Will Robie may have just made the first - and last - mistake of his career.... It begins with a hit gone wrong. Robie is dispatched to eliminate a target unusually close to home in Washington, D.C. But something about this mission doesn't seem right to Robie, and he does the unthinkable: He refuses to kill. Now, Robie becomes a target himself and must escape from his own people.

Fleeing the scene, Robie crosses paths with a wayward teenage girl, a 14-year-old runaway from a foster home. But she isn't an ordinary runaway....

El detective de la policía de Chicago Sam Porter investiga el caso de un hombre atropellado, pues los indicios en la escena del crimen apuntan a que se trata de El Cuarto Mono, un asesino en serie que ha estado aterrorizando la ciudad. Su modus operandi consistía en enviar tres cajas blancas a los padres de las víctimas que secuestra y mata: una primera con una oreja, una segunda con los dos ojos, y otra con la lengua; y finalmente dejar abandonado el cuerpo sin vida en algún lugar.

Michelle Maxwell acaba de echar por la borda un brillante futuro en los servicios secretos estadounidenses: un candidato presidencial de cuya seguridad era responsable acaba de desaparecer sin dejar pistas. Sean King sabe muy bien cómo se siente la joven agente. Él también se vio forzado a renunciar a su cargo cuando el político al que debía proteger fue abatido por unos disparos. Cuando Michelle solicita su ayuda, basándose en curiosas coincidencias entre ambos casos, King acaba aceptando.

Una serie de asesinatos asolan la ciudad de Londres. Las víctimas, muertas de forma vengativa y sádica, son mujeres que viven solas y no parece que guarden ninguna relación entre sí. La policía busca a un psicópata, un hombre que odia a las mujeres, pero casi no hay pistas y el caso no avanza.

La sucesiva aparición de los cadáveres brutalmente apaleados de una joven estudiante y una anciana en la costa inglesa de Scarborough constituyen un auténtico quebradero de cabeza para la inspectora Valerie Almond. El misterio al que se enfrenta la obligará a adentrarse en los recovecos de lo que ella considera una turbia trama familiar de amores y rencillas.

Alpha, Bravo, Charlie, Delta y Easy se hacen llamar los Muchachos de Jack, en honor a Jack el destripador. Entre ellos no se conocen más que por una plataforma en la Deep Web donde comparten su verdadera pasión: llegar a ser artistas del asesinato. Cuando Connor y Nikki violan la intimidad de su chat, la furia de estos psicópatas se desencadena y no se detendrá ante nada.

Bretaña, siglo VII. En la abadía de Vectis crece Octavus, un niño al que le auguran poderes diabólicos. Octavus no tarda en empezar a escribir una lista de nombres y fechas sin ningún sentido aparente. Pero poco después, cuando una muerte en la abadía coincide con un nombre y una fecha de la lista, el miedo se apodera de los monjes. Nueva York, en la actualidad. Un asesino en serie tiene atemorizada a toda la ciudad. Poco antes de morir, las víctimas reciben una postal con la fecha de su muerte escrita. ¿Quién recibirá la próxima postal?

Cuando Maeve desaparece sin dejar rastro, su hija Sloane no se sorprende: si su madre tenía que desaparecer, solo podía ser en extrañas circunstancias. Sin embargo, esta vez es distinto: al cabo de unos días de la desaparición de su progenitora, Sloane recibe un paquete que esta misma le ha mandado, con varios miles de dólares, la escritura de su casa y un arma. También hay una nota con las siguientes palabras: Vén delo todo. Quédate la pistola. Practica. Huye. Ahora.

«Al menos en un sentido nuestras vidas son ciertamente como las películas. El elenco principal se compone de la familia y los amigos. Los actores son los vecinos, los compañeros de trabajo, los profesores y los conocidos.[...] » Pero a veces entra en nuestra vida una persona que no encaja en ninguna de estas categorías.[...] » Cuando pienso en Charles Jacobs—mi quinto en discordia, mi agente del cambio, mi maldición—se me hace imposible creer que su presencia en mi vida tuvo que ver con el destino.»

Una noche, Michael Fitzgerald descubre a una joven muerta en su bañera al volver del supermercado. Al lado del cadáver hay una pluma de gorrión. Aterrorizado, llama a la policía, que le interroga sobre la víctima, Alyssa Tepper, a la que él asegura no conocer. El detective Dobbs y la agente Gimble, del FBI, unen fuerzas en lo que parece un simple asesinato: cuando salen a la luz fotos en las que Michael aparece besando a Alyssa, es arrestado de inmediato, pero a las pocas horas aparece otra víctima con el mismo patrón: una pluma de gorrión colocada al lado del cuerpo.

«Feliz aniversario, doctor. Bienvenido al primer día de su muerte.» Así comienza el anónimo que recibe el psicoanalista Frederick Starks, y que le obliga a emplear toda su astucia y rapidez para, en quince días, averiguar quién es el autor de esa amenazadora misiva que promete hacerle la vida imposible.

Every day without fail, Travis Devine puts on a cheap suit, grabs his faux-leather briefcase, and boards the 6:20 commuter train to Manhattan, where he works as an entry-level analyst at the city’s most prestigious investment firm. In the mornings, he gazes out the train window at the lavish homes of the uberwealthy, dreaming about joining their ranks. In the evenings, he listens to the fiscal news on his phone, already preparing for the next grueling day in the cutthroat realm of finance. Then one morning Devine’s tedious routine is shattered by an anonymous email: She is dead.

Mickey Gibson, single mother and former detective, leads a hectic life similar to that of many moms: juggling the demands of her two small children with the tasks of her job working remotely for ProEye, a global investigation company that hunts down wealthy tax and credit cheats. When Mickey gets a call from a colleague named Arlene Robinson, she thinks nothing of Arlene’s unusual request for her to go inventory the vacant home of an arms dealer who cheated ProEye’s clients and fled.

In this #1 New York Times bestselling thriller, a burglar, Luther Whitney, breaks into a Virginia mansion, and witnesses a brutal crime involving the president—​a man who believes he can get away with anything.

Michelle Maxwell has just blown her future with the Secret Service. Against her instincts, she let a presidential candidate out of her sight to comfort a grieving widow. Then, behind closed doors, the politician whose safety was her responsibility vanished into thin air.

When Sasha receives a call from her old university friend Gabby inviting her to spend Christmas at Gabby’s remote Scottish lake house, Sasha knows she shouldn’t go. Twelve years ago, on Christmas Eve, when Sasha and her five closest friends were celebrating the festive season, something truly horrific happened that would change the course of their friendship forever. Something that meant Sasha hasn’t spoken to any of them since that night.

Two little girls stand with their heads bowed in my living room. I’m told they’re my granddaughters. Daisy is nine, and Alice seven. Daisy is the spitting image of her mother. This is the first time I’ve met them since my daughter and I fell out after she married that waste of space, Vince. They’ve come to live with me because their mother — my daughter — was murdered. In her own home while they slept close by. I think Vince killed her. But the police can’t prove it. I’ve always known he was no good. He treated my daughter like dirt. I said he’d cheat on her — but she wouldn’t listen.

Lowen Ashleigh is a struggling writer on the brink of financial ruin when she accepts the job offer of a lifetime. Jeremy Crawford, husband of best-selling author Verity Crawford, has hired Lowen to complete the remaining books in a successful series his injured wife is unable to finish. Lowen arrives at the Crawford home, ready to sort through years of Verity's notes and outlines, hoping to find enough material to get her started. What Lowen doesn't expect to uncover in the chaotic office is an unfinished autobiography Verity never intended for anyone to read.

After the killing of a prominent mob lawyer, NYPD homicide detectives Jacob Jackson and Caitlin Grimes start receive chilling, written “rules” for how to commit the perfect murder. "Rule number one for the perfect murder: Evidence is your enemy. Leave none behind." Jackson (Reid Scott) and Grimes (Cobie Smulders) race to find the killer, setting them on a collision course with the city’s crime underbelly, and a perpetrator who seems happy to toy with them. “Rule number two. No crimes of passion. The perfect murder is always business, never pleasure.”

Jenny sits in the same seat on the same train every week, seeing familiar faces come and go. Until a chance encounter shatters her world. Sixteen years ago, Jenny survived a traumatic ordeal that left her best friend, Susie, missing and presumed dead. The world has its theories about what happened to Susie Patterson, and one of those theories points the finger at Jenny. Now she lives a quiet life, volunteering at a crisis helpline while trying to deal with her own anxiety and the true crime fans obsessed with finding her missing friend.

It’s been two years since Anna Cartwright’s life fell apart. During her first school trip as a young teacher, a student went missing and was never found. Not only was her career ruined, she was also accused of having an affair with fellow teacher and prime suspect Graham. Facing questions from journalists, police and family, Anna said she didn’t know what happened. She was lying. Now, Anna has returned to Australia. Her only hope is Land’s End Area School, an isolated concrete wasteland perched on the cliffs.

Kidnappers grabbed Jenna in broad daylight, right in front of her children and their horrified classmates. Her family was issued an insane ransom demand: $25 million in cash and jewels, payable by the end of the school day, otherwise they’ll never see her again. As Jenna’s mother scrambles to gather the money, detectives Mo Butler and George Ortega follow the trail of the kidnappers, which will lead them through a sordid landscape of jealous lovers, broken dreamers, and twisted schemers. But every second counts, and there’s one thing Jenna Wade doesn’t have: very much time.

My fiancé brought me tea and scrambled eggs in bed that morning, and we snuggled together, talking about buying our rings, and about our perfect wedding next year. Then we headed into town. He held my hand and gazed at the ring I liked best, a smile spreading slowly over his face. Then a glass of bubbly to celebrate. I felt flushed, excited and ready for the rest of my life with the man I loved. We race to get on the train home. It screams to a halt and I run towards its open doors. Made it. I think he’s right behind me — but when I turn around, he’s gone.

Jazz Bashara is a criminal. Well, sort of. Life on Artemis, the first and only city on the moon, is tough if you're not a rich tourist or an eccentric billionaire. So smuggling in the occasional harmless bit of contraband barely counts, right? Not when you've got debts to pay and your job as a porter barely covers the rent. Everything changes when Jazz sees the chance to commit the perfect crime, with a reward too lucrative to turn down.

England, 1914. The world is at war. Captain Hastings, injured and shaken, is invited to Styles Court to recover. It’s a grand old country house - the family home of his old friend - and a perfect haven. Or so it seems. But in the blistering summer heat, trouble is afoot. Simmering tensions are tearing the family apart, and it all comes to a head in the most horrifying way.