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Lunch Poems
- Narrated by: Matthew Weiner
- Length: 1 hr and 7 mins
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Publisher's summary
Frank O'Hara was a pioneering modern American poet and playwright - an art critic, a musician, and a curator at the Museum of Modern Art - who defined New York City in its post-WWII heyday. For many these poems defined the city's midcentury zeitgeist. Lawrence Ferlinghetti, in remarks on the 50th anniversary edition, said that the poems "established a certain tone, a certain turn of phrase, a certain urbane wit, at once gay and straight, that came to identify the New York school of poets in the 1960s and '70s".
O'Hara's wit and cool inspired the creator of AMC's hit television show Mad Men decades later - and writer Matthew Weiner performs the poet's work with charm and reverence, adding his own unique spin on the classic material.
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As the days grow shorter and the temperature drops, Halloween approaches. Come, brave listener, pull up a chair, and spend some time with master storyteller Stephen Fry as he tells us some of his favourite ghost stories of all time, in truly terrifying spatial audio. From the headless horseman of Sleepy Hollow to the tortured spirits of M.R. James, from Edgar Allan Poe’s terrifying tale of a doppelganger to Charlotte Riddell’s Open Door that should definitely stay shut, join Stephen as he tells you some truly terrifying tales.
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Wonderful narration. Mediocre stories.
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The modern audience hasn't had a chance to truly appreciate the unknowing dread that readers would have felt when reading Bram Stoker's original 1897 manuscript. Most modern productions employ campiness or sound effects to try to bring back that gothic tension, but we've tried something different. By returning to Stoker's original storytelling structure - a series of letters and journal entries voiced by Jonathan Harker, Dr. Van Helsing, and other characters - with an all-star cast of narrators, we've sought to recapture its originally intended horror and power.
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IS THAT NOT SO?
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As Charly struggles to recover from her brain injury, she begins to realize that the events of that fateful night are trapped in the damaged right side of her brain. Now, she must put the jigsaw pieces together to discover the identity of the man who tried to kill her...before he finishes the job he started.
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Who Else Laughed, Cried, and Shuddered?
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Narrator Dan Stevens ( Downton Abbey) presents an uncanny performance of Mary Shelley's timeless gothic novel, an epic battle between man and monster at its greatest literary pitch. In trying to create life, the young student Victor Frankenstein unleashes forces beyond his control, setting into motion a long and tragic chain of events that brings Victor to the very brink of madness. How he tries to destroy his creation, as it destroys everything Victor loves, is a powerful story of love, friendship, scientific hubris, and horror.
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ARE WE ALWAYS TO BE UNHAPPY?
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The Strange Case
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Dr. Jekyll (Vanessa Kirby) is an elite international specialist in energy systems, working closely with her handler Louis (David Oyelowo) in a career that takes her across the globe to politically volatile territories such as Iran and North Korea. But when an arms dealer accuses her of having killed his family, Dr. Jekyll begins to question details of her life, who Louis really is, and whether her strange recurring dream has a greater meaning. She enlists the help of psychologist Sigrun (Sofie Gråbøl), and together they delve into Dr. Jekyll’s darker other side, a brutal assassin named… Hyde.
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Love the Originals !!
- By r2coder on 08-04-24
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The Cut
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Welcome to Barton Mallet, a remote village in the Midlands that has been chosen as the unlikely location for a new feature film from Hollywood producer Max Crow. Teenagers from the local drama group are encouraged to audition for a story about the trials and tribulations of growing up. Benjamin Knot, the CEO of a well-known architecture firm, discovers that his children, Lily and Nathan, have each been offered a role. But Barton Mallet has a deep wound that has never truly healed.
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Hard to get into
- By felicialeash on 09-15-24
By: Richard Armitage
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What listeners say about Lunch Poems
Average customer ratingsReviews - Please select the tabs below to change the source of reviews.
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- J. S.
- 06-06-21
Great poetry
Got to love the wry observations of Frank O'hara's poems and the musicality of his verse. The narration here is a bit dry, but it is serviceable. There's a lot of humanity captured here, and that's mostly the point of Poetry. Highly engaging and enjoyable.
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1 person found this helpful
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- Martin C.
- 01-29-23
It’s fun to listen to poems that I have only read inside my head
What a pleasure to hear these poems spoken aloud! The reading sheds new light for me… intonation, interpretation and a little revelation too. I’m sort of new to Frank O’Hara and his poems and this is a nice way of finding an entry into them.
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- Damian Konopka
- 09-25-23
Also A Poet turned me on to O’Hara
Ada Calhoun’s book Also A Poet got me interested in Frank O’Hara and I’m glad it did.
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- Charles S. Houser
- 08-09-22
Great collection nicely read
Weiner reads every poem in the landmark City Lights publication of New York School poet Frank O’Hara; poems presumably written on the poet’s lunch break in the 1950s/60s while working at MOMA in midtown Manhattan. As a collection the poems offer an accurate and honest look at their time and place—a perspective not always flattering to the poet and his crowd. Wiener’s reading is good but a bit understated for my taste. Incidental jazz music is a nice touch and allows the listener a chance to absorb what they’ve just heard. Well worth your attention.
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- David Alexander McDonald
- 01-18-24
New York from a poet’s POV
There’s a sadness in this collection, if only by implication: Frank O’Hara would die not long after writing and publishing this volume of clear-eyed, celebratory poetry about his beloved New York City, struck down randomly by an automobile. The poems themselves deliver a robust portrait of a busy city now lost to time — a beautiful place with many tarnished surfaces and edges, creatively alive, but still firmly rooted in its history, life pulsing in, under, and through it. Matthew Weiner provides an excellent reading.
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- inwitinthemidwest
- 08-29-20
I will always love him
I will always love him-- one of Murica's finest poets. Sit down & Read this too. Don't only Listen to it...
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2 people found this helpful
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- Mary K Foster
- 09-25-20
Mismatched*~
O’Hara’s ‘Lunch Poems’ is a sprezzatura lyric masterpiece. It is gasp after gasp of sublime lyric metamorphosis in the middle of the breathless workday, and as such, ‘Lunch Poems’ speaks of beautiful resistance of the soul in otherwise soulless conditions.
This said, I do not feel the selected narrator was a good match for these poems. Neither the speed and delivery struck me as working in tandem with O’Hara. However, this narrator would definitely excellent with Kerouac or Bukowski.
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3 people found this helpful
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- Tom
- 10-02-20
Dated but Fun!
The interesting part of these poems is all of the references to film stars, artists, musicians and writers of the Forties, Fifties and Sixties. His mentions of their names bring flashes of familiarity to the listener’s mind as do the scenes of New York City life of the Period: the Village, Times Square, The Met.
There’s something in his tone that sings of the bawdy, dissolute, sensual Lifestyle of the Art Scene denizens of the Time. Interesting to observe from the outside. Perilous to partake from within.
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- Zenglan Li
- 04-26-21
Boo boo so bad jnjnjnjnjnjnjniminijiminimmnjn
This is so bad because it’s boring soooooooooooo bad bad bad bad bad bad bad bad
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- Amazon Customer
- 01-27-23
Dated, unfamiliar references
Extremely well read. However the dated content from the 1960’s provides unfamiliar settings and contexts that made much of it non-understandable to me. Many bodily function references make it less desirable as “lunch” listening--more like “cocktail hour” poems
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