Penelope Wilton narrates BBC Radio 4’s epic dramatisation of the treasured family saga Elizabeth Jane Howard’s five book chronicle of the upper-middle class. Cazalet family begins in 1938, as siblings Hugh, Edward, Rupert and Rachel join together for another family holiday at Home Place, their house in the Sussex countryside. During the course of The Light Years, Marking Time, Confusion, Casting Off and All Change, the progress of their lives, and those of their children, will be charted.

A place you will never forget. Rosamunde Pilcher's Scotland...where the fields flourish with greenery, the bills bloom with purple, and the lochs glitter with the bright blue of the sky. A time you will never forget. September...when the heather is in full flower, the first chill of autumn cools the air, and the countryside stirs with the hunt, balls, dinner parties, and dance. Rosamunde Pilcher's September...a story of homecomings and heartbreaks, friendships, betrayals, forgiveness, and love.

Fallon meets Ben, an aspiring novelist, the day before her scheduled cross-country move. Their untimely attraction leads them to spend Fallon's last day in LA together, and her eventful life becomes the creative inspiration Ben has always sought for his novel. Over time and amidst the various relationships and tribulations of their own separate lives, they continue to meet on the same date every year.

Elizabeth Jane Howard (1923-2014) wrote brilliant novels about what love can do to people, but in her own life the lasting relationship she sought so ardently always eluded her. She grew up yearning to be an actress, but when that ambition was thwarted by marriage and the war, she turned to fiction. Her first novel, The Beautiful Visit, won the John Llewellyn Rhys prize - she went on to write 14 more, of which the best-loved were the five volumes of The Cazalet Chronicle.

In the spring of 2020, Lara’s three daughters return to the family's orchard in Northern Michigan. While picking cherries, they beg their mother to tell them the story of Peter Duke, a famous actor with whom she shared both a stage and a romance years before at a theater company called Tom Lake. As Lara recalls the past, her daughters examine their own lives and relationship with their mother, and are forced to reconsider the world and everything they thought they knew.

Meet Randi Burnett—she’s brilliant, she’s beautiful, and she works for the bride. Missing groom? Intoxicated in-laws? Crying ring-bearer? You name it, she wrangles it. Too bad her personal life isn’t thriving like her side gig as a bridesmaid for hire. Recently dumped, Randi throws herself into her biggest challenge yet when she’s hired as a maid of honor and pretend best friend for an ice queen bride. There’s just one problem—the best man is infuriating, overprotective, and anti-marriage.

Lowen Ashleigh is a struggling writer on the brink of financial ruin when she accepts the job offer of a lifetime. Jeremy Crawford, husband of best-selling author Verity Crawford, has hired Lowen to complete the remaining books in a successful series his injured wife is unable to finish. Lowen arrives at the Crawford home, ready to sort through years of Verity's notes and outlines, hoping to find enough material to get her started. What Lowen doesn't expect to uncover in the chaotic office is an unfinished autobiography Verity never intended for anyone to read.

Ryder, Garrett, Kenzo, and Diesel - The Vipers. Their deals are as sordid as their business, and their reputation is enough to bring a grown man to his knees, forcing him to beg for mercy. They are not people you mess with, yet my dad did. The old man ran up a debt with them and then sold me to cover his losses. Yes, sold me. They own me now. I’m theirs in every sense of the word. But I’ve never been meek and compliant.

I'm addicted to my stalker. He watches me at night, sneaking in through my living room window and making my blood turn to ice. I feel him all around me as chills snake down my spine. Each night he becomes bolder, getting closer and welcoming himself into my bedroom, feeding his addiction.

Beckett: If you’re reading this, well, you know the last-letter drill. You made it. I didn’t. Get off the guilt train, because I know if there was any chance you could have saved me, you would have. I need one thing from you: get out of the army and get to Telluride. My little sister Ella’s raising the twins alone. She’s too independent and won’t accept help easily, but she has lost our grandmother, our parents, and now me. It’s too much for anyone to endure. And here’s the kicker: there’s something else you don’t know that’s tearing her family apart.