Creativity is in our bones. It is found in our very DNA, something not known to Leonardo da Vinci or anyone else who lived in his day and time. All he did was to uncover the hidden genius which lay within himself, and he used that inner genius to the very best of his abilities. Leonardo da Vinci is best known for some of the world's most masterful paintings, but he was so much more than merely another artist with paints and brushes. Born to a peasant woman in 1452, Leonardo would go on to astound the world he lived in with his artistry and his inventions.

Nikola Tesla was a major figure in the world in which he lived. As the 19th century gave way to the 20th, it was Tesla who would contribute to some of the world's most amazing inventions. It was Tesla's theories, patents, and experiments that would pave the way for the digital, wireless world we are so familiar with today. Tesla didn't enjoy the high honors bestowed on so many of his contemporaries, yet he enjoyed the power of knowing that it was his inventions that were powering the world, literally.

Michelangelo, God's Architect is the first book to tell the full story of Michelangelo's final two decades, when the peerless artist refashioned himself into the master architect of St. Peter’s Basilica and other major buildings. When the Pope handed Michelangelo control of the St. Peter’s project in 1546, it was a study in architectural mismanagement, plagued by flawed design and faulty engineering.

The Sumerians settled in the area known as Mesopotamia, between the Tigris and Euphrates Rivers, around 5,000 years ago. They produced many fundamental changes to the way in which human societies developed - these were the first city-builders, the first people to use wheeled vehicles, the first methodical astronomers, and the first people to develop a sophisticated written language. The Sumerians also produced art, music, and literature as well as created some of the first professional soldiers the world had ever seen.

Leonardo da Vinci created the two most famous paintings in history, The Last Supper and the Mona Lisa. But in his own mind, he was just as much a man of science and engineering. With a passion that sometimes became obsessive, he pursued innovative studies of anatomy, fossils, birds, the heart, flying machines, botany, geology, and weaponry.

William Wallace; if ever there was a champion in the annals of Scottish history, he was it. Known as a proud Scot who rose through the ranks to challenge the English king, Wallace was a mere man who became larger than life - large enough even for the likes of Mel Gibson to play him in Braveheart for movie-going audiences on the silver screen. But who was William Wallace? What separates the real man from the myth?

The period following the end of the Civil War has become known as the Reconstruction Era, and during this time there were efforts to achieve two separate goals: to reintegrate the former rebel southern states and the emancipation and granting of civil rights to freed slaves. The Reconstruction Era was a period of turmoil and change in the United States, and it ended not with a complete victory for either side but with a compromise which satisfied no-one...This is the complex and sometimes confusing story of the Reconstruction Era.

From the bullfights of Spain to safaris in East Africa; from being a war correspondent in war zones around the world to surviving multiple airplane and car crashes, Hemingway’s life is a riveting story worth exploring in and of itself.

Abraham Lincoln's determination to hold the North and South together would ultimately lead to the bloodiest war in American history, the abolition of slavery, and his own untimely death from an assassin’s bullet. But to see Lincoln solely as a tragic figure consumed with the strife of mid-19th century America is to miss meeting him as a man who never allowed himself to be defeated by adversity, grief, or turmoil.

In the tradition of John Richardson's Picasso, a commanding new biography of the Italian master's tumultuous life and mysterious death. For four hundred years Caravaggio's (1571-1610) staggering artistic achievements have thrilled viewers, yet his volatile personal trajectory - the murder of Ranuccio Tomasini, the doubt surrounding Caravaggio's sexuality, the chain of events that began with his imprisonment on Malta and ended with his premature death - has long confounded historians.

Benjamin Franklin is the founding father who winks at us - an ambitious urban entrepreneur who rose up the social ladder, from leather-aproned shopkeeper to dining with kings. In best-selling author Walter Isaacson's vivid and witty full-scale biography, we discover why Franklin turns to us from history's stage with eyes that twinkle from behind his new-fangled spectacles. In Benjamin Franklin, Isaacson shows how Franklin defines both his own time and ours. The most interesting thing that Franklin invented, and continually reinvented, was himself.

Some 500 years ago, Sandro Botticelli, a painter of humble origin, created work of unearthly beauty. An intimate associate of Florence’s unofficial rulers, the Medici, he was commissioned by a member of their family to execute a near-impossible project: to illustrate all 100 cantos of The Divine Comedy by the city’s greatest poet, Dante Alighieri. A powerful encounter between poet and artist, sacred and secular, earthly and evanescent, these drawings produced a wealth of stunning images but were never finished.

Five hundred years ago, Michelangelo began work on a painting that became one of the most famous pieces of art in the world - the Sistine Chapel ceiling. Every year millions of people come to see Michelangelo's Sistine ceiling, which is the largest fresco painting on earth in the holiest of Christianity's chapels; yet there is not one single Christian image in this vast, magnificent artwork.

Michelangelo's Sistine Chapel ceiling is one of the most iconic masterpieces of the Renaissance. Here, in Raphael, Painter in Rome, Storey tells of its creation as never before: through the eyes of Michelangelo's fiercest rival - the young, beautiful, brilliant painter of perfection, Raphael. Orphaned at age 11, Raphael is determined to keep the deathbed promise he made to his father: become the greatest artist in history. But to be the best, he must beat the best, the legendary sculptor of the David, Michelangelo Buonarroti.

This is Irving Stone's powerful and passionate biographical novel of Michelangelo. His time: the turbulent Renaissance, the years of poisoning princes, warring popes, the all-powerful Medici family, the fanatic monk Savonarola. His loves: the frail and lovely daughter of Lorenzo de Medici; the ardent mistress of Marco Aldovrandi; and his last love - his greatest love - the beautiful, unhappy Vittoria Colonna.