and sporting pink stethoscopes. She never anticipated the sleepless nights, grueling exams, and endless labs. And she certainly never knew that her medical school earned the nickname Dead Med thanks to the tragic history of students overdosing on illegal drugs. But Heather would never consider doing anything like that. That is, until her longtime boyfriend dumps her, she finds herself failing anatomy, and her world starts to crumble.
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Hmm
- By Morgan Meaux on 08-22-24
By: Freida McFadden
What listeners say about Looking for Notre Dame
Average customer ratingsReviews - Please select the tabs below to change the source of reviews.
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- Margaret
- 05-17-24
Interesting step into Notre Dame
I enjoyed this very much just a step into a different place different time and the way it was presented music voices exquisite
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- denise
- 03-29-24
Delightful
The sound was lovely, the story gripping, and the way it’s told, engaging. I didn’t want it to end.
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- Laura
- 09-18-23
Magnificent!!
It’s an amazing work! Really brings to life Notre Dame and the book by Victor Hugo
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1 person found this helpful
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- Olivia
- 07-10-24
The sound was like you were in the room with Victor Hugo.
This short but interesting story was acoustically amazing. The approach was very interesting and the subject matter, Notre Dame, brought back many wonderful memories.
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