
Modern British Drama
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Narrated by:
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Peter Saccio
About this listen
Waiting for Godot. The Importance of Being Earnest. Rosencrantz and Guildenstern Are Dead. Since Shakespeare's time, no period has produced more brilliant and various theatrical dramas in Great Britain than in the past 100 years.
Professor Saccio has selected the major British playwrights of the past century to cover Wilde, Shaw, Coward, Beckett, Osborne, Pinter, Stoppard, Churchill, and Hare. Why this roster of modern British playwrights? As you'll discover while exploring their great works in these eight lectures, some of them celebrate (or satirize) elite manners, some explore the changes in a kingdom that once ruled a quarter of the globe, some assault the sociopolitical establishment, and some probe the Existential anxiety of the modern age. "Unlike other media, dramatic art occurs in a certain place in time; in the 'here and now,'" states Professor Saccio.
You'll examine the role theater has played in British culture and society over the past 100 years. You'll witness the evolution of the stylistic conventions of the British play, from the genteel drawing-room comedies of the late 19th century to the radical political theater of the late 20th century. Throughout this brief survey of some of the great innovators of the dramatic arts of the modern era, you'll understand how and why modern British drama has changed so dramatically, and you'll realize the importance of the political and social context in which these works were written.
PLEASE NOTE: When you purchase this title, the accompanying reference material will be available in your Library section along with the audio.
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But Jason Asano is settling into his new life. Now, a contest draws young elites to the city of Greenstone to compete for a grand prize. Jason must gather a band of companions if he is to stand a chance against the best the world has to offer. While the young adventurers are caught up in competition, the city leaders deal with revelations of betrayal as a vast and terrible enemy is revealed. Although Jason seems uninvolved, he has unknowingly crossed the enemy’s path before.
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Guy Montag is a fireman. In his world, where television rules and literature is on the brink of extinction, firemen start fires rather than put them out. His job is to destroy the most illegal of commodities, the printed book, along with the houses in which they are hidden. Montag never questions the destruction and ruin his actions produce, returning each day to his bland life and wife, Mildred, who spends all day with her television "family."
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Johnnie Rico never really intended to join up—and definitely not the infantry. But now that he’s in the thick of it, trying to get through combat training harder than anything he could have imagined, he knows everyone in his unit is one bad move away from buying the farm in the interstellar war the Terran Federation is waging against the Arachnids. Because everyone in the Mobile Infantry fights. And if the training doesn’t kill you, the Bugs are more than ready to finish the job.
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The definitive version!
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As Charly struggles to recover from her brain injury, she begins to realize that the events of that fateful night are trapped in the damaged right side of her brain. Now, she must put the jigsaw pieces together to discover the identity of the man who tried to kill her...before he finishes the job he started.
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Who Else Laughed, Cried, and Shuddered?
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Every year, Caroline Reed takes a trip with her best friend, Esme Lamont. They’re usually accompanied by their spouses - but this year, everything’s changed. Esme has just gone through a bitter divorce, and Caroline's wondering if her own marriage is reaching its breaking point as she and her husband, John, cope with the discovery that their son has been abusing drugs. Still, the inseparable duo books a weeklong stay at a beach-front home in Shoreham, Florida, inviting Esme’s brother, Nick, and his new husband. After a blissful first night in the vacation home, tragedy strikes.
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Wonderful Story
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In fifth grade my teacher set us up with pen pals from a different school. Thinking I was a girl, with a name like Misha, the other teacher paired me up with her student Ryen. My teacher, believing Ryen was a boy like me, agreed. It didn't take long for us to figure out the mistake. And in no time at all, we were arguing about everything. The best take-out pizza. Android vs. iPhone. Whether or not Eminem is the greatest rapper ever. For the next seven years, it was us. She's the only one who keeps me on track, talks me down, and accepts everything I am.
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Way better than expected
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By: Penelope Douglas
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What listeners say about Modern British Drama
Average customer ratingsReviews - Please select the tabs below to change the source of reviews.
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- Amazon Customer
- 04-16-22
Large pauses
Peter Saccio is brilliant and I greatly enjoyed this series of lectures but there are a number of chapters with very lengthy dead air time (almost 5 minutes) at the end of the lectures. This could easily be edited out but it wasn’t.
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- Kathryn
- 04-05-15
Very enjoyable!!
I really enjoyed this lecture series! Saccio is very engaging and the plays are crazy interesting!
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- Erik
- 08-12-14
Impressive introduction to Modern British Drama
What did you like best about this story?
Professor Saccio provides the social background of the plays in an illuminating way without losing focus from the dramatic pieces themselves. I especially liked the way he explained how the "comedy of manners" developed over time and how the various playwrights had adopted it to the transformations of British social environment over the 20th century.
Any additional comments?
I have listened to plenty of the Great Courses Series as well as Modern Scholar titles here on audible, and this is definitely among the best ones. I am very interested in literature but have never delved deeper intro drama before, and Professor Saccio was able to provide me with great insight into the art of theater. I would also say there is enough here to interest more experienced theater-goers; the speaker introduces the playwright and plays, gives his own interpretations, but never simplifies and often takes many different perspectives into consideration before drawing any conclusions. The course really piqued my interest and made me want to go to Britain to see all these wonderful plays. I had never heard of Tom Stoppard before, for instance, but now all I can think about is how to go see "Rosencrantz and Guildenstern are dead". Too bad I live in Sweden.
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5 people found this helpful