Margot Reid has everything prepared for her first year of college. She picked her major, registered early for classes, and even brought the perfect roommate. The one thing she didn’t plan for is the annoying guy who plays guitar across the hall. Jackson Phillips may be insanely good looking, but he’s also insufferable. From the moment Margot confronts him about his constant playing, the one thing they can agree on is wanting to avoid each other at all costs. It seems like a solid plan. That is, until their roommates and closest friends start dating.

Now, Maeve needs to find a way to keep the show going without letting Finn completely ruin her. But to make things even more challenging, Finn is dead set on winning her back over. Told between flashbacks to the start of their show and the present, Tell Me How You Really Feel follows Maeve and Finn as they navigate their growing celebrity, try to make podcast history, and rediscover what they mean to each other.

Lily Reyes is trying to win the fight against depression. Well, more or less trying as childhood trauma lets her believe that the world is too cruel to live in. In Lily's world, everything makes as much sense as breathing underwater. Yet, as she's writing her goodbyes, Lily makes one little mistake. She accidentally leaves her notebook for him to find. Colin Carter is the captain of the St. Trewery hockey team; a man who offers more than just looks. He's facing struggles of his own, ones he feels too guilty to talk about. And still . . . Lily's life now lies in his hands.

Evie Bloom pays attention to the details. Her very job depends on it—as an aspiring Foley artist, she’s responsible for every crisp footstep, smacking kiss, and distinct sound in film and television. So when she’s selected for a fellowship opportunity that would make all her career dreams come true, she’s quick to spot the catch: there are no health benefits, and for someone with a chronic illness, that’s a non-starter.

Mo Sarda carefully guards his peaceful life from other people’s messy feelings. He co-parents his daughter with no drama, sits quietly at family gatherings, tends to his beloved plants, and volunteers to teach blacksmith skills at the local Folk School. No one seems to get him, except for his family, and that’s completely fine with Mo—there’s no one else he needs. Then along comes Jessica Anderson and her damn crossbow.