The first audiobook which appeared in Georges Simenon's famous Maigret series, in a gripping new translation by David Bellos.Inevitably Maigret was a hostile presence in the Majestic. He constituted a kind of foreign body that the hotel's atmosphere could not assimilate. Not that he looked like a cartoon policeman. He didn't have a moustache and he didn't wear heavy boots. His clothes were well cut and made of fairly light worsted. He shaved every day and looked after his hands. But his frame was proletarian. He was a big, bony man.

The Yellow Dog’ sees Maigret upsetting the citizens of Concarneau as he begins his murder investigation. But there is poison in the Pernod, a howling yellow dog and, it seems, a madman on the loose... In ‘Maigret and the Burglar’s Wife’, "Sad Freddie" is committing a burglary when he discovers the body of a dead woman, holding a telephone in her hand. Can Maigret believe the burglar’s wife in the face of other evidence?

Four full-cast dramatisations starring Maurice Denham as Inspector Maigret and Michael Gough as his creator Georges Simenon. Simenon and his masterful inspector, Jules Maigret, look back together over four of their greatest cases… Where is the vital report that holds the key to the fate of the French government? What is the secret behind the mysterious suicide in Bremen? Who is responsible for the sudden disappearance of one of Paris’s best known solicitors? And will the demented double murderer strike again?

Maurice Denham is the famous French detective Maigret, and Michael Gough is his creator, Georges Simenon, in five classic radio dramatisations. First broadcast in 1976, the episodes are 'Maigret Goes Home', 'Maigret in Montmartre', 'Maigret Has Scruples', 'Maigret in Society' and 'Maigret Sets a Trap'. Maigret is an enduringly popular character, first appearing in print in 1931 and most recently filmed for television starring Rowan Atkinson.

Four gripping dramatisations starring Maurice Denham as Maigret and Michael Gough as his creator Georges Simenon. The world’s best-known French detective, Jules Maigret, talks to his creator Georges Simenon about four intriguing cases in these full-cast dramatisations that have been specially adapted for radio from the original novels.

Two little girls stand with their heads bowed in my living room. I’m told they’re my granddaughters. Daisy is nine, and Alice seven. Daisy is the spitting image of her mother. This is the first time I’ve met them since my daughter and I fell out after she married that waste of space, Vince. They’ve come to live with me because their mother — my daughter — was murdered. In her own home while they slept close by. I think Vince killed her. But the police can’t prove it. I’ve always known he was no good. He treated my daughter like dirt. I said he’d cheat on her — but she wouldn’t listen.

Lowen Ashleigh is a struggling writer on the brink of financial ruin when she accepts the job offer of a lifetime. Jeremy Crawford, husband of best-selling author Verity Crawford, has hired Lowen to complete the remaining books in a successful series his injured wife is unable to finish. Lowen arrives at the Crawford home, ready to sort through years of Verity's notes and outlines, hoping to find enough material to get her started. What Lowen doesn't expect to uncover in the chaotic office is an unfinished autobiography Verity never intended for anyone to read.

Who is Audrey Hoedemaker? It's a question her sister Maureen has heard more times than she can count, and she doesn't know what the short answer would be. Little sister, troubled teen, backpacker, musical theatre coach, con artist, childcare worker. Murderer. A tragic, traumatic childhood casts a long shadow on the Hoedemaker sisters. Maureen has worked hard to move beyond the violence of the past and build a good, honest life for herself. Audrey, however, just can't seem to do the same, careening from one state of chaos to another.

After the killing of a prominent mob lawyer, NYPD homicide detectives Jacob Jackson and Caitlin Grimes start receive chilling, written “rules” for how to commit the perfect murder. "Rule number one for the perfect murder: Evidence is your enemy. Leave none behind." Jackson (Reid Scott) and Grimes (Cobie Smulders) race to find the killer, setting them on a collision course with the city’s crime underbelly, and a perpetrator who seems happy to toy with them. “Rule number two. No crimes of passion. The perfect murder is always business, never pleasure.”

Kidnappers grabbed Jenna in broad daylight, right in front of her children and their horrified classmates. Her family was issued an insane ransom demand: $25 million in cash and jewels, payable by the end of the school day, otherwise they’ll never see her again. As Jenna’s mother scrambles to gather the money, detectives Mo Butler and George Ortega follow the trail of the kidnappers, which will lead them through a sordid landscape of jealous lovers, broken dreamers, and twisted schemers. But every second counts, and there’s one thing Jenna Wade doesn’t have: very much time.